更新于 October 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 141 件 萊昂·博納 作品收录于我们的目录中
摘要
Jacob Wrestling with the Angel (also known as La Lutte de Jacob) (1876) 被视为 萊昂·博納 最著名的代表作。 Portrait of Isaac Dignus Fransen van de Putte (1822-1902). Colonial Minister (1863-66, 1872-74) (1879) 与 Self-portrait (1918) (1918) 分别位列第二和第三。 在 萊昂·博納 收录于目录的 141 件作品中，以下列出了其中最著名的 100 件，每件作品均包含创作日期、收藏博物馆及相关说明。
The work before us is titled Jacob Wrestling with the Angel, though it is frequently referred to by its French name, La Lutte de Jacob. This piece was painted by Léon Joseph Florentin Bonnat in 1876. It is a significant example of the artist's engagement with religious narratives, rendered with a focus on the physical reality of the struggle depicted.
A single light source carves the face of Isaac Dignus Fransen van de Putte from a heavy, ink-black void. He sits with a rigid, vertical posture, his presence defined by the sharp contrast between a pale, starched collar and the deep shadows of his frock coat. The light catches the high ridge of his forehead and the steady gaze of a man accustomed to the gravity of statecraft. There is…
An elderly man sits within a frame of shadow and light. His face, etched with the textures of many years, turns toward the right while his eyes lock onto the viewer. A white beard descends in soft, defined strokes, catching the pale light that enters from the upper left. The background is a quiet expanse of ochre, burnt sienna, and deep umber, pressing close to the subject. He wears a…
This painting, titled ADAM ET EVE TROUVANT LE CORPS D'ABEL, was executed by the French artist Léon Bonnat. Created about 1861, the work belongs to the Moderne period. It is a significant example of the Académisme style, reflecting the rigorous training and technical precision characteristic of that movement.
A single figure stands in profile, caught in a moment of quiet stillness. The woman is draped in a gown of cool, light blue satin that catches the directional light from the upper left. This luminous fabric flows downward in heavy, sweeping folds, ending in delicate ruffles at the hem. Against the deep, warm umber and sienna tones of the background, the blue of her dress pulls the eye forward.…
The air in the chamber feels heavy, thick with the weight of a crown and the silence of a long-passed era. Standing before us, King Fruela II of Asturias commands the space with a stillness that feels almost monumental. He is draped in a mantle of deep, saturated crimson, a color so intense it seems to pulse against the dark, shadowy void behind him. This red is not merely a…
The room holds its breath as an elderly gentleman sits anchored in his chair. He is John Taylor Johnston, and the weight of his years settles around him in soft, muted tones. Light drifts in from the left, a gentle illumination that carves his features out of the surrounding shadows. It catches the silver of his beard and the subtle folds of his dark suit, lending a tangible volume to…
The Portrait of the count of Montalivet is an oil on canvas work by the French painter Léon Bonnat. It captures the likeness of Camille Bachasson, comte de Montalivet, a man who lived from 1801 to 1880. The painting was executed in 1878.
Léon Bonnat executed this oil on canvas in 1883, capturing the likeness of Levi Parsons Morton. The portrait presents the sitter in a formal, three-quarter length pose, establishing a sense of authority through a structured silhouette and a dark, atmospheric background. The composition focuses entirely on the subject, utilizing a directional light source from the upper left to define the facial features and hands against deep shadows.
