更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 114 件 丹尼尔·麦克尼 作品收录于我们的目录中
摘要
Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860) (1859) 被视为 丹尼尔·麦克尼 最著名的作品；现由位于 Glasgow 的 Royal Faculty of Procurators 收藏。 David Crawford (1790–1861), Deputy Lieutenant of Renfrewshire and Baron Baillie of Greenock (1856) 与 Archibald McNeill, Principal Clerk of Session (1858–1870) (1860) 分别位列第二和第三。 在 丹尼尔·麦克尼 收录于目录的 114 件作品中，以下列出了其中最著名的 100 件，每件作品均包含创作日期、收藏博物馆及相关说明。
Alexander Morrison sits in a stillness that suggests the heavy silence of a courtroom. He is a man defined by the gravity of his position, the Dean of Faculty, captured in a moment of repose that feels more like a pause in thought than a moment of rest. His legs are crossed, a posture of quiet authority, while his suit and tie anchor him to the formal expectations of his…
An elderly gentleman sits anchored in a heavy, upholstered armchair. The light falls upon his face with a quiet, dramatic weight, carving out the lines of a life lived in authority. He is David Crawford, a man whose presence is defined by the stillness of his pose and the dark, indistinct space that surrounds him. The shadows cling to the folds of his clothing and the deep recesses of the…
In this 1860 portrait, we find ourselves in the quiet, shadowed presence of Archibald McNeill. Seated in a formal armchair, the subject is presented with a gravity that reflects his significant position as Principal Clerk of Session. The composition is centered and deliberate, drawing the eye immediately to the man’s face and the steady gaze he holds. There is a certain stillness here, a sense of a life defined by…
In this 1858 portrait, we find ourselves in the presence of Horatio McCulloch, captured during a period of significant professional development. The subject is presented in a bust-length composition, his gaze directed slightly away from the viewer, suggesting a moment of quiet contemplation. There is a certain gravity in his expression, a seriousness that speaks to the dignity of a man deeply immersed in his own thoughts. The lighting is…
A Lady in Grey (The Artist's Daughter, Later Mrs Wiseman) is a portrait painted by Daniel Macnee in 1859. The subject of this work is the artist's daughter, Isabella Wiseman, who is identified in the title as the woman who later became Mrs Wiseman. The oil painting is currently held in the National Gallery of Scotland.
The gaze of Alexander Whitelaw, 1823 - 1879. Industrialist and philanthropist, meets the viewer through this formal oil portrait. He sits with a composed expression that speaks to his status and the weight of his contributions to industry and charity. Every line of his face and the set of his shoulders suggest a man of stability and purpose. The portrait captures him in a moment of quiet dignity, frozen against…
The portrait depicts an elderly man positioned slightly off-center to the right of the frame. He is shown from the chest up, facing forward with a direct gaze. He wears a dark, formal suit jacket over a waistcoat, both rendered with sharp lines that define the structure of the fabric. The lighting originates from the upper left, casting deep shadows across the right side of his face and the folds…
Rev. James Taylor, 1813 - 1892. Minister and author is an oil portrait by the Scottish painter Daniel Macnee. Executed in 1873, the work presents the subject in a scholarly or clerical setting. The sitter is positioned within an environment suggested by the presence of blurred bookshelves in the background.
