更新于 October 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 22 件 大卫·贝利 作品收录于我们的目录中
摘要
根据此排名，Johanna Visscher (1628) 是 大卫·贝利 最著名的画作；目前由位于 Bratislava 的 Slovak National Gallery 收藏。 其后是 Portrait of Ripperd Van Groenendijk (1650) 和 Portrait of Claudina Van Groenendijk (1633)。 本列表精选自 大卫·贝利 在目录中的 22 件作品，记录了其中最著名的 22 件，并为每件作品提供了创作日期、馆藏博物馆及详细描述。
David Bailly painted Johanna Visscher about 1628. The portrait presents a woman of high social standing, captured in a formal bust-length composition. She faces the viewer with a calm, direct gaze that establishes an immediate connection. Her status is signaled through the elaborate details of her attire, including a large, crisp white ruff collar and a jeweled bodice.
In this bust-length portrait, David Bailly presents the subject, Ripperd Van Groenendijk, with a quiet and dignified presence. The man is positioned slightly off-center, turned toward the viewer's right, yet his gaze meets the observer directly. This direct eye contact creates an immediate sense of connection between the sitter and the viewer. The composition is set against a dark, indistinct, and flat background, which ensures that the focus remains entirely…
Created in 1633, this work is a product of the Dutch Golden Age. The style reflects the period's preoccupation with technical precision and the realistic depiction of social status through costume. The portrait adheres to the conventions of 17th-century Dutch Baroque portraiture, where the focus remains entirely on the individual and the material markers of their identity. The meticulous attention to the textures of lace, linen, and silk demonstrates the…
Young man with a fur hat is a bust-length portrait by the Dutch Golden Age painter David Bailly. Known in Dutch as Jonge man met bontmuts, the work functions as a tronie, focusing on the character and expression of the subject rather than a specific individual's likeness. The sitter is presented in a close-up view, centered against a dark, indistinct background.
This oil on canvas work, titled Portrait of Antonius Walaeus, Professor of Jurisprudence at Leiden, was executed by the Dutch artist David Bailly. Dated about 1601, the painting presents a formal study of a man of high academic status. The subject is captured in a moment of quiet dignity, his presence defined by the scholarly weight of his position.
A young man emerges from a deep, indeterminate darkness, his presence defined by a sudden, sharp light that sweeps across his features. This is Gerrit Schaep, captured in a moment of quiet dignity. He sits in a three-quarter view, his body angled slightly away while his gaze meets the viewer with a steady, calm composure. The light, descending from the upper left, carves the contours of his face, casting soft…
The Portrait of Willem Ruychaver is an oil painting executed by David Bailly in 1632. This work belongs to the Dutch Golden Age, a period marked by significant developments in portraiture and still-life painting within the Netherlands.
A single figure emerges from a void of deep browns and blacks. This young man, captured in a three-quarter view, gazes out with a quiet, heavy stillness. His face is a landscape of soft light and subtle shadow, carved by a light source from the upper left. The skin possesses a smooth, painterly quality, transitioning gently into the dark collar at his neck. He wears a large, textured cap that…
In this 1640 oil portrait, we encounter Dirck van Egmond van de Nijenburg, a man whose steady gaze meets ours with a quiet, unyielding dignity. David Bailly has composed this bust-length study with a profound sense of gravity, placing the subject slightly off-center to create a natural, breathing presence. The lighting is deliberate, employing a chiaroscuro effect that pulls the man’s features out of a deep, dark background. One side…
The oil on canvas work titled Vanitas is a large and splendid example of the vanitas still life genre. Created by the Dutch painter David Bailly, the composition captures a dense arrangement of objects that speak to the fleeting nature of existence. The artist, born in 1584, rendered this scene with a focus on the material world's inevitable decay.
Portrait of an unknown woman wearing pearls1650
12
Self-Portrait1625 · 国家博物馆
13
Portrait of a Man1641 · 大都会艺术博物馆
14
Self-Portrait1625 · 国家博物馆
15
Portrait of a Man, Possibly a Botanist1641 · 大都会艺术博物馆
16
Portrait of Claudius Salmasius (Saumaise), philologist
17
Portrait of David Bailly in Cornelis de Bie's Gulden Cabinet.