The painter Ceferino Araujo Sánchez1864 · 普拉多博物馆
12
Self-Portrait1896 · National Gallery Prague
13
Self-portrait / Portrait of a young Man1855 · 奥赛博物馆
14
Portrait of Louise Lienhard1850
15
Self-portrait at the age of 171850 · Musée Bonnat-Helleu
16
Portrait of Marie Bonnat, the artist's sister1851 · Musée Bonnat-Helleu
17
Young woman doing charity at the entrance to the chapel of San Sebastián Hospital in Cordoba1863 · Goya Museum
18
Portrait of Jean Léglise, Merchant, Mayor of Saint-Martin-de-Seignanx1868 · 克利夫兰艺术博物馆
19
The victim1870 · 布宜诺斯艾利斯国家美术馆
20
An Arab Sheik1870 · 沃尔特斯艺术博物馆
21
Begging scene1865 · Musée Bonnat-Helleu
22
Portrait of an unidentified woman1868 · 卡纳瓦勒博物馆
23
Sketch for the ceiling of the courtroom of the Cour des Assises of the Palais de Justice in Paris: Justice1869 · Petit Palais
24
Sketch for the courtroom of the Cour des Assises of the Palais de Justice in Paris: Justice protecting the weak1866 · Petit Palais
25
An oriental barbershop1872 · 普希金国家美术馆
26
Adolphe Thiers1876
27
Portrait of Marguerite Franchetti1875 · Musée Bonnat-Helleu
28
Victor Hugo on his deathbed1885 · Musée Victor Hugo
29
Louisa Lee Schuyler1879 · 纽约历史学会
30
Precious Moments1880 · Museum of Fine Arts, St. Petersburg, Florida, USA
31
Portrait of George Aloysius Lucas1885 · 沃尔特斯艺术博物馆
32
Portrait de Monseigneur Félix-Arsène Billard1883
33
Italian Girl1880 · Munson-Williams-Proctor Arts Institute
34
Don't cry1879 · Musée Des Beaux Arts
35
George Lee Schuyler (1811-1890)1883 · 纽约历史学会
36
Portrait of Madame Georges Ehrler1880 · Petit Palais
37
John Taylor Johnston (1820 1893)1880 · 大都会艺术博物馆
38
Interior of the Sistine Chapel1880
39
Ernest Renan1892
40
Anna L. R. S. Morton1884 · 国家肖像画廊
41
Portrait of Henry Field1896 · 芝加哥艺术学院
42
Portrait of Auguste Cain1889 · Petit Palais
43
Portrait of Henri Harpignies1889 · Petit Palais
44
Job1888
45
Portrait of Aimilia Salvagou1894 · 国家美术馆 (National Gallery)
46
Henry Lillie Pierce1895 · 波士顿美术馆
47
George Martin Lane (1823-1897)1894 · 哈佛艺术博物馆
48
Portrait of Prince Viacheslav Tenishev1896 · 冬宫博物馆
49
The broken pitcher (version with ciocie)1900
50
The broken pitcher (barefoot version)1900
51
A little accident1900
52
Portrait de Madame Dubernet by Léon Bonnat1899 · Petit Palais
53
An Egyptian Peasant Woman and Her Child1869 · 大都会艺术博物馆
54
Portrait of Charles Ephrussi1906
55
Portrait of Georges Cain (1853-1919), painter and literary man1909 · 卡纳瓦勒博物馆
56
Christ on the CrossPetit Palais
57
Jules Grévy1880
58
Head of a White Horse1850 · 苏格兰国家美术馆
59
Kneeling girl in prayer (study for ^quot;Pilgrims at the Foot of the Statue of Saint Peter in Saint Peter's Church in Rome^quot;)1864
60
Fountain by the Cathedral of St. Peter in Rome1868 · 冬宫博物馆
61
Madame Pasca1874 · 奥赛博物馆
62
Italian Woman with Child1872 · Musée Bonnat-Helleu
63
Léon Gambetta1875 · 奥赛博物馆
64
Mary Sears (later Mrs. Francis Shaw)1878 · 波士顿美术馆
65
Henry White1882 · 国家美术馆
66
Jean Gigoux1880 · Musée Des Beaux
67
In the Mountains1879 · 冬宫博物馆
68
Sketch for the Salon des Arts at the Hôtel de Ville in Paris: The glorification of Art1888 · Petit Palais
69
French priest Pierre Bienvenu Noailles1889
70
Joseph Dreyfus1890
71
Idylle1890 · Musée Bonnat-Helleu
72
Pasteur and his granddaughter Camille Vallery-Radot1886 · 帕斯德博物馆
73
The Hand of Antoine-Louis Barye1897 · 沃尔特斯艺术博物馆
74
Eagle and Rabbit1897
75
Portrait du docteur Adrien Doyon
76
Portrait de Joseph Reinach (1856 1921)Musée d'Art Moderne et Contemporain de Strasbourg
77
JULES GREVY, PRESIDENT DE LA REPUBLIQUE (1807 1891)
