Portrait of Хайм Сутін

Хайм Сутін: Catalogue of the 100 Most Famous Paintings

Updated Жовтень 2026 · ranked by our popularity score (searches, visits and orders for each work) · 118 works by Хайм Сутін in our catalogue

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Chicken Hanging in Front of a Brick Wall (1924) is recorded as the most famous painting of Хайм Сутін; it is held by the Kunstmuseum Bern, Берн. Підвішена качка (1925) and Suburban Landscape with Red Houses (1917) occupy the second and third entries. Of the 118 works by Хайм Сутін recorded in the catalogue, the 100 best known are listed below, each entry with its date, the holding museum and a note on the work.

1893 – 1943, Смиловичі Expressionism Most works: Musée de l'Orangerie

Entries 1 to 10: the most famous Хайм Сутін paintings

2
Підвішена качка (1925) by Хайм Сутін

Підвішена качка

1925 · Олія на полотні · Ohara Museum of Art, Kurashiki

Художник та Шедевр: Чайм Сoutine та Картина «Підвішена Канарейка» Чайм Сoutine (1893–1943) – один із найвидатніших художників початку XX століття, що належить до руху експресіонізму. Його творчість характеризується глибокою емоційністю та інтуїтивним мисленням, що відбивається у складних композиціях і насиченими кольорами полотен. Сoutine був надзвичайно самостійним художником, який відмовився від прийняття усталених тенденцій свого часу, створюючи власний унікальний стиль, що поєднує традиції російського живопису з впливом західної культури. Його мистецький…

3
Suburban Landscape with Red Houses (1917) by Хайм Сутін

Suburban Landscape with Red Houses

1917 · Олія на полотні

In the turbulent landscape of early 20th-century modernism, few voices resonate with as much raw, visceral energy as that of Chaim Soutine. His 1917 masterpiece, Suburban Landscape with Red Houses, serves as a breathtaking window into the heart of Expressionism. This is not merely a depiction of a quiet neighborhood; it is an emotional upheaval captured on canvas. The painting invites the viewer into a world where the boundaries between…

4
Girl in Red (1919) by Хайм Сутін

Girl in Red

1919 · Oil

A woman sits, draped in a heavy shade of red. The color is thick, a visceral weight of pigment that seems to pulse against the surface. She is seated upon a chair, her hands resting upon its back, while a smaller chair sits in the distance, a silent companion in the room. A handbag lies near her feet, a solitary object in a space defined by shadow. Her face remains…

5
Portrait of a Child (1937) by Хайм Сутін

Portrait of a Child

1937 · Oil

In this intimate work, titled Portrait of a Child, the artist Chaim Soutine turns his gaze toward the quiet vulnerability of youth. Created about 1937, the painting presents a portrait of a young child, capturing a moment of profound stillness. There is a certain weight to the subject's presence, a sense of being caught in a private moment of thought.

6
Untitled (1411) by Хайм Сутін

Untitled (1411)

A woman sits draped in red. The color is heavy, a thick weight of pigment that seems to pulse against the paper. She turns her head away, her gaze lost to something unseen. A hat, dark and perhaps mystical, rests upon her hair. She is a solitary anchor in a shifting space. Around her, the edges of the world dissolve into shadows and half-formed shapes.

7
Beef and calf's head (1923) by Хайм Сутін

Beef and calf's head

1923 · Oil On Canvas · Musée de l'Orangerie, Париж

The composition is dominated by a large, central mass of meat that occupies most of the frame. To the left, a severed animal head is positioned within the arrangement. The color palette relies on highly saturated, warm tones, specifically crimson, vermilion, and ochre, which contrast against dark, murky browns and blacks in the background. Thick, gestural lines create a sense of movement across the surface. The shapes are organic and…

8
The Gipsy (1926) by Хайм Сутін

The Gipsy

1926 · Oil On Canvas · Statens Museum For Kunst, Копенгаген

The Gipsy by Chaim Soutine, created about 1926, is a centered, bust-length portrait of a single figure. The subject possesses dark hair and directs the gaze slightly off-center rather than toward the viewer. This figure is positioned against a dark, indistinct background that lacks measurable depth, which focuses the attention entirely on the person. A saturated red scarf is wrapped around the neck, providing a sharp contrast to the surrounding…

