1
Peter Copmann：1 幅最著名画作目录
更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 1 件 Peter Copmann 作品收录于我们的目录中
摘要
Portræt af en ung pige (1824) 被视为 Peter Copmann 最著名的作品；现由位于 哥本哈根 的 斯泰恩斯博物馆艺术馆 收藏。 在 Peter Copmann 收录于目录的 1 件作品中，以下列出了其中最著名的 1 件，每件作品均包含创作日期、收藏博物馆及相关说明。
1794 – 1850, Rudkøbing
藏品最多：斯泰恩斯博物馆艺术馆
第 1 至 10 项：Peter Copmann 最著名的画作
Peter Copmann：博物馆珍藏
收藏了本页中大部分画作的 1 家博物馆。
| 博物馆 | 城市 | Peter Copmann 的作品 | 此列表中的画作 |
|---|---|---|---|
 斯泰恩斯博物馆艺术馆 |
哥本哈根 | 1 | Portræt af en ung pige |
年份索引：Peter Copmann 的代表作
本页面的每项 Peter Copmann 记录均标注有 1824 年；作品按排名顺序排列。
年度作品数量
选择年份以展示其代表作。
关于 Peter Copmann 作品的常见问题
Peter Copmann 最著名的作品是什么？显示答案
Portræt af en ung pige (1824)
在 Portræt af en ung pige 年时，Peter Copmann 岁数是多少？显示答案
30岁：Peter Copmann出生于1794，其作品Portræt af en ung pige创作于1824年。
目录中收录了多少件 Peter Copmann 的作品？显示答案
目录记录了 Peter Copmann 的 1 件作品。
Peter Copmann 的代表作收藏于何处？显示答案
主要收藏于 斯泰恩斯博物馆艺术馆 (哥本哈根)。上方的博物馆列表展示了完整的分布情况。
Peter Copmann 简介
A Life in Portraiture and Landscape
Born in 1794, Peter Copmann lived through a period of significant artistic transition. His life, which concluded in 1850, was defined by a commitment to capturing the likeness of individuals and the quiet details of the natural world. Working primarily in Denmark, he developed a skill for both the delicate touch of pastel and the precise lines of lithography. His hands were as comfortable with the soft, powdery texture of a portrait as they were with the technical demands of printmaking.
His work often focused on the human face, seeking to find the character within a sitter's gaze. In his 1832 pastel portrait of the composer Friedrich Kuhlau, Copmann demonstrated his ability to interpret existing works, creating a new version of a portrait originally painted by Christian Horneman. This ability to translate one medium into another shows a deep understanding of light and form. He did not merely copy; he reinterpreted the essence of his subjects through his own lens.
Technique and Subject Matter
Copmann’s repertoire was diverse, spanning from the intimate scale of a portrait to the expansive views of a rural scene. He moved between different artistic subjects with ease, often finding beauty in the simplest elements of nature. His technical range allowed him to explore various ways of seeing the world:
- Portraiture: He captured the presence of notable figures, using pastel to achieve a softness that mimicked the skin and clothing of his subjects.
- Landscape and Nature: His studies of the outdoors brought the quietude of the countryside into the studio.
- Lithography: Through printmaking, he was able to share his visions of people and places with a wider audience.
In his lithograph of Johan Christian Ryge, there is a specific focus on the subject's unwavering gaze. This directness creates a sense of psychological depth, making the viewer feel the weight of the sitter's presence. It is a quiet, steady way of engaging with the world, avoiding the dramatic in favor of the sincere.