The portrait depicts an elderly man seated at a desk, positioned centrally within the composition. He is shown in a formal pose, looking toward the viewer with a steady gaze. His face is marked by the textures of age, with fine lines around the eyes and skin that suggests a life of intellectual labor. He wears dark, heavy clothing that falls in deep, structured folds, catching the light to reveal…
In this portrait, we find ourselves in the presence of Adam Sim, a man whose life was deeply intertwined with the history of Coulter Mains. He sits with a composed, thoughtful air, his hands resting upon a book that suggests a life of intellect and quiet study. The composition is anchored by the weight of his presence, seated within a red velvet chair that bears the fine, intricate carvings of…
James Richardson of Ralston, Paisley
12
A Portrait Study of a Gentleman Standing in an Interior苏格兰国家美术馆
13
Lady Macnee and Her Daughter (Portrait of the Artist's Daughter and Granddaughter)1863 · 皇家苏格兰学院艺术与建筑展
14
John Wilson (1800–1849), Singer and Composer of Songs1830 · 苏格兰国家肖像画廊
15
The Hot Blast1840
16
Queen Victoria (1819–1901)1845
17
Mrs Agnes W. Whyte of Newbury1840
18
Agnes Smith Greig1840 · The Stirling Smith Art Gallery - Museum
19
Horatio McCulloch (1805–1867), RSA1842
20
John Ramsay McCulloch1840
21
Reverend Thomas Chalmers (1780–1847), Preacher and Social Reformer1843 · 苏格兰国家肖像画廊
22
The Bracelet1851 · 皇家苏格兰学院艺术与建筑展
23
Reverend Dr Ralph Wardlaw (1779–1853)1851
24
Douglas William Jerrold1853 · 国家肖像美术馆
25
Mrs Thomas McGuffie (1842–1908)1850
26
Louisa Balfour, Mrs James Mackenzie of Craigpark1850 · 苏格兰国家美术馆
27
Henry Marshall (1775–1851), Physician and Military Hygienist1850 · 苏格兰国家肖像画廊
28
Andrew Ure (1778–1857), MD, FRS1849
29
James Watson (1787–1871), MD, President of the Faculty of Physicians and Surgeons of Glasgow (1838–1841, 1849–1852 1857–1860)1851
30
Charles Mackay (1787–1857), Actor1854 · 苏格兰国家肖像画廊
31
Reverend Henry Cooke (1788–1868), DD1856
32
The Children of William Neish1862
33
Study for 'A Lady in Grey'1859 · 苏格兰国家美术馆
34
John Erskine, Manager of William Dunn's Machine Works, John Street, Glasgow1859
35
Horatio McCulloch (1805–1867), Landscape Painter1859 · 苏格兰国家肖像画廊
36
Mrs Catherine Glen Stronach of Lindsaylands1867
37
Alexander Stronach of Lindsaylands1867
38
Portrait of a Bearded Gentleman1865
39
Professor Robert Buchanan (1785–1873)1866
40
Reverend Thomas Barclay (1792–1873)1870
41
William Gibb, JP1871
42
Hugh Cowan1870 · Ayr Town Hall
43
Lady Macnee1870
44
Portrait of an Old Lady1864
45
Peter Denny (1821–1895)1868 · 国家海事博物馆
46
Reverend James Begg (1808–1883), Free Church Minister1869 · 苏格兰国家肖像画廊
47
Charles Mackay, LLD, FSA (unfinished)1870
48
Robert Home (c.1794–1867), Town Clerk1865 · Berwick-upon-tweed Town Hall
49
Alexander Dunlop Anderson, MD, President of the Faculty of Physicians and Surgeons of Glasgow (1852–1855)1870
50
Mrs Peter Simpson1870 · County Buildings