9
Return from School After the Storm by Хайм Сутін

Return from School After the Storm

Oil

Two children navigate a dirt path through an open field, their figures positioned closely as they walk under a heavy, cloud-scattered sky. The scene captures a moment of transition, where the aftermath of a storm leaves a sense of stillness in the air. In the distance, a solitary figure moves away from the pair, adding a layer of quiet isolation to the natural setting. The composition focuses on the relationship…

Хайм Сутін, further entries: 11 to 100

11Still Life with Fowl [Nature Morte à La Volaille] (1918) by Хайм СутінStill Life with Fowl [Nature Morte à La Volaille]1918 · Nagoya City Art Museum 12Self-Portrait (1916) by Хайм СутінSelf-Portrait1916 · Державний музей-заповідник «Ермітаж» 13The big altar boy (1925) by Хайм СутінThe big altar boy1925 · Центр Помпіду 14Woman in Red Blouse (1919) by Хайм СутінWoman in Red Blouse1919 · Метрополітен-музей 15Portrait of Moise Kisling (1920) by Хайм СутінPortrait of Moise Kisling1920 16Woman in a Blue Dress (1924) by Хайм СутінWoman in a Blue Dress1924 · Музей сучасного мистецтва міста Парижа 17Young Woman in a White Blouse (1923) by Хайм СутінYoung Woman in a White Blouse1923 · Галерея Куртолада 18Seated Woman (1923) by Хайм СутінSeated Woman1923 · Кливлендський музей мистецтва 19Pastry Chef (1923) by Хайм СутінPastry Chef1923 20Servant Girl in Blue (1934) by Хайм СутінServant Girl in Blue1934 21Man with Horse (1920) by Хайм СутінMan with Horse1920 · Метрополітен-музей 22Still Life with Violin, Bread, and Fish (1922) by Хайм СутінStill Life with Violin, Bread, and Fish1922 · Kunstmuseum Basel 23Duck on Blue Background (1925) by Хайм СутінDuck on Blue Background1925 · Staatliche Kunsthalle Karlsruhe 24Little Girl in Blue (1935) by Хайм СутінLittle Girl in Blue1935 · Kunstmuseum Bern 25Dead Fowl (1926) by Хайм СутінDead Fowl1926 · Art Institute of Chicago 26untitled (8824) by Хайм Сутінuntitled (8824) 27The Table (1919) by Хайм СутінThe Table1919 · Musée de l'Orangerie 28The Turkey (1925) by Хайм СутінThe Turkey1925 · Musée de l'Orangerie 29Landscape by Хайм СутінLandscapeІзраїльський музей 30The Child by Хайм СутінThe Child 31untitled (4004) by Хайм Сутінuntitled (4004) 32Apples (1917) by Хайм СутінApples1917 · Метрополітен-музей 33Self Portrait with Beard (1917) by Хайм СутінSelf Portrait with Beard1917 34Self Portrait by Curtain (1917) by Хайм СутінSelf Portrait by Curtain1917 35The Plane Trees at Céret (1920) by Хайм СутінThe Plane Trees at Céret1920 36Vase of Flowers (1918) by Хайм СутінVase of Flowers1918 · Музей Грюневальда 37Landscape with Flight of Stairs (1922) by Хайм СутінLandscape with Flight of Stairs1922 · Національна галерея Ірландії 38Hill in Céret (1921) by Хайм СутінHill in Céret1921 · Ізраїльський музей 39View of Céret (1921) by Хайм СутінView of Céret1921 · Cincinnati Art Museum 40Landscape with character (1918) by Хайм СутінLandscape with character1918 · Musée de l'Orangerie 41The Houses (1920) by Хайм СутінThe Houses1920 · Musée de l'Orangerie 42Landscape at Ceret (1918) by Хайм СутінLandscape at Ceret1918 · Fine Arts Museums of San Francisco 43Still Life with Fish (1920) by Хайм СутінStill Life with Fish1920 · Метрополітен-музей 44Chemin de la Fontaine des Tins at Céret (1920) by Хайм СутінChemin de la Fontaine des Tins at Céret1920 45Steeple of Saint-Pierre at Céret (1922) by Хайм СутінSteeple of Saint-Pierre at Céret1922 46Houses at Ceret (1920) by Хайм СутінHouses at Ceret1920 47View of Ceret (1921) by Хайм СутінView of Ceret1921 48Ceret Landscape (1920) by Хайм СутінCeret Landscape1920 49Self Portrait (1918) by Хайм СутінSelf Portrait1918 50Селянка [La Fille