18
Portrait of the Painter François Gysels
19
Portrait of Anthony de Wale1636 · 国家博物馆
20
Portrait of Prince Janusz RadziwiłłNational Museum in Wrocław
21
Self-Portrait with Vanitas Symbols1651 · Stedelijk Museum De Lakenhal
22
Portrait of Aertje Witsen国家博物馆
这些作品中最常出现的四个主题，以及各自最具代表性的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 大卫·贝利 的作品 | 此列表中的画作 |
|---|---|---|---|
 国家博物馆 |
阿姆斯特丹 | 5 | Young man with a fur hat, Self-Portrait, Self-Portrait |
 Slovak National Gallery |
Bratislava | 2 | Johanna Visscher, The Portrait of Gerrit Schaep |
 旧金山美术馆 |
旧金山 | 2 | Portrait of Ripperd Van Groenendijk, Portrait of Claudina Van Groenendijk |
 大都会艺术博物馆 |
纽约 | 2 | Portrait of a Man, Portrait of a Man, Possibly a Botanist |
 Museum van Loon |
Amsterdam | 1 | Portrait of Willem Ruychaver |
 Stedelijk Museum |
Alkmaar | 1 | Portrait of Dirck van Egmond van de Nijenburg (1614-1663) |
 Herbert F. Johnson Museum of Art |
伊萨卡 | 1 | Vanitas |
 National Museum in Wrocław |
Wrocław | 1 | Portrait of Prince Janusz Radziwiłł |
选择一个年代以展示其代表画作。
This oil on canvas work, titled Portrait of Antonius Walaeus, Professor of Jurisprudence at Leiden, was executed by the Dutch artist David Bailly. Dated about 1601, the painting presents a formal study of a man of high academic status. The subject is captured in a moment of quiet dignity, his presence defined by the scholarly weight of his position.
David Bailly painted Johanna Visscher about 1628. The portrait presents a woman of high social standing, captured in a formal bust-length composition. She faces the viewer with a calm, direct gaze that establishes an immediate connection. Her status is signaled through the elaborate details of her attire, including a large, crisp white ruff collar and a jeweled bodice.
Created in 1633, this work is a product of the Dutch Golden Age. The style reflects the period's preoccupation with technical precision and the realistic depiction of social status through costume. The portrait adheres to the conventions of 17th-century Dutch Baroque portraiture, where the focus remains entirely on the individual and the material markers of their identity. The meticulous attention to the textures of lace, linen, and silk demonstrates the…
In this 1640 oil portrait, we encounter Dirck van Egmond van de Nijenburg, a man whose steady gaze meets ours with a quiet, unyielding dignity. David Bailly has composed this bust-length study with a profound sense of gravity, placing the subject slightly off-center to create a natural, breathing presence. The lighting is deliberate, employing a chiaroscuro effect that pulls the man’s features out of a deep, dark background. One side…