51
Sir James Bain (1817–1898)1870 · 苏格兰国家美术馆
52
Robert Carruthers (1799–1878)1871
53
My Little Dolly1866 · The Stirling Smith Art Gallery - Museum
54
John Hutton Balfour (1808–1884)1878
55
Professor Andrew Buchanan (1839–1876), Regius Professor of the Theory of Physics1872 · The Hunterian Museum and Art Gallery
56
Professor Allen Thomson (1809–1884), Professor of Anatomy at the University of Glasgow1878
57
Bailie James Moir (1806–1880)1877
58
Robert Dalglish (1808–1880), MP1874
59
Sir James Bain (1818–1898), Lord Provost of Glasgow (1874–1877)1878
60
Sam Bough (1822–1878)1878
61
John Carrick (1819–1890), Glasgow City Architect1877
62
John Ramsay McCulloch国家肖像美术馆
63
Charles Randolph (1809–1878), Engineer, Shipbuilder1879
64
John Boyd Baxter (1796–1882), Procurator Fiscal of Farfarshire1881
65
Arthur Perigal (1816–1884), Landscape Painter1881 · 苏格兰国家肖像画廊
66
John Gibson Fleming (1809–1879), President of the Faculty of Physicians and Surgeons of Glasgow (1865–1868, 1870–1872)1880
67
Burns and his Highland Mary苏格兰国家美术馆
68
A Portrait Study of a Gentleman Seated in an Interior苏格兰国家美术馆
69
Professor W. Mackenzie
70
Samuel Hunter (1769–1839), Editor of the 'Glasgow Herald'
71
The Sisters1868
72
Portrait of a Girl
73
Sir William Jackson (1805–1876), Bt, Member of Parliament for North Derbyshire
74
James White, Esq., of Overtoun
75
Burns and 'Highland Mary'
76
Reverend Dr William Anderson (1799–1873)
77
William Murray of Monkland, FRSE
78
William Mathieson
79
John Aitchison (1769–1859)
80
Clarkson Stanfield (1793–1867), HRSA, RA皇家苏格兰学院艺术与建筑展
81
Thomas Coats (1809–1883)
82
James Donaldson, Builder
83
John Elder (1824–1869)
84
Portrait Study of a Gentleman Standing in an Interior苏格兰国家美术馆
85
George BailleRoyal Faculty of Procurators
86
The Letter
87
David Roberts (1796–1864), HRSA, RA皇家苏格兰学院艺术与建筑展
88
Portrait Study of a Gentleman Seated in an Interior苏格兰国家美术馆
89
Dugald Moore
90
Mrs George Kerr
91
Anderson Kirkwood, LLDRoyal Faculty of Procurators
92
John Dykes, Provost (1860–1869)
93
Portrait Study of a Gentleman Standing in an Interior苏格兰国家美术馆
94
William Johnstone of Glenorchard (1806–1864)
95
Colonel John Ferrier Hamilton of Cairnhill (1786–1871)County Buildings
96
Sir John Whitehead纽约历史学会
97
Robert Perry (1783–1848), President of the Faculty of Physicians and Surgeons of Glasgow (1843–1845)
98
Peter Coats (1808–1890)
99
Portrait Study of Three Ladies and a Boy in Highland Dress in an Interior苏格兰国家美术馆
100
J. Francis Williams (1785–1846), RSA皇家苏格兰学院艺术与建筑展
#1 Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860)
#2 David Crawford (1790–1861), Deputy Lieutenant of Renfrewshire and Baron Baillie of Greenock
#3 Archibald McNeill, Principal Clerk of Session (1858–1870)
#4 Horatio McCulloch (1805–1867)
#5 A Lady in Grey (The Artist's Daughter, Later Mrs Wiseman)
这些作品中最常出现的四个主题，以及各自最具代表性的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 丹尼尔·麦克尼 的作品 | 此列表中的画作 |