de Ferme] (1919) by Хайм СутінСелянка [La Fille de Ferme]1919 · Nagoya City Art Museum 51Portrait of a Boy (1928) by Хайм СутінPortrait of a Boy1928 · Worcester Art Museum 52Calf and Red Curtain (1924) by Хайм СутінCalf and Red Curtain1924 · Ізраїльський музей 53Still Life with Rayfish (1923) by Хайм СутінStill Life with Rayfish1923 · Кливлендський музей мистецтва 54The Chicken (1926) by Хайм СутінThe Chicken1926 · Музей витончених мистецтв 55The Village (1923) by Хайм СутінThe Village1923 · Musée de l'Orangerie 56Landscape at Cagnes (1923) by Хайм СутінLandscape at Cagnes1923 · Art Institute of Chicago 57Dead fowl, (1924) by Хайм СутінDead fowl,1924 58(Carcass of beef) Minneapolis Institute of Arts (1926) by Хайм Сутін(Carcass of beef) Minneapolis Institute of Arts1926 · Minneapolis Institute of Art 59Gorge de Loup-sur-Vence (1923) by Хайм СутінGorge de Loup-sur-Vence1923 · Шотландська національна галерея сучасного мистецтва 60Houses of Cagnes (1925) by Хайм СутінHouses of Cagnes1925 61The White House (1933) by Хайм СутінThe White House1933 · Musée de l'Orangerie 62The Alley of Trees (1935) by Хайм СутінThe Alley of Trees1935 · Musée de Grenoble 63Woman in Profile (Portrait of Madame Tennent) (1937) by Хайм СутінWoman in Profile (Portrait of Madame Tennent)1937 64Landscape at Céret [Paysage à Céret] (1922) by Хайм СутінLandscape at Céret [Paysage à Céret]1922 · Nagoya City Art Museum 65The old mill by Хайм СутінThe old mill 66Landscape with trees in the wind (1919) by Хайм СутінLandscape with trees in the wind1919 · The Ema Klabin House Museum 67Windy Day, Auxerre by Хайм СутінWindy Day, AuxerreThe Phillips Collection 68Jeune Servante (Waiting Maid, also known as La Soubrette) (1933) by Хайм СутінJeune Servante (Waiting Maid, also known as La Soubrette)1933 · Ben Uri Gallery and Museum 69The Pheasant by Хайм СутінThe PheasantThe Phillips Collection 70Woman in Profile by Хайм СутінWoman in ProfileThe Phillips Collection 71Return from School After the Storm by Хайм СутінReturn from School After the StormThe Phillips Collection 72Landscape of Gréolières by Хайм СутінLandscape of Gréolières 73The Artist's Workshop in the City of Falguière by Хайм СутінThe Artist's Workshop in the City of Falguière 74The Falguière City by Хайм СутінThe Falguière City 75Homes in a Landscape by Хайм СутінHomes in a Landscape 76untitled (7655) by Хайм Сутінuntitled (7655) 77untitled (9695) by Хайм Сутінuntitled (9695) 78untitled (7349) by Хайм Сутінuntitled (7349) 79untitled (8701) by Хайм Сутінuntitled (8701) 80untitled (2675) by Хайм Сутінuntitled (2675) 81untitled (4171) by Хайм Сутінuntitled (4171) 82untitled (1043) by Хайм Сутінuntitled (1043) 83untitled (1362) by Хайм Сутінuntitled (1362) 84untitled (7544) by Хайм Сутінuntitled (7544) 85untitled (4036) by Хайм Сутінuntitled (4036) 86untitled (484) by Хайм Сутінuntitled (484) 87untitled (1818) by Хайм Сутінuntitled (1818) 88untitled (7142) by Хайм Сутінuntitled (7142) 89untitled (2412) by Хайм Сутінuntitled (2412) 90untitled (3452) by Хайм Сутінuntitled (3452) 91untitled (2795) by Хайм Сутінuntitled (2795) 92untitled (7502) by Хайм Сутінuntitled (7502) 93untitled (2684) by Хайм Сутінuntitled (2684) 94untitled (2219) by Хайм Сутінuntitled (2219) 95untitled (5106) by Хайм Сутінuntitled (5106) 96untitled (80) by Хайм Сутінuntitled (80) 97untitled (3865) by Хайм Сутінuntitled (3865) 98untitled (7795) by Хайм Сутінuntitled (7795) 99untitled (1693) by Хайм Сутінuntitled (1693) 100untitled (5980) by Хайм Сутінuntitled (5980)

Хайм Сутін: works by period

Principal subjects in the work of Хайм Сутін

The four subjects most frequently represented among these works, each with its best-known example.