In this bust-length portrait, David Bailly presents the subject, Ripperd Van Groenendijk, with a quiet and dignified presence. The man is positioned slightly off-center, turned toward the viewer's right, yet his gaze meets the observer directly. This direct eye contact creates an immediate sense of connection between the sitter and the viewer. The composition is set against a dark, indistinct, and flat background, which ensures that the focus remains entirely…
Johanna Visscher (1628)，Slovak National Gallery, Bratislava。以下是Portrait of Ripperd Van Groenendijk (1650)和Portrait of Claudina Van Groenendijk (1633)。
44岁：大卫·贝利出生于1584，其作品Johanna Visscher创作于1628年。
Johanna Visscher, Portrait of Ripperd Van Groenendijk, Portrait of Claudina Van Groenendijk, Young man with a fur hat, Portrait of Antonius Walaeus, Professor of Jurisprudence at Leiden, The Portrait of Gerrit Schaep, Portrait of Willem Ruychaver, Young Man in a Black Cap, Portrait of Dirck van Egmond van de Nijenburg (1614-1663) 及 Vanitas。上方列表记录了每件作品的创作日期及馆藏博物馆。
目录记录了 大卫·贝利 的 22 件作品，创作时间在 1601 至 1651 之间。
主要收藏于 国家博物馆 (阿姆斯特丹), Slovak National Gallery (Bratislava) 及 旧金山美术馆 (旧金山)。上方的博物馆列表展示了完整的分布情况。
在 1630s 时期：本页列出的 22 件作品中有 5 件属于该时期，其中包括 Portrait of Claudina Van Groenendijk。
此处列出的最早作品日期为 Portrait of Antonius Walaeus, Professor of Jurisprudence at Leiden (1601)，最晚为 Self-Portrait with Vanitas Symbols (1651)。
在本文档列出的 22 件作品中，共有 Man (8), Portrait (4) 及 White collar (3) 件。
Oil On Canvas，共计 5 件，收录于本页 22 件作品中。
如本页作品所记录的 Baroque 及 Dutch baroque。
Young man with a fur hat, Self-Portrait 及 Self-Portrait 是 国家博物馆, 阿姆斯特丹 馆藏中本页 5 件作品之一。
在1584年的荷兰莱顿，大卫·贝利降生于一个充满艺术气息的家庭。他的父亲彼得·贝利是一位来自佛兰德斯的移民，不仅精通书法，还是一位剑术大师。这种独特的家庭背景为大卫早期的艺术启蒙奠定了基础。在父亲和铜版画大师雅各布·德·盖恩的悉心指导下，他接受了严谨的素描训练，这种扎实的造型功底贯穿了他一生的创作。随后，通过在莱顿的外科医生兼画家阿德里安·维堡，以及阿姆斯特丹肖像画家科内利厄斯·范·德·福特门下的学徒生涯，大卫逐渐接触到了多元化的艺术技法与题材，为他日后的艺术成就积蓄了力量。
1608年的冬天，大卫·贝利开启了一段改变命运的“壮游”。他的足迹从法兰克福、纽伦堡、奥格斯堡，一直延伸到汉堡、蒂罗尔，最终抵达威尼斯，并在罗马停留。这段旅程对他艺术生命的蜕变至关重要。在威尼斯，他作为一名游学画师停留了五个月之久，深度汲取了意大利文艺复兴与威尼斯画派的艺术精髓。在归国的航程中，他甚至获得了包括布伦瑞克公爵在内的德国王公们的委托，这标志着他在艺术声望上的初步崛起。
1613年回到荷兰后，大卫·贝利进入了创作的鼎盛时期，其题材涵盖了静物画与肖像画等多个领域。他以细腻的自画像以及对莱顿大学师生生动的刻画而闻名。在这些作品中，我们不仅能看到精湛的写实技巧，更能感受到一种深刻的哲学思辨。他创作了大量的“虚空派”（Vanitas）绘画，通过花卉、蜡烛等易逝之物，隐喻生命的转瞬即逝，将艺术美感与对生命无常的沉思完美融合。他的肖像画风格以极高的写实度著称，能够敏锐地捕捉到模特的神韵与个性，展现出一种细腻的情感张力。
大卫·贝利在艺术界的地位在1648年得到了官方的认可，那一年他当选为莱顿圣路加行会（Guild of St. Luke）的首领，这足以证明他在当时艺术共同体中的卓越威望。除了个人的艺术成就，他还承担起传承者的重任，担任其侄子哈曼·斯滕维克和彼得·斯滕维克的导师，将毕生所学传授给下一代艺术家。
回顾大卫·贝利的一生，他的艺术风格深受他在壮游中所接触到的意大利大师，以及荷兰本土肖像画与静物画前辈的影响。在荷兰黄金时代艺术蓬勃发展的浪潮中，他通过那些富有洞察力的“虚空派”作品，深刻反映了那个时代对死亡与精神世界的关注，为荷兰艺术做出了卓越贡献。虽然在今日，他的名声或许不及同时代的某些巨匠那样家喻户晓，但大卫·贝利作为荷兰艺术史上的一位重要人物，始终代表着一种技术造诣、思想深度与艺术创新完美结合的典范。