|---|---|---|---|
 苏格兰国家美术馆 |
爱丁堡 | 17 | Horatio McCulloch (1805–1867), A Lady in Grey (The Artist's Daughter, Later Mrs Wiseman), A Portrait Study of a Gentleman Standing in an Interior |
 苏格兰国家肖像画廊 |
Edinburgh | 11 | Alexander Whitelaw, 1823 - 1879. Industrialist and philanthropist, Rev. James Taylor, 1813 - 1892. Minister and author, John Wilson (1800–1849), Singer and Composer of Songs |
 皇家苏格兰学院艺术与建筑展 |
爱丁堡 | 6 | Lady Macnee and Her Daughter (Portrait of the Artist's Daughter and Granddaughter), The Bracelet, Clarkson Stanfield (1793–1867), HRSA, RA |
 Royal Faculty of Procurators |
Glasgow | 3 | Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860), George Baille, Anderson Kirkwood, LLD |
 The Stirling Smith Art Gallery - Museum |
斯特灵 | 3 | Agnes Smith Greig, My Little Dolly |
 国家肖像美术馆 |
伦敦 | 2 | Douglas William Jerrold, John Ramsay McCulloch |
 County Buildings |
Ayr | 2 | Mrs Peter Simpson, Colonel John Ferrier Hamilton of Cairnhill (1786–1871) |
 Scottish Courts And Tribunals Service |
Edinburgh | 1 | Archibald McNeill, Principal Clerk of Session (1858–1870) |
选择一个年代以展示其代表画作。
The portrait captures John Wilson, a singer and composer, in a moment of quiet contemplation. He is rendered with a serious expression, his gaze directed away from the viewer toward an unseen distance. A beard and mustache frame a face that suggests a life of creative thought. He wears a formal suit and tie, the attire of a man of his era and professional standing. The composition places him as…
In this 1840 composition, we find ourselves drawn into a quiet, intimate room where the air seems thick with the weight of intellect and conversation. A group of men, dressed in the formal attire of the era, are gathered around a dining table. Some are seated, leaning into the dialogue, while others stand nearby, caught in a moment of pause. The scene is not one of celebration, but of serious…
Alexander Morrison sits in a stillness that suggests the heavy silence of a courtroom. He is a man defined by the gravity of his position, the Dean of Faculty, captured in a moment of repose that feels more like a pause in thought than a moment of rest. His legs are crossed, a posture of quiet authority, while his suit and tie anchor him to the formal expectations of his…
In this 1860 portrait, we find ourselves in the quiet, shadowed presence of Archibald McNeill. Seated in a formal armchair, the subject is presented with a gravity that reflects his significant position as Principal Clerk of Session. The composition is centered and deliberate, drawing the eye immediately to the man’s face and the steady gaze he holds. There is a certain stillness here, a sense of a life defined by…
The gaze of Alexander Whitelaw, 1823 - 1879. Industrialist and philanthropist, meets the viewer through this formal oil portrait. He sits with a composed expression that speaks to his status and the weight of his contributions to industry and charity. Every line of his face and the set of his shoulders suggest a man of stability and purpose. The portrait captures him in a moment of quiet dignity, frozen against…
Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860) (1859)，Royal Faculty of Procurators, Glasgow。以下是David Crawford (1790–1861), Deputy Lieutenant of Renfrewshire and Baron Baillie of Greenock (1856)和Archibald McNeill, Principal Clerk of Session (1858–1870) (1860)。
53岁：丹尼尔·麦克尼出生于1806，其作品Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860)创作于1859年。
Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860), David Crawford (1790–1861), Deputy Lieutenant of Renfrewshire and Baron Baillie of Greenock, Archibald McNeill, Principal Clerk of Session (1858–1870), Horatio McCulloch (1805–1867), A Lady in Grey (The Artist's Daughter, Later Mrs Wiseman), Alexander Whitelaw, 1823 - 1879. Industrialist and philanthropist, Sir James Matheson (1796–1878), Rev. James Taylor, 1813 - 1892. Minister and author, Professor Allen Thomson (1809–1884), FRCSEd (1832) 及 Adam Sim of Coulter Mains (1805–1868)。上方列表记录了每件作品的创作日期及馆藏博物馆。
目录记录了 丹尼尔·麦克尼 的 114 件作品，创作时间在 1830 至 1881 之间。
主要收藏于 苏格兰国家美术馆 (爱丁堡), 苏格兰国家肖像画廊 (Edinburgh) 及 皇家苏格兰学院艺术与建筑展 (爱丁堡)。上方的博物馆列表展示了完整的分布情况。
在 1870s 时期：本页列出的 100 件作品中有 22 件属于该时期，其中包括 Alexander Whitelaw, 1823 - 1879. Industrialist and philanthropist。
此处列出的最早作品日期为 John Wilson (1800–1849), Singer and Composer of Songs (1830)，最晚为 John Boyd Baxter (1796–1882), Procurator Fiscal of Farfarshire (1881)。
在本文档列出的 100 件作品中，共有 Man (18), Chair (12) 及 Suit (11) 件。
Oil On Canvas，共计 20 件，收录于本页 100 件作品中。
如本页作品所记录的 Academic realism。
Horatio McCulloch (1805–1867), A Lady in Grey (The Artist's Daughter, Later Mrs Wiseman) 及 A Portrait Study of a Gentleman Standing in an Interior 是 苏格兰国家美术馆, 爱丁堡 馆藏中本页 12 件作品之一。
丹尼尔·麦克尼 (1806 – 1882) 是苏格兰艺术史上举足轻重的人物，他因对苏格兰高地那令人心驰神往的描绘，以及在建立皇家苏格兰学院中所做出的卓越贡献而闻名于世。出生于伦敦显赫家族的他，艺术之旅始于优渥的成长环境，但很快，他的目光便转向了捕捉苏格兰那粗犷而原始的美感与灵魂——这种对自然的痴迷，最终定义了他的艺术生涯。
在早年的求学岁月里，麦克尼在伊顿公学接受了卓越的教育，随后在基督医院继续深造，在投身于辉煌的海军生涯之前，他已开始磨炼自己的艺术技巧。这段特殊的成长经历赋予了他严谨的纪律感与敏锐的观察力，这些品质在随后的绘画实践中被证明是无价之宝。他的艺术感悟深受苏格兰地貌的影响，尤其是在他长期居住的凯恩戈姆斯国家公园，他通过对地形图和素描的细致研究，力求精准地呈现出这些山区特有的壮丽景观与微妙的色调变化。这种对自然的敬畏，最终使他于1837年荣选进入皇家苏格兰学院，这一殊荣巩固了他作为苏格兰艺术界领军人物的地位。从1869年直到逝世，他一直担任学院院长，致力于倡导创新并为怀揣梦想的艺术家们营造支持性的创作环境。
在麦克尼众多的杰作中，或许最负盛名的当属1859年的《灰衣女士》。这幅作品是他女儿（后来的威斯曼夫人）的肖像画，以非凡的写实主义与细腻的情感著称，完美展示了麦克尼对色调渐变的精湛掌控——他巧妙地运用这一技巧来传达画面的情绪与质感。画中沉稳的色调既反映了当时的艺术潮流，又同时捕捉到了画中人物那份静谧而高贵的尊严。
除了肖像画，麦克尼还创作了大量展现其对光影与色彩敏锐洞察力的风景画。他的画布上，壮丽的山脉沐浴在金色的阳光下，传递出一种触手可及的宏伟感与宁静感。他通过极其细致的观察和考究的笔触实现了这种视觉效果，这使他的作品在描绘高地景观时，远比那些泛泛而谈的写意之作更为生动深刻。他的艺术风格深受光影主义（Luminism）的影响，这种运动强调大气效果与微妙的色调变化，他巧妙地吸收了乔治·卡莱布·宾汉姆和弗雷德里克·丘奇等艺术家的创作技法。凭借对细节的极致追求以及捕捉主体本质的坚定信念，他的画作作为苏格兰风景画与肖像画的永恒表达，在艺术史上留下了不朽的印记。
丹尼尔·麦克尼对苏格兰艺术的贡献早已超越了单件杰作的范畴；他在建立皇家苏格兰学院的过程中发挥了至关重要的作用，促进了艺术对话，并提升了苏格兰视觉艺术领域的卓越水准。时至今日，他的画作依然能引起观众的共鸣，它们如同时代的见证者，提醒着人们那个充满了浪漫主义理想主义、以及对自然崇高之美怀有坚定敬畏心的过往时代。麦克尼的遗产不仅存在于他的艺术成就之中，更体现在他对后世苏格兰艺术家持续深远的影响力之中。