Хайм Сутін: holding museums

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Хайм Сутін Paintings from this list
Musée de l'Orangerie, ПарижMusée de l'Orangerie Париж 9 Beef and calf's head, The Table, The Turkey
Метрополітен-музей, Нью-ЙоркМетрополітен-музей Нью-Йорк 7 Woman in Red Blouse, Man with Horse, Apples
The Phillips Collection, Вашингтон, округ КолумбіяThe Phillips Collection Вашингтон, округ Колумбія 4 Windy Day, Auxerre, The Pheasant, Woman in Profile
Nagoya City Art Museum, НагояNagoya City Art Museum Нагоя 3 Still Life with Fowl [Nature Morte à La Volaille], Селянка [La Fille de Ferme], Landscape at Céret [Paysage à Céret]
Ізраїльський музей, ЄрусалимІзраїльський музей Єрусалим 3 Landscape, Hill in Céret, Calf and Red Curtain
Kunstmuseum Bern, БернKunstmuseum Bern Берн 2 Chicken Hanging in Front of a Brick Wall, Little Girl in Blue
Кливлендський музей мистецтва, КлівлендКливлендський музей мистецтва Клівленд 2 Seated Woman, Still Life with Rayfish
Art Institute of Chicago, ЧикагоArt Institute of Chicago Чикаго 2 Dead Fowl, Landscape at Cagnes

Decade index: the principal Хайм Сутін painting of each

Works per decade

Select a decade to display its principal painting.

Questions frequently consulted on Хайм Сутін's paintings

What is the best-known work of Хайм Сутін?Display the answer

Chicken Hanging in Front of a Brick Wall (1924), Kunstmuseum Bern, Берн. The following entries are Підвішена качка (1925) and Suburban Landscape with Red Houses (1917).

How old was Хайм Сутін in the year of Chicken Hanging in Front of a Brick Wall?Display the answer

31 years: Хайм Сутін was born in 1893 and Chicken Hanging in Front of a Brick Wall is dated 1924.

What are the ten best-known works by Хайм Сутін?Display the answer

Chicken Hanging in Front of a Brick Wall, Підвішена качка, Suburban Landscape with Red Houses, Girl in Red, Portrait of a Child, Untitled (1411), Beef and calf's head, The Gipsy, Return from School After the Storm and Ceret Lanscape. The list above records the date and holding museum of each.

How many works by Хайм Сутін does the catalogue record?Display the answer

The catalogue records 118 works by Хайм Сутін, dated between 1916 and 1937.

Where are the principal works of Хайм Сутін held?Display the answer

Principally in Musée de l'Orangerie (Париж), Метрополітен-музей (Нью-Йорк) and The Phillips Collection (Вашингтон, округ Колумбія). The museum table above gives the full distribution.

During which period did Хайм Сутін produce the best-known works?Display the answer

In 1920s: 38 of the 100 works listed on this page are dated to that period, including Chicken Hanging in Front of a Brick Wall.

What are the earliest and latest best-known works by Хайм Сутін?Display the answer

The earliest dated work listed here is Self-Portrait (1916); the latest is Portrait of a Child (1937).

What subjects did Хайм Сутін treat most often?Display the answer

Meat (4), Portrait (4) and Portrait painting (4), out of the 100 works listed on this page.

What medium did Хайм Сутін employ most often?Display the answer

Oil On Canvas, in 14 of the 100 works listed on this page.

To which art movement is Хайм Сутін attributed?Display the answer

Expressionism, as documented by the works on this page.

Which paintings by Хайм Сутін does the Musée de l'Orangerie hold?Display the answer

Beef and calf's head, The Table and The Turkey are among the 7 works on this page in the collection of the Musée de l'Orangerie, Париж.

Can reproductions of Хайм Сутін's works be ordered?Display the answer

Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.