78
LEON GAMBETTA (1838 1892)
79
ALEXANDRE DUMAS FILS (1824 1895)奥赛博物馆
80
LOUIS ADOLPHE THIERS, PRESIDENT DE LA REPUBLIQUE (1797 1877)
81
MADAME PASCA
82
ISAAC PEREIRE (1806 1880)
83
Victor Hugo (1802 1885)Musée Victor Hugo
84
Le cardinal Charles Lavigerie, archevêque d'Alger (1825 1892)奥赛博物馆
85
BERNIER LOUIS康德博物馆
86
Autoportrait
87
JOSEPH DREYFUS奥赛博物馆
88
Portrait de Monsieur CernuschiMusée Cernuschi
89
Maître Edouard Pascal
90
PORTRAIT DE L'ARTISTE奥赛博物馆
91
LA MARQUISE FEYDEAU DE BROU奥赛博物馆
92
Portrait de Louis Hector Leroux
93
Portrait de M. Daniel Guestier
94
Portrait du Vicomte Both de Tauzia
95
Madame Maurice Pascal et son chien Tiny
96
PORTRAIT DU GENERAL HENRI D'ORLEANS, DUC D'AUMALE (1880)康德博物馆
97
MADAME BONNAT
98
PORTRAIT DE L'ARTISTE AU CHAPEAU奥赛博物馆
99
PORTRAIT DU PRESIDENT DE LA REPUBLIQUE ARMAND FALLIERES奥赛博物馆
100
Portrait of Jules Grévy
这些作品中最常出现的四个主题，以及各自最具代表性的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 萊昂·博納 的作品 | 此列表中的画作 |
|---|---|---|---|
 奥赛博物馆 |
巴黎 | 15 | Portrait of a woman, Portrait of the count of Montalivet, Self-portrait / Portrait of a young Man |
 Petit Palais |
巴黎 | 8 | Sketch for the ceiling of the courtroom of the Cour des Assises of the Palais de Justice in Paris: Justice, Sketch for the courtroom of the Cour des Assises of the Palais de Justice in Paris: Justice protecting the weak, Portrait of Madame Georges Ehrler |
 Musée Bonnat-Helleu |
Bayonne | 7 | Self-portrait at the age of 17, Portrait of Marie Bonnat, the artist's sister, Begging scene |
 沃尔特斯艺术博物馆 |
巴尔的摩 | 6 | An Arab Sheik, Portrait of George Aloysius Lucas, The Hand of Antoine-Louis Barye |
 冬宫博物馆 |
圣彼得堡 | 4 | Portrait of Prince Viacheslav Tenishev, Fountain by the Cathedral of St. Peter in Rome, In the Mountains |
 普拉多博物馆 |
马德里 | 3 | Self-portrait (1918), Fruela II of Asturias (king of Asturias from 910 to 925), The painter Ceferino Araujo Sánchez |
 大都会艺术博物馆 |
纽约 | 3 | John Taylor Johnston (1820 1893), An Egyptian Peasant Woman and Her Child |
 康德博物馆 |
尚蒂伊 | 3 | BERNIER LOUIS, PORTRAIT DU GENERAL HENRI D'ORLEANS, DUC D'AUMALE (1880) |
选择一个年代以展示其代表画作。
The air in the chamber feels heavy, thick with the weight of a crown and the silence of a long-passed era. Standing before us, King Fruela II of Asturias commands the space with a stillness that feels almost monumental. He is draped in a mantle of deep, saturated crimson, a color so intense it seems to pulse against the dark, shadowy void behind him. This red is not merely a…
This oil on canvas portrait, executed in 1864, presents a close-up view of Ceferino Araujo Sánchez. The subject is a man with a dark beard and mustache, positioned centrally within the frame. His gaze is directed slightly downward, creating a sense of quiet introspection. The lighting is directional, originating from the upper left, which casts the right side of his face and the background into deep shadow. This technique produces…
The work before us is titled Jacob Wrestling with the Angel, though it is frequently referred to by its French name, La Lutte de Jacob. This piece was painted by Léon Joseph Florentin Bonnat in 1876. It is a significant example of the artist's engagement with religious narratives, rendered with a focus on the physical reality of the struggle depicted.
