Portrait of Едвард Лір

List of the 100 Most Famous Paintings by Едвард Лір

Updated Жовтень 2026 · ranked by our popularity score (searches, visits and orders for each work) · 419 works by Едвард Лір in our catalogue

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The most widely known painting by Едвард Лір is Cogoleto, Italy. The next entries are Crescenza and Blue And Yellow Macaw. The catalogue documents 419 works by Едвард Лір; the 100 entries below are the best known, listed in rank order with date, holding museum and description.

1812 – 1888, Гайґейт Romanticism Most works: Yale Center for British Art

Едвард Лір: the 10 principal paintings

1
Cogoleto, Italy by Едвард Лір

Cogoleto, Italy

Watercolor

The sun rests upon a sandy shore in Cogoleto, Italy. A mountain rises in the background, its silhouette watching over the water. Along the edge of the sea, small figures move through the light. Some people gather near the tide, while others linger further away, lost in the vastness of the landscape. A single dog wanders toward the right, a small presence against the expanse of the beach. The scene…

7
The Temple of Apollo at Bassae (1855) by Едвард Лір

The Temple of Apollo at Bassae

1855 · Oil On Canvas · Фитцвільямський коледж, Кембридж

The ruins of the Temple of Apollo at Bassae emerge from a rugged landscape, defined by heavy stone columns that support a weathered roof structure. In the foreground, the primary temple dominates the view, its pillars standing as silent witnesses to a lost era. Beyond this central structure, two smaller temples are visible in the distance, partially obscured by the natural terrain. The composition places the viewer amidst a scattering…