Biography of Хайм Сутін

A Life Forged in Turmoil: The World of Chaim Soutine

Chaim Soutine, a name synonymous with turbulent landscapes and emotionally charged portraits, was born into a world of profound hardship that irrevocably shaped his artistic vision. His early life in Smilovichi, a small Jewish shtetl near Minsk (present-day Belarus) in 1893, was steeped in poverty and the constraints of Orthodox religious observance – experiences that would become central themes within his intensely personal art. Despite a childhood marked by material scarcity and limited opportunities, Soutine’s innate talent for drawing began to blossom, hinting at the passionate intensity he would later unleash upon the canvas. Formal artistic training at an academy in Vilna (now Vilnius) from 1910 to 1913 provided him with foundational skills, but it was his emigration to Paris in 1913 that proved to be a pivotal turning point, immersing him within a vibrant and challenging artistic community. Initially struggling with extreme poverty – a reflection of the emotional turmoil he sought to express – Soutine’s early years in Paris were characterized by relentless struggle and a profound sense of isolation, yet they also laid the groundwork for his unique and groundbreaking style.

An Expressionist Apart: Style and Influences

While often categorized as an Expressionist, reducing Soutine solely to this label significantly diminishes the complexity of his artistic approach. His style was profoundly individual, a masterful synthesis of traditional European painting – particularly the evocative works of Dutch Masters like Rembrandt and Chardin, and the stark realism of Courbet – filtered through a lens of raw emotional intensity. He didn’t merely imitate these masters; he absorbed their techniques—their mastery of light, composition, and brushwork—and then violently reinterpreted them to convey his own deeply personal and often unsettling inner world. Soutine's canvases are immediately recognizable for their bold colors – applied with thick, impastoed strokes that create a palpable sense of physicality and texture – and agitated brushwork, conveying a feeling of restless energy and emotional turbulence. He deliberately rejected precise representation, prioritizing the capture of an object’s *essence* rather than its literal appearance. This focus on emotion led him to imbue his subjects—whether landscapes, portraits, or still lifes—with a sense of unease, psychological tension, and often, a haunting beauty. The influence of Rembrandt is particularly evident in Soutine's use of chiaroscuro – the dramatic contrast between light and shadow – which he employed not just for technical effect but to heighten the emotional impact of his scenes. Similarly, Courbet’s commitment to depicting the realities of everyday life informed Soutine’s unflinching portrayal of working-class individuals and humble subjects.

Development and Defining Works

Soutine's artistic journey unfolded through distinct phases, each marked by evolving stylistic approaches and thematic explorations. His early Parisian years (1913-1917) were a period of intense experimentation and struggle as he navigated the challenges of establishing himself within the city’s vibrant art scene. The time spent in Céret, southern France, between 1919 and 1922, proved to be particularly formative. Surrounded by the dramatic landscapes of the Pyrenees, Soutine produced a remarkable body of work characterized by vibrant colors, distorted forms, and an almost violent energy. These paintings—landscapes dominated by swirling trees, jagged cliffs, and fields of intense color—became emblematic of his mature style. Landscapes became vehicles for expressing not just what he saw but how he *felt* in the presence of these powerful natural elements. His portraits, too, stand apart for their psychological depth, often depicting working-class individuals with a raw honesty that challenged conventional portraiture and revealed the dignity and vulnerability of his subjects. Recurring themes—such as food, animals, and domestic objects—emerged throughout his oeuvre, reflecting both personal experiences rooted in childhood poverty and Jewish ritualistic traditions. Notable works from this period include studies related to “The Dance of Life,” alongside numerous landscapes capturing the essence of Céret, and poignant portraits of Russian émigrés in Paris.

Recognition, Legacy, and Lasting Impact

Despite facing initial skepticism and limited recognition during his lifetime, Chaim Soutine’s unique artistic vision gradually gained traction within the art world. The influential art dealer Leopold Zborowski played a crucial role in promoting Soutine's work and securing his financial stability, recognizing the singular power of his expressive style. While he remained largely outside of prevailing trends, Soutine’s paintings—particularly those produced during the 1920s and 30s—began to attract attention from collectors and critics alike. His innovative use of color, texture, and brushwork resonated with a generation of artists seeking to break free from traditional artistic conventions. Soutine's influence extended far beyond the Expressionist movement, impacting later artists such as Willem de Kooning and Francis Bacon, who admired his willingness to push the boundaries of representation in pursuit of authentic emotional expression. Today, Chaim Soutine is rightfully recognized as a major figure in 20th-century art—a pivotal bridge between traditional European painting techniques and the emerging forms of Abstract Expressionism. His legacy endures through the powerful intensity of his paintings, which continue to captivate viewers with their raw emotion, visceral energy, and profound sense of human experience.

All 118 works by Хайм Сутін →