Portrait of 柴姆·苏丁

柴姆·苏丁: Catalogue of the 100 Most Famous Paintings

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 118 works by 柴姆·苏丁 in our catalogue

Summary

Chicken Hanging in Front of a Brick Wall (1924) is recorded as the most famous painting of 柴姆·苏丁; it is held by the 伯恩美术馆, 伯恩. Hanging Duck (1925) and Suburban Landscape with Red Houses (1917) occupy the second and third entries. Of the 118 works by 柴姆·苏丁 recorded in the catalogue, the 100 best known are listed below, each entry with its date, the holding museum and a note on the work.

1893 – 1943, 斯米洛維奇 Expressionism Most works: 橘园美术馆

Entries 1 to 10: the most famous 柴姆·苏丁 paintings

3
Suburban Landscape with Red Houses (1917) by 柴姆·苏丁

Suburban Landscape with Red Houses

1917 · Oil On Canvas

In the turbulent landscape of early 20th-century modernism, few voices resonate with as much raw, visceral energy as that of Chaim Soutine. His 1917 masterpiece, Suburban Landscape with Red Houses, serves as a breathtaking window into the heart of Expressionism. This is not merely a depiction of a quiet neighborhood; it is an emotional upheaval captured on canvas. The painting invites the viewer into a world where the boundaries between…

4
Girl in Red (1919) by 柴姆·苏丁

Girl in Red

1919 · Oil

A woman sits, draped in a heavy shade of red. The color is thick, a visceral weight of pigment that seems to pulse against the surface. She is seated upon a chair, her hands resting upon its back, while a smaller chair sits in the distance, a silent companion in the room. A handbag lies near her feet, a solitary object in a space defined by shadow. Her face remains…

5
Portrait of a Child (1937) by 柴姆·苏丁

Portrait of a Child

1937 · Oil

In this intimate work, titled Portrait of a Child, the artist Chaim Soutine turns his gaze toward the quiet vulnerability of youth. Created about 1937, the painting presents a portrait of a young child, capturing a moment of profound stillness. There is a certain weight to the subject's presence, a sense of being caught in a private moment of thought.

6
Untitled (1411) by 柴姆·苏丁

Untitled (1411)

Watercolor · 国立西洋美术馆, 东京

A woman sits draped in red. The color is heavy, a thick weight of pigment that seems to pulse against the paper. She turns her head away, her gaze lost to something unseen. A hat, dark and perhaps mystical, rests upon her hair. She is a solitary anchor in a shifting space. Around her, the edges of the world dissolve into shadows and half-formed shapes.

7
Beef and calf's head (1923) by 柴姆·苏丁

Beef and calf's head

1923 · Oil On Canvas · 橘园美术馆, 巴黎

The composition is dominated by a large, central mass of meat that occupies most of the frame. To the left, a severed animal head is positioned within the arrangement. The color palette relies on highly saturated, warm tones, specifically crimson, vermilion, and ochre, which contrast against dark, murky browns and blacks in the background. Thick, gestural lines create a sense of movement across the surface. The shapes are organic and…

8
The Gipsy (1926) by 柴姆·苏丁

The Gipsy

1926 · Oil On Canvas · 斯泰恩斯博物馆艺术馆, 哥本哈根

The Gipsy by Chaim Soutine, created about 1926, is a centered, bust-length portrait of a single figure. The subject possesses dark hair and directs the gaze slightly off-center rather than toward the viewer. This figure is positioned against a dark, indistinct background that lacks measurable depth, which focuses the attention entirely on the person. A saturated red scarf is wrapped around the neck, providing a sharp contrast to the surrounding…

9
Return from School After the Storm by 柴姆·苏丁

Return from School After the Storm

Oil

Two children navigate a dirt path through an open field, their figures positioned closely as they walk under a heavy, cloud-scattered sky. The scene captures a moment of transition, where the aftermath of a storm leaves a sense of stillness in the air. In the distance, a solitary figure moves away from the pair, adding a layer of quiet isolation to the natural setting. The composition focuses on the relationship…