Едвард Лір: entries 11 to 100

11A Great Green Macaw by Едвард ЛірA Great Green Macaw 12Great Sulphur Cockatoo (Plyctolophus Sulphureus) by Едвард ЛірGreat Sulphur Cockatoo (Plyctolophus Sulphureus) 13Diano, South Of France by Едвард ЛірDiano, South Of France 14Philae, Egypt (1863) by Едвард ЛірPhilae, Egypt1863 · Yale Center for British Art 15The Plains of Lombardy from Monte Generoso (1880) by Едвард ЛірThe Plains of Lombardy from Monte Generoso1880 · Ашмолеанський музей мистецтва та археології 16Between Olavano and Civitella (1842) by Едвард ЛірBetween Olavano and Civitella1842 · Yale Center for British Art 17Civita Castellana (1839) by Едвард ЛірCivita Castellana1839 18Гори Термопилей (1852) by Едвард ЛірГори Термопилей1852 · Bristol Museum - Art Gallery 19A Study of Ferns, Civitella (1842) by Едвард ЛірA Study of Ferns, Civitella1842 · Yale Center for British Art 20Landscape with Goatherd (1842) by Едвард ЛірLandscape with Goatherd1842 · Yale Center for British Art 21Temple of Venus and Roma, Rome (1840) by Едвард ЛірTemple of Venus and Roma, Rome1840 · Yale Center for British Art 22Rome, a View of the Forum from a Terrace (1841) by Едвард ЛірRome, a View of the Forum from a Terrace1841 23Rome, a View of the Forum with the Temple of Venus (1841) by Едвард ЛірRome, a View of the Forum with the Temple of Venus1841 24A View of the Roman Campagna, a Villa and Aqueduct in the Distance (1841) by Едвард ЛірA View of the Roman Campagna, a Villa and Aqueduct in the Distance1841 25A View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance (1841) by Едвард ЛірA View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance1841 26Study of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany (1842) by Едвард ЛірStudy of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany1842 27Venosa (1852) by Едвард ЛірVenosa1852 · Толедський музей мистецтв 28Corfu from near the Village of Virós (1858) by Едвард ЛірCorfu from near the Village of Virós1858 · Rhode Island School of Design Museum of Art 29Jerusalem from the Mount of Olives (1858) by Едвард ЛірJerusalem from the Mount of Olives1858 · Ізраїльський музей 30Corfu from Ascension (1860) by Едвард ЛірCorfu from Ascension1860 · Yale Center for British Art 31Corfu from Ascension (1862) by Едвард ЛірCorfu from Ascension1862 · Yale Center for British Art 32Corfu from Santa Decca (1862) by Едвард ЛірCorfu from Santa Decca1862 · Yale Center for British Art 33Butrinto, Albania (1861) by Едвард ЛірButrinto, Albania1861 · Yale Center for British Art 34Zagori, Greece (1860) by Едвард ЛірZagori, Greece1860 · Yale Center for British Art 35Masada on the Dead Sea (1858) by Едвард ЛірMasada on the Dead Sea1858 · Fine Arts Museums of San Francisco 36View of the Ducal Palace, Massa, Northern Italy (1858) by Едвард ЛірView of the Ducal Palace, Massa, Northern Italy1858 37View in the Campagna, Rome (with a River) (1861) by Едвард ЛірView in the Campagna, Rome (with a River)1861 38View in the Campagna, Rome (with Ruins) (1861) by Едвард ЛірView in the Campagna, Rome (with Ruins)1861 39View of Florence from Villa San Firenze (1862) by Едвард ЛірView of Florence from Villa San Firenze1862 · Government Art Collection 40Corfu (1863) by Едвард ЛірCorfu1863 41The Forest of Valdoniello, Corsica (1869) by Едвард ЛірThe Forest of Valdoniello, Corsica1869 · Yale Center for British Art 42Denderah on the Nile (1867) by Едвард ЛірDenderah on the Nile1867 43Feluccas on the Nile near Abu-Simbel (1867) by Едвард ЛірFeluccas on the Nile near Abu-Simbel1867 44A Distant View of Nice from the Hills (1864) by Едвард ЛірA Distant View of Nice from the Hills1864 45Thermopylae (1872) by Едвард ЛірThermopylae1872 · Ашмолеанський музей мистецтва та археології 46Kinchinjunga (1877) by Едвард ЛірKinchinjunga1877 · Yale Center for British Art 47Campagna di Roma (1878) by