A single figure stands in profile, caught in a moment of quiet stillness. The woman is draped in a gown of cool, light blue satin that catches the directional light from the upper left. This luminous fabric flows downward in heavy, sweeping folds, ending in delicate ruffles at the hem. Against the deep, warm umber and sienna tones of the background, the blue of her dress pulls the eye forward.…
This oil on canvas portrait, executed in 1896, presents a bust-length view of an elderly man positioned slightly off-center. The subject looks directly toward the viewer with a weary and contemplative expression. His face is marked by the textures of age, with light originating from the upper left to cast shadows across the right side of his features, defining the forehead, cheekbone, and skin texture. A stark white beard and…
An elderly man sits within a frame of shadow and light. His face, etched with the textures of many years, turns toward the right while his eyes lock onto the viewer. A white beard descends in soft, defined strokes, catching the pale light that enters from the upper left. The background is a quiet expanse of ochre, burnt sienna, and deep umber, pressing close to the subject. He wears a…
Jacob Wrestling with the Angel (also known as La Lutte de Jacob) (1876)。以下是 Portrait of Isaac Dignus Fransen van de Putte (1822-1902). Colonial Minister (1863-66, 1872-74) (1879) 和 Self-portrait (1918) (1918)。
43岁：萊昂·博納出生于1833，其作品Jacob Wrestling with the Angel (also known as La Lutte de Jacob)创作于1876年。
Jacob Wrestling with the Angel (also known as La Lutte de Jacob), Portrait of Isaac Dignus Fransen van de Putte (1822-1902). Colonial Minister (1863-66, 1872-74), Self-portrait (1918), ADAM ET EVE TROUVANT LE CORPS D'ABEL, Portrait of a woman, Fruela II of Asturias (king of Asturias from 910 to 925), John Taylor Johnston (1820–1893), Portrait of the count of Montalivet, Levi Parsons Morton 及 The Martyrdom of Saint Denis (also known as Martyr de Saint Denis)。上方列表记录了每件作品的创作日期及馆藏博物馆。
目录记录了 萊昂·博納 的 141 件作品，创作时间在 1850 至 1918 之间。
主要收藏于 奥赛博物馆 (巴黎), Petit Palais (巴黎) 及 Musée Bonnat-Helleu (Bayonne)。上方的博物馆列表展示了完整的分布情况。
在 1880s 时期：本页列出的 100 件作品中有 22 件属于该时期，其中包括 Portrait of a woman。
此处列出的最早作品日期为 Portrait of Louise Lienhard (1850)，最晚为 Self-portrait (1918) (1918)。
在本文档列出的 100 件作品中，共有 Man (11), Portrait (7) 及 Dark background (5) 件。
Oil On Canvas，共计 14 件，收录于本页 100 件作品中。
如本页作品所记录的 Academic realism 及 Realism。
Portrait of a woman, Portrait of the count of Montalivet 及 Self-portrait / Portrait of a young Man 是 奥赛博物馆, 巴黎 馆藏中本页 12 件作品之一。
莱昂·约瑟夫·弗洛伦廷·博纳于1833年出生于法国拜阿讷，并于1922年辞世。他的早年生活在1846年迎来了一个有趣的转折点，当时他的家人移居马德里，他的父亲在那里开了一家书店。这次迁徙对年幼的博纳的艺术发展起到了至关重要的作用。在书店帮忙期间，他勤奋地临摹着古典大师作品的版画，这不仅培养了他对素描的深厚热情，也为他未来的艺术生涯奠定了基石。在回到巴黎之前，他曾在马德里接受过马德罗的正式训练。
来到巴黎后，博纳渴望进一步磨炼自己的技艺，师从著名的历史画家保罗·德拉罗什和莱昂·科涅。尽管他多次尝试，但并未能立即通过罗马奖竞赛进入享有盛誉的国立高等美术学院。然而，一份来自拜阿讷的奖学金使他得以在罗马度过三年（1858–60年），这段经历深刻地塑造了他的艺术视野。在此期间，他与埃德加·德加、古斯塔夫·莫罗以及雕塑家亨利·查普等艺术家结下了深厚的友谊。博纳的风格深受西班牙大师的影响，尤其是委拉斯开兹和胡塞佩·德·里贝拉，同时也受到了提香和凡·戴克等艺术家的启发，他曾在普拉多博物馆对这些大师的作品进行了细致入微的研究。
博纳很快在巴黎确立了自己作为顶尖肖像画家的地位，并不断获得委约创作。他的肖像画反映了他所钦佩的西班牙前辈的影响，其特点是写实主义、戏剧性的光影效果以及深刻的心理深度。他还探索了宗教主题和描绘意大利农民的风俗画，偶尔也会涉足东方主义题材。博纳的作品以鲜明的自然主义和拒绝过度修饰表面质感而著称，这种品质受到了泰奥菲尔·戈蒂耶等评论家的赞赏，后者还将他与风格更为圆润细腻的布格罗进行了鲜明的对比。
在整个职业生涯中，博纳赢得了极高的声誉。1869年，他在巴黎荣获荣誉勋章，并被任命为法国荣誉军团高级军官。1882年，他成为国立高等美术学院的教授，在那里他指导了众多抱负不凡的艺术家，其中包括约翰·辛格·盛特、劳特雷克和古斯塔夫·卡耶博特。1905年，他最终接替保罗·杜波依斯出任美术学院院长。博纳的教学理念强调简约、整体效果以及严谨的素描功底。他的代表作包括宗教题材绘画，如《受难的基督》、《约伯》以及《圣文森特取代两名船奴》。
博纳在当时的艺术界占据着独特的地位，他架起了学院派绘画与新兴印象派运动之间的桥梁。作为学院成员，他在学院和美术学院拥有行政权力。尽管他隶属于传统机构，但他却支持像埃德加·德加、奥古斯特·罗丹这样的独立艺术家，甚至为古斯塔夫·库尔贝提交给沙龙的作品进行辩护。为了表达对早期支持者的感激，博纳在故乡拜阿讷创立了博纳博物馆，馆内收藏了大量的古典大师素描以及他本人的作品。他的遗产通过他的绘画、极具影响力的教学生涯以及他建立的博物馆得以永存，为后代守护着艺术的传承。