柴姆·苏丁, further entries: 11 to 100

11Still Life with Fowl [Nature Morte à La Volaille] (1918) by 柴姆·苏丁Still Life with Fowl [Nature Morte à La Volaille]1918 · 名古屋市美术馆 12Self-Portrait (1916) by 柴姆·苏丁Self-Portrait1916 · 冬宫博物馆 13The big altar boy (1925) by 柴姆·苏丁The big altar boy1925 · 蓬皮杜中心 14Woman in Red Blouse (1919) by 柴姆·苏丁Woman in Red Blouse1919 · 大都会艺术博物馆 15Portrait of Moise Kisling (1920) by 柴姆·苏丁Portrait of Moise Kisling1920 16Woman in a Blue Dress (1924) by 柴姆·苏丁Woman in a Blue Dress1924 · 巴黎市立现代艺术博物馆 17Young Woman in a White Blouse (1923) by 柴姆·苏丁Young Woman in a White Blouse1923 · 柯尔德美术馆 18Seated Woman (1923) by 柴姆·苏丁Seated Woman1923 · 纽约现代艺术博物馆 19Pastry Chef (1923) by 柴姆·苏丁Pastry Chef1923 20Servant Girl in Blue (1934) by 柴姆·苏丁Servant Girl in Blue1934 21Man with Horse (1920) by 柴姆·苏丁Man with Horse1920 · 大都会艺术博物馆 22Still Life with Violin, Bread, and Fish (1922) by 柴姆·苏丁Still Life with Violin, Bread, and Fish1922 · 巴塞尔艺术博物馆 23Duck on Blue Background (1925) by 柴姆·苏丁Duck on Blue Background1925 · 卡尔斯鲁厄州立美术馆 24Little Girl in Blue (1935) by 柴姆·苏丁Little Girl in Blue1935 · 伯恩美术馆 25Dead Fowl (1926) by 柴姆·苏丁Dead Fowl1926 · 芝加哥艺术学院 26untitled (8824) by 柴姆·苏丁untitled (8824) 27The Table (1919) by 柴姆·苏丁The Table1919 · 橘园美术馆 28The Turkey (1925) by 柴姆·苏丁The Turkey1925 · 橘园美术馆 29Landscape by 柴姆·苏丁Landscape以色列博物馆 30The Child by 柴姆·苏丁The Child 31untitled (4004) by 柴姆·苏丁untitled (4004) 32Apples (1917) by 柴姆·苏丁Apples1917 · 大都会艺术博物馆 33Self Portrait with Beard (1917) by 柴姆·苏丁Self Portrait with Beard1917 34Self Portrait by Curtain (1917) by 柴姆·苏丁Self Portrait by Curtain1917 35The Plane Trees at Céret (1920) by 柴姆·苏丁The Plane Trees at Céret1920 36Vase of Flowers (1918) by 柴姆·苏丁Vase of Flowers1918 · Musée d'Unterlinden 37Landscape with Flight of Stairs (1922) by 柴姆·苏丁Landscape with Flight of Stairs1922 · 爱尔兰国家美术馆 38Hill in Céret (1921) by 柴姆·苏丁Hill in Céret1921 · 以色列博物馆 39View of Céret (1921) by 柴姆·苏丁View of Céret1921 · 辛辛那提艺术博物馆 40Landscape with character (1918) by 柴姆·苏丁Landscape with character1918 · 橘园美术馆 41The Houses (1920) by 柴姆·苏丁The Houses1920 · 橘园美术馆 42Landscape at Ceret (1918) by 柴姆·苏丁Landscape at Ceret1918 · 旧金山美术馆 43Still Life with Fish (1920) by 柴姆·苏丁Still Life with Fish1920 · 大都会艺术博物馆 44Chemin de la Fontaine des Tins at Céret (1920) by 柴姆·苏丁Chemin de la Fontaine des Tins at Céret1920 45Steeple of Saint-Pierre at Céret (1922) by 柴姆·苏丁Steeple of Saint-Pierre at Céret1922 46Houses at Ceret (1920) by 柴姆·苏丁Houses at Ceret1920 47View of Ceret (1921) by 柴姆·苏丁View of Ceret1921 48Ceret Landscape (1920) by 柴姆·苏丁Ceret Landscape1920 49Self Portrait (1918) by 柴姆·苏丁Self Portrait1918 50Farm Girl [La Fille de Ferme] (1919) by 柴姆·苏丁Farm Girl [La Fille de Ferme]1919 · 名古屋市美术馆 51Portrait of a Boy (1928) by 柴姆·苏丁Portrait of a Boy1928 · 伍斯特艺术博物馆 52Calf and Red Curtain (1924) by 柴姆·苏丁Calf and Red Curtain1924 · 以色列博物馆 53Still Life with Rayfish (1923) by 柴姆·苏丁Still Life with Rayfish1923 · 纽约现代艺术博物馆 54The Chicken (1926) by 柴姆·苏丁The Chicken1926 · 休斯顿美术馆 55The Village (1923) by 柴姆·苏丁The Village1923 · 橘园美术馆 56Landscape at Cagnes (1923) by 柴姆·苏丁Landscape at Cagnes1923 · 芝加哥艺术学院 57Dead fowl, (1924) by 柴姆·苏丁Dead fowl,1924 58(Carcass of beef) Minneapolis Institute of Arts (1926) by 柴姆·苏丁(Carcass of beef) Minneapolis Institute of Arts1926 · 明尼阿波利斯艺术学院 59Gorge de Loup-sur-Vence (1923) by 柴姆·苏丁Gorge de Loup-sur-Vence1923 · Scottish National Gallery of Modern Art 60Houses of Cagnes (1925) by 柴姆·苏丁Houses of Cagnes1925 61The White House (1933) by 柴姆·苏丁The White House1933 · 橘园美术馆 62The Alley of Trees (1935) by 柴姆·苏丁The Alley of Trees1935 · 格勒诺布尔博物馆 63Woman in Profile (Portrait of Madame Tennent) (1937) by 柴姆·苏丁Woman in Profile (Portrait of Madame Tennent)1937 64Landscape at Céret [Paysage à Céret] (1922) by 柴姆·苏丁Landscape at Céret [Paysage à Céret]1922 · 名古屋市美术馆 65The old mill by 柴姆·苏丁The old mill 66Landscape with trees in the wind (1919) by 柴姆·苏丁Landscape with trees in the wind1919 · The Ema Klabin House Museum 67Windy Day, Auxerre by 柴姆·苏丁Windy Day, Auxerre菲利普斯收藏馆 68Jeune Servante (Waiting Maid, also known as La Soubrette) (1933) by 柴姆·苏丁Jeune Servante (Waiting Maid, also known as La Soubrette)1933 · Ben Uri Gallery and Museum 69The Pheasant by 柴姆·苏丁The Pheasant菲利普斯收藏馆 70Woman in Profile by 柴姆·苏丁Woman in Profile菲利普斯收藏馆 71Return from School After the Storm by 柴姆·苏丁Return from School After the Storm菲利普斯收藏馆 72Landscape of Gréolières by 柴姆·苏丁Landscape of Gréolières 73The Artist's Workshop in the City of Falguière by 柴姆·苏丁The Artist's Workshop in the City of Falguière 74The Falguière City by 柴姆·苏丁The Falguière City 75Homes in a Landscape by 柴姆·苏丁Homes in a Landscape 76untitled (7655) by 柴姆·苏丁untitled (7655) 77untitled (9695) by 柴姆·苏丁untitled (9695) 78untitled (7349) by 柴姆·苏丁untitled (7349) 79untitled (8701) by 柴姆·苏丁untitled (8701) 80untitled (2675) by 柴姆·苏丁untitled (2675) 81untitled (4171) by 柴姆·苏丁untitled (4171) 82untitled (1043) by 柴姆·苏丁untitled (1043) 83untitled (1362) by 柴姆·苏丁untitled (1362) 84untitled (7544) by 柴姆·苏丁untitled (7544) 85untitled (4036) by 柴姆·苏丁untitled (4036) 86untitled (484) by 柴姆·苏丁untitled (484) 87untitled (1818) by 柴姆·苏丁untitled (1818) 88untitled (7142) by 柴姆·苏丁untitled (7142) 89untitled (2412) by 柴姆·苏丁untitled (2412) 90untitled (3452) by 柴姆·苏丁untitled (3452) 91untitled (2795) by 柴姆·苏丁untitled (2795) 92untitled (7502) by 柴姆·苏丁untitled (7502) 93untitled (2684) by 柴姆·苏丁untitled (2684) 94untitled (2219) by 柴姆·苏丁untitled (2219) 95untitled (5106) by 柴姆·苏丁untitled (5106) 96untitled (80) by 柴姆·苏丁untitled (80) 97untitled (3865) by 柴姆·苏丁untitled (3865) 98untitled (7795) by 柴姆·苏丁untitled (7795) 99untitled (1693) by 柴姆·苏丁untitled (1693) 100untitled (5980) by 柴姆·苏丁untitled (5980)