Едвард ЛірCampagna di Roma1878 48Buon Ricovero, in the Roman Campagna (1878) by Едвард ЛірBuon Ricovero, in the Roman Campagna1878 49Kangchenjunga from Darjeeling (1879) by Едвард ЛірKangchenjunga from Darjeeling1879 · Yale Center for British Art 50The Marble Rocks - Nerbudda Jubbolpore (1882) by Едвард ЛірThe Marble Rocks - Nerbudda Jubbolpore1882 · Yale Center for British Art 51Argos from Mycene (1884) by Едвард ЛірArgos from Mycene1884 52A View of Adam's Peak, Ceylon (1882) by Едвард ЛірA View of Adam's Peak, Ceylon1882 · Government Art Collection 53Snowy Owl by Едвард ЛірSnowy Owl 54Villa Borghese, Rome by Едвард ЛірVilla Borghese, Rome 55Studies Of Sheep And Herdsmen by Едвард ЛірStudies Of Sheep And Herdsmen 56Views In Rome And Its Environs 2 by Едвард ЛірViews In Rome And Its Environs 2 57Opposite Calvi by Едвард ЛірOpposite Calvi 58Arabs Approaching Mount Sinai by Едвард ЛірArabs Approaching Mount Sinai 59Bocche Di Cattaro, Montenegro by Едвард ЛірBocche Di Cattaro, Montenegro 60Palaiukhora, Crete by Едвард ЛірPalaiukhora, Crete 61Naples, Italy by Едвард ЛірNaples, Italy 62Katholikó Akrotiri, Crete by Едвард ЛірKatholikó Akrotiri, Crete 63Damascus 3 by Едвард ЛірDamascus 3 64View Of Sermoneta, Italy by Едвард ЛірView Of Sermoneta, Italy 65Arkodyllus, Corfu by Едвард ЛірArkodyllus, Corfu 66View Of Jerusalem 1 by Едвард ЛірView Of Jerusalem 1 67The Monastery Of Baarlam, Meteora by Едвард ЛірThe Monastery Of Baarlam, Meteora 68Windermere From Lowwood, Cumbria by Едвард ЛірWindermere From Lowwood, Cumbria 69View Of Philae by Едвард ЛірView Of Philae 70Musta, Malta by Едвард ЛірMusta, Malta 71Modica, Sicily by Едвард ЛірModica, Sicily 72A View Of Sorrento, Italy by Едвард ЛірA View Of Sorrento, Italy 73Parnassus by Едвард ЛірParnassus 74Isola Pescatore, Lake Maggiore, Italy by Едвард ЛірIsola Pescatore, Lake Maggiore, Italy 75A View Of Santa Maura, Levkas, Ionian Islands by Едвард ЛірA View Of Santa Maura, Levkas, Ionian Islands 76Corfu From The Hill Of Gastouri by Едвард ЛірCorfu From The Hill Of Gastouri 77Pompey's Pillar by Едвард ЛірPompey's Pillar 78Figures On The Shore Near Edfu by Едвард ЛірFigures On The Shore Near Edfu 79Joannina, Epirus, Albania by Едвард ЛірJoannina, Epirus, Albania 80Travellers On A Road, Subiaco, Italy by Едвард ЛірTravellers On A Road, Subiaco, Italy 81The Pyramids Road by Едвард ЛірThe Pyramids Road 82View Of Eze, Côte D'azur, France 1 by Едвард ЛірView Of Eze, Côte D'azur, France 1 83An Arab Encampment In Wadi Feiran, Egypt by Едвард ЛірAn Arab Encampment In Wadi Feiran, Egypt 84The Claudian Aqueduct On The Via Appia Near Rome by Едвард ЛірThe Claudian Aqueduct On The Via Appia Near Rome 85A Distant View Of Mdina, Malta by Едвард ЛірA Distant View Of Mdina, Malta 86Galata, Constantinople by Едвард ЛірGalata, Constantinople 87Benares On The Ganges by Едвард ЛірBenares On The Ganges 88Sunrise At Erment, Egypt by Едвард ЛірSunrise At Erment, Egypt 89Porto Maurizio, Italy by Едвард ЛірPorto Maurizio, Italy 90The Nile Above Aswan by Едвард ЛірThe Nile Above Aswan 91A View Of Pauna, In The Ionian Islands by Едвард ЛірA View Of Pauna, In The Ionian Islands 92View Of Ratnapura, Ceylon by Едвард ЛірView Of Ratnapura, Ceylon 93Stairs Leading To S. Pietro In Vincoli by Едвард ЛірStairs Leading To S. Pietro In Vincoli 94Mount Oeta And Thermopylae From Near Lamia by Едвард ЛірMount Oeta And Thermopylae From Near Lamia 95Damascus by Едвард ЛірDamascus 96Arabs At Mount Sinai, Egypt by Едвард ЛірArabs At Mount Sinai, Egypt 97View Of Cythera, Greece by Едвард ЛірView Of Cythera, Greece 98The Upper Nile, Toske, Egypt by Едвард ЛірThe Upper Nile, Toske, Egypt 99Saffron-Coloured Aracari And Golden-Green Aracari by Едвард ЛірSaffron-Coloured Aracari And Golden-Green Aracari 100Prince Of Wales Road, Malta by Едвард ЛірPrince Of Wales Road, Malta

