Nghệ sĩ: Tiziano Vecellio (Titian)
chủ đề: Royalty
ngày: 1575
viện bảo tàng: Palazzo Ducale (Venice, Italy)
Kỹ thuật: Oil On Canvas
"The biographer Giorgio Vasari, in his Life of Titian, describes a similar portrait which he says could easily have been mistaken for a Giorgione if Titian had not signed it. This portrait was erroneously identified by early critics as the portrait of Ariosto; it is perhaps a likeness of Titian's earliest patron, a member of the noble Barbarigo family. In his early period, Titian's portraits are strongly realistic. The painting in its gripping tonal palpability and attention to detail, such as the stitching in the satin, has much in common with Giorgione's late portraits. But Titian, somewhat competitively, carries Giorgione's realism a step further in the way the sleeve billows out and invades our space, extending the boundaries of Giorgionismo in a burst of hyperrealism. The sitter's expression is arrogant, typical of the male dandy. The figure stands out in bold relief against the plain background and the colour emphasizes the unusual lighting, revealing the mood of the sitter as well as capturing his physical presence."
Nghệ sĩ |
|
|---|---|
Tải về |
|
Quyền |
Miễn phí cho sử dụng phi thương mại. Xem bên dưới. |
 |
This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the watermark. This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.
|
Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may
not be in the public domain in these countries, which moreover do not implement the
