1
Cornelia Scheffer 最著名的 4 幅画作列表
更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 4 件 Cornelia Scheffer 作品收录于我们的目录中
摘要
Cornelia Scheffer 最广为人知的作品是《Self-portrait (1795)》，现藏于多德雷赫特的Dordrechts Museum。 接下来的条目是 Woman with Two Children on a Country Road (1811) 和 The Women of Souli (1833)。 该目录收录了 Cornelia Scheffer 的 4 件作品；下方列出的 4 项为最著名的作品，按排名顺序排列，并包含创作日期、馆藏机构及作品描述。
1769 – 1839, Dordrecht
藏品最多：Dordrechts Museum
Cornelia Scheffer 的 10 幅代表作
Cornelia Scheffer：博物馆珍藏
收藏了本页中大部分画作的 1 家博物馆。
| 博物馆 | 城市 | Cornelia Scheffer 的作品 | 此列表中的画作 |
|---|---|---|---|
 Dordrechts Museum |
多德雷赫特 | 4 | Self-portrait, Woman with Two Children on a Country Road, The Women of Souli |
Cornelia Scheffer：各年代代表画作
各年代作品数量
选择一个年代以展示其代表画作。
Cornelia Scheffer 的画作：参考问题
Cornelia Scheffer 的哪幅画作最广为人知？显示答案
Self-portrait (1795)，Dordrechts Museum, 多德雷赫特。以下是Woman with Two Children on a Country Road (1811)和The Women of Souli (1833)。
创作Self-portrait时，Cornelia Scheffer的年龄是多少？显示答案
26岁：Cornelia Scheffer出生于1769，其作品Self-portrait创作于1795年。
Cornelia Scheffer 的作品中有多少件已收录？显示答案
目录记录了 Cornelia Scheffer 的 4 件作品，创作时间在 1795 至 1833 之间。
哪些博物馆收藏有 Cornelia Scheffer 最著名的画作？显示答案
主要收藏于 Dordrechts Museum (多德雷赫特)。上方的博物馆列表展示了完整的分布情况。
在此列表中，Cornelia Scheffer 的创作年代最早和最晚的作品分别是哪些？显示答案
此处列出的最早作品日期为 Self-portrait (1795)，最晚为 The Women of Souli (1833)。
Cornelia Scheffer 的哪些作品被 Dordrechts Museum 所收藏？显示答案
Self-portrait, Woman with Two Children on a Country Road 及 The Women of Souli 是 Dordrechts Museum, 多德雷赫特 馆藏中本页 4 件作品之一。
Cornelia Scheffer：生平简介
A Life of Miniature Precision
Dordrecht, 1769. Cornelia Lamme enters the world as the daughter of Arie Lamme, a landscape painter whose influence likely shaped her early hands. She grows up within an artistic circle, learning the delicate nuances of portrait miniatures. Her childhood is marked by linguistic agility, mastering French, German, and English. The stability of the Dutch Republic shifts in 1787 when Prussian forces arrive; the family flees to the southern Netherlands for two years before returning home.
In October 1794, a union occurs that merges two artistic lineages. Cornelia marries Johann Baptist Scheffer. This partnership is defined by shared skill and the movement of a family through The Hague, Rotterdam, and Amsterdam. She carries the title of miniature painter, working with watercolor and gouache on ivory to capture the likenesses of her own kin.
The Move to Paris
The year 1809 brings a sudden fracture. Johann dies at age 45. The financial weight of the family shifts. Following the death of her husband, Cornelia moves to Brussels, and by 1811, she settles in Paris. This relocation is a calculated decision; she believes the French capital offers better prospects for an artist than the Netherlands. She brings her sons, Ary and Hendrik, into this new environment.
Life in Paris involves navigating the district of Saint-Germain under difficult financial circumstances. As her son Ary gains prominence, Cornelia finds a new rhythm within his orbit. Starting in 1821, she begins working as a copyist for him and Hendrik. She uses her brush to replicate their paintings, effectively building a personal collection of their work through duplication.
Legacy in Miniature
Cornelia’s presence in the Parisian art scene is felt through her proximity to the great figures of the era. While living with Ary in his villa near Montmartre, she likely encounters the likes of Eugene Delacroix, Theodore Gericault, and Jean Baptiste-Dominating Ingres. Her role as a mother and a copyist places her at the center of a significant artistic household.
Her technical output remains rooted in the intimate scale of her training:
- Self-portrait Cornelia Scheffer-Lamme: A 1795 painting capturing her own likeness.
- Miniature portraits of her family: Executed in watercolor and gouache on ivory, held in the Dordrechts museum.
- Genre works: Including pieces such as The women of Souli, a copy of her son's work.
She remains in Paris until her death in 1839 at age 70. She is laid to rest in the Montmartre Cemetery.