Principal subjects in the work of Едвард Лір

The four subjects most frequently represented among these works, each with its best-known example.

Едвард Лір: holding museums

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Едвард Лір Paintings from this list
Yale Center for British Art, Нью-ХейвенYale Center for British Art Нью-Хейвен 16 Philae, Egypt, Between Olavano and Civitella, A Study of Ferns, Civitella
Government Art Collection, ЛондонGovernment Art Collection Лондон 5 View of Florence from Villa San Firenze, A View of Adam's Peak, Ceylon
Ашмолеанський музей мистецтва та археології, ОксфордАшмолеанський музей мистецтва та археології Оксфорд 3 The Plains of Lombardy from Monte Generoso, Thermopylae
Ізраїльський музей, ЄрусалимІзраїльський музей Єрусалим 2 View of Bethlehem, Jerusalem from the Mount of Olives
Фитцвільямський коледж, КембриджФитцвільямський коледж Кембридж 1 The Temple of Apollo at Bassae
Bristol Museum - Art Gallery, БристольBristol Museum - Art Gallery Бристоль 1 Гори Термопилей
Толедський музей мистецтв, ТоледоТоледський музей мистецтв Толедо 1 Venosa
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 1 Corfu from near the Village of Virós

Едвард Лір: principal painting of each decade

Works per decade

Select a decade to display its principal painting.

Едвард Лір's paintings: reference questions

Which painting by Едвард Лір is the most widely known?Display the answer

Cogoleto, Italy. The following entries are Crescenza and Blue And Yellow Macaw.

Which ten paintings by Едвард Лір are the best known?Display the answer

Cogoleto, Italy, Crescenza, Blue And Yellow Macaw, View of Taormina in Sicily with Etna in the distance, View of Bethlehem, The Pyramids of Ghizeh, The Temple of Apollo at Bassae, Plains Of Ashdod, Israel, View Of Eze, Italy and Ithaca, Ionian Islands. The list above records the date and holding museum of each.

How many works by Едвард Лір are documented?Display the answer

The catalogue records 419 works by Едвард Лір, dated between 1839 and 1884.

Which museums hold the best-known paintings of Едвард Лір?Display the answer

Principally in Yale Center for British Art (Нью-Хейвен), Government Art Collection (Лондон) and Ашмолеанський музей мистецтва та археології (Оксфорд). The museum table above gives the full distribution.

In which period were Едвард Лір's best-known works painted?Display the answer

In 1860s: 14 of the 100 works listed on this page are dated to that period, including Philae, Egypt.

Which are the earliest and latest dated works by Едвард Лір on this list?Display the answer

The earliest dated work listed here is Civita Castellana (1839); the latest is Argos from Mycene (1884).

Which subjects recur most in the work of Едвард Лір?Display the answer

Landscape (11), Scenes (11) and Italy (11), out of the 100 works listed on this page.

Which medium predominates in the work of Едвард Лір?Display the answer

Watercolor, in 2 of the 100 works listed on this page.

With which art movement is Едвард Лір associated?Display the answer

Romanticism, as documented by the works on this page.

Which works by Едвард Лір are in the collection of the Yale Center for British Art?Display the answer

Philae, Egypt, Between Olavano and Civitella and A Study of Ferns, Civitella are among the 14 works on this page in the collection of the Yale Center for British Art, Нью-Хейвен.

Are reproductions of paintings by Едвард Лір available?Display the answer

Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.

Едвард Лір: biographical notes

A Life Painted in Nonsense and Light

Edward Lear, a name inextricably linked with whimsical verse and delightfully peculiar illustrations, was far more than simply the creator of limericks and fantastical creatures. Born in 1812 in Holloway, North London, into a family teeming with twenty-one children – a chaotic yet vibrant backdrop to his formative years – Lear’s early life was shaped by both financial instability and an undeniable artistic talent. His father, Jeremiah Lear, faced considerable hardship following the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This early necessity, however, ignited within him a lifelong passion that would propel him across continents, capturing the world in a kaleidoscope of vibrant hues and playful lines. The shadow of familial difficulty, coupled with recurring health challenges – including episodes of epilepsy and periods of melancholia he himself termed “the Morbids” – instilled within Lear a gentle sense of solitude and an inclination towards imaginative escape; qualities that profoundly resonated throughout his art and writing.

From Ornithological Precision to Landscape’s Embrace

Lear's artistic journey commenced with a remarkable degree of precision. Initially employed by the Zoological Society, he honed his skills meticulously illustrating birds and animals, demonstrating an extraordinary eye for detail and anatomical accuracy. This early work brought him to the attention of Edward Stanley, the 13th Earl of Derby, who commissioned Lear to document the exotic creatures residing within his private menagerie at Knowsley Hall. These years spent in close proximity to lions, tigers, and parrots not only refined his draftsmanship but also fostered a deep and abiding connection with the natural world – a bond that would become a cornerstone of his later landscape paintings. However, the demanding nature of ornithological illustration, coupled with increasingly debilitating eyesight and respiratory issues, eventually led him away from this exacting field. He turned instead to landscape painting, embarking on extensive and transformative travels throughout Europe and beyond. Italy became a particularly cherished haven, offering not only respite for his ailing health but also an abundance of inspiring vistas – the dramatic cliffs of Amalfi, the rolling hills of Tuscany, and the serene beauty of Lake Como all found their way onto his canvases. His landscapes are characterized by a unique blend of topographical accuracy and atmospheric sensitivity; he masterfully captured the subtle nuances of light and shadow, creating works that exuded both realism and an ethereal quality.

The Poet of Nonsense: A World Unbound

While celebrated primarily as a painter, it is perhaps for his literary contributions that Edward Lear remains most widely remembered. His “nonsense” poetry – particularly his limericks – revolutionized children’s literature and captivated audiences of all ages. *A Book of Nonsense*, published in 1846 under the pseudonym "Derry down Derry," introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren’t merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic. Lear didn't simply invent nonsense words; he crafted entire worlds governed by their own internal rules, inviting readers to suspend disbelief and embrace the joy of imagination. *The Owl and the Pussy-Cat*, arguably his most enduring poem, remains a beloved classic, its lyrical rhythm and evocative imagery continuing to enchant generations. Lear’s limericks often explored themes of loneliness, longing, and the inherent absurdity of existence – subjects cloaked within a veneer of whimsicality. He skillfully blended humor with poignant introspection, creating works that resonated deeply with readers on multiple levels.

Influences and Artistic Development

  • Early Influences: Lear’s initial artistic training was rooted in scientific illustration, demanding meticulous observation and an unwavering commitment to accuracy. This foundation shaped his precise draftsmanship and his ability to render intricate details, even as he later embraced more expressive styles.
  • Travel & Landscape Painting: His extensive travels throughout Europe – Italy, Greece, Egypt, and beyond – profoundly influenced his landscape work. He absorbed the light, colors, and textures of these diverse regions, developing a distinctive style characterized by atmospheric perspective and delicate brushwork.
  • Literary Inspiration: While he popularized the limerick, Lear was also inspired by earlier traditions of nonsense verse. His unique contribution lay in his ability to imbue this form with emotional depth and lyrical beauty.
  • Personal Experiences: Lear’s lifelong struggles with health issues and periods of melancholy deeply informed his artistic vision. The sense of isolation and longing that permeates much of his work reflects his own personal experiences – a vulnerability he skillfully channeled into his art.

A Legacy of Innovation and Enduring Charm

Edward Lear's influence extends far beyond the realm of children’s literature. He pioneered a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique. He was a true polymath – artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet – whose diverse talents converged to create a unique and enduring legacy. He challenged conventional boundaries, blurring the lines between art, literature, and music. His work continues to inspire artists, writers, and dreamers alike, reminding us of the power of imagination and the beauty of embracing the absurd. His paintings can be found in esteemed collections such as The Ashmolean Museum in Oxford, a testament to his skill as a landscape artist. Lear’s life, marked by both personal struggles and creative triumphs, serves as a poignant reminder that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit.

All 419 works by Едвард Лір →