更新于 October 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 10 件 Jost Amman 作品收录于我们的目录中
摘要
Jost Amman 最广为人知的作品是《Portrait of Stephen Bathory (detail). (1585)》，现藏于华沙的华沙皇家城堡。 接下来的条目是 The Feast Of Herod, 和 The Sin And Punishment Of The Thief Achan。 该目录收录了 Jost Amman 的 10 件作品；下方列出的 10 项为最著名的作品，按排名顺序排列，并包含创作日期、馆藏机构及作品描述。
A single figure commands the space, anchored by the heavy gravity of velvet and fur. Stephen Bathory is rendered in a moment of stillness, his posture a vertical line of authority against a draped, shadowed background. The light falls from the upper left, catching the ridges of a brocade tunic and the soft, dark texture of a fur lining. Every fold in the fabric carries a sense of physical weight,…
这些作品中最常出现的四个主题，以及各自最具代表性的范例。
收藏了本页中大部分画作的 1 家博物馆。
| 博物馆 | 城市 | Jost Amman 的作品 | 此列表中的画作 |
|---|---|---|---|
 华沙皇家城堡 |
华沙 | 1 | Portrait of Stephen Bathory (detail). |
本页列出的所有 Jost Amman 的作品均创作于 1585；以下按排名顺序排列。
选择年份以展示其代表作。
A single figure commands the space, anchored by the heavy gravity of velvet and fur. Stephen Bathory is rendered in a moment of stillness, his posture a vertical line of authority against a draped, shadowed background. The light falls from the upper left, catching the ridges of a brocade tunic and the soft, dark texture of a fur lining. Every fold in the fabric carries a sense of physical weight,…
Portrait of Stephen Bathory (detail). (1585)，华沙皇家城堡, 华沙。以下是The Feast Of Herod,和The Sin And Punishment Of The Thief Achan。
46岁：Jost Amman出生于1539，其作品Portrait of Stephen Bathory (detail).创作于1585年。
Portrait of Stephen Bathory (detail)., The Feast Of Herod,, The Sin And Punishment Of The Thief Achan, Jacob Wrestles With The Angel,, Nobilis Neapolitana' From Trachtenbuch Von Nurnberg (costume Book Of Nuremberg), Mauritana In Domestico' From Trachtenbuch Von Nurnberg (costume Book Of Nuremberg, Foemina Ex Praecipua Nobi' From Trachtenbuch Von Nurnberg (costume Book Of Nuremberg), The Priests Carry The Ark Of The Covenant, Zechariah's Vision Christ's Entry Into Jerusalem In The Background, 及 Russian embassy (1576 engraving)。上方列表记录了每件作品的创作日期及馆藏博物馆。
目录记录了 Jost Amman 的 10 件作品。
主要收藏于 华沙皇家城堡 (华沙)。上方的博物馆列表展示了完整的分布情况。
在本文档列出的 10 件作品中，共有 Clothing (3) 及 Books (3) 件。
Jost Amman (1539-1591) was a Swiss-German artist born in Zurich, Switzerland. His father was a professor of Classics and Logic, ensuring Jost received a well-rounded education – an unusual advantage for artists of his time. Little is known about his early artistic training, but his later work demonstrates a strong foundation in drawing and design.
In 1560, Amman moved to Nuremberg, a major center for printmaking at the time. He became a citizen of the city and remained there until his death in March 1591. Initially, he worked alongside Virgil Solis, a leading producer of book illustrations. This collaboration undoubtedly influenced Amman’s early style and technique.
Amman was remarkably productive; one account suggests his drawings from just four years could fill a hay wagon! Approximately 1,500 prints are attributed to him, making him one of the last major producers of woodcuts for books before engravings largely took over that role. He often employed specialist cutters (Formschneider) but occasionally signed his work with both a cutter’s knife and quill pen, suggesting he sometimes cut blocks himself.
Amman’s drawing style is characterized by its accuracy, spirit, and attention to detail. He excelled at depicting costumes with remarkable precision. While influenced by Virgil Solis, Amman developed his own distinct style, focusing on clarity and informative representation. His work reflects the Renaissance interest in observation and documentation.
Jost Amman played a crucial role in preserving visual records of 16th-century life. His illustrations provide invaluable information about trades, costumes, and social customs of the period. As one of the last major woodcut artists for books, he bridged the gap between traditional woodcut techniques and the emerging dominance of engraving. His work continues to be studied by historians, art scholars, and costume designers today.
Although paintings in oil and on glass have been attributed to Amman, none have been definitively identified. His enduring legacy rests primarily on his prolific output of woodcuts and book illustrations, which remain a testament to his skill, dedication, and the importance of visual documentation in the Renaissance era.