柴姆·苏丁: works by period

Principal subjects in the work of 柴姆·苏丁

The four subjects most frequently represented among these works, each with its best-known example.

柴姆·苏丁: holding museums

The 8 museums that hold the most of the paintings on this page.

Museum City Works by 柴姆·苏丁 Paintings from this list
橘园美术馆, 巴黎橘园美术馆 巴黎 9 Beef and calf's head, The Table, The Turkey
大都会艺术博物馆, 纽约大都会艺术博物馆 纽约 7 Woman in Red Blouse, Man with Horse, Apples
菲利普斯收藏馆, 华盛顿特区菲利普斯收藏馆 华盛顿特区 4 Windy Day, Auxerre, The Pheasant, Woman in Profile
名古屋市美术馆, 名古屋名古屋市美术馆 名古屋 3 Still Life with Fowl [Nature Morte à La Volaille], Farm Girl [La Fille de Ferme], Landscape at Céret [Paysage à Céret]
以色列博物馆, 耶路撒冷以色列博物馆 耶路撒冷 3 Landscape, Hill in Céret, Calf and Red Curtain
伯恩美术馆, 伯恩伯恩美术馆 伯恩 2 Chicken Hanging in Front of a Brick Wall, Little Girl in Blue
纽约现代艺术博物馆, 克利夫蘭纽约现代艺术博物馆 克利夫蘭 2 Seated Woman, Still Life with Rayfish
芝加哥艺术学院, 芝加哥芝加哥艺术学院 芝加哥 2 Dead Fowl, Landscape at Cagnes

Decade index: the principal 柴姆·苏丁 painting of each

Works per decade

Select a decade to display its principal painting.

Questions frequently consulted on 柴姆·苏丁's paintings

What is the best-known work of 柴姆·苏丁?Display the answer

Chicken Hanging in Front of a Brick Wall (1924), 伯恩美术馆, 伯恩. The following entries are Hanging Duck (1925) and Suburban Landscape with Red Houses (1917).

How old was 柴姆·苏丁 in the year of Chicken Hanging in Front of a Brick Wall?Display the answer

31 years: 柴姆·苏丁 was born in 1893 and Chicken Hanging in Front of a Brick Wall is dated 1924.

What are the ten best-known works by 柴姆·苏丁?Display the answer

Chicken Hanging in Front of a Brick Wall, Hanging Duck, Suburban Landscape with Red Houses, Girl in Red, Portrait of a Child, Untitled (1411), Beef and calf's head, The Gipsy, Return from School After the Storm and Ceret Lanscape. The list above records the date and holding museum of each.

How many works by 柴姆·苏丁 does the catalogue record?Display the answer

The catalogue records 118 works by 柴姆·苏丁, dated between 1916 and 1937.

Where are the principal works of 柴姆·苏丁 held?Display the answer

Principally in 橘园美术馆 (巴黎), 大都会艺术博物馆 (纽约) and 菲利普斯收藏馆 (华盛顿特区). The museum table above gives the full distribution.

During which period did 柴姆·苏丁 produce the best-known works?Display the answer

In 1920s: 38 of the 100 works listed on this page are dated to that period, including Chicken Hanging in Front of a Brick Wall.

What are the earliest and latest best-known works by 柴姆·苏丁?Display the answer

The earliest dated work listed here is Self-Portrait (1916); the latest is Portrait of a Child (1937).

What subjects did 柴姆·苏丁 treat most often?Display the answer

Portrait (5), Meat (4) and Portrait painting (4), out of the 100 works listed on this page.

What medium did 柴姆·苏丁 employ most often?Display the answer

Oil On Canvas, in 16 of the 100 works listed on this page.

To which art movement is 柴姆·苏丁 attributed?Display the answer

Expressionism, as documented by the works on this page.

Which paintings by 柴姆·苏丁 does the 橘园美术馆 hold?Display the answer

Beef and calf's head, The Table and The Turkey are among the 7 works on this page in the collection of the 橘园美术馆, 巴黎.

Can reproductions of 柴姆·苏丁's works be ordered?Display the answer

Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.

Biography of 柴姆·苏丁

追溯风云:夏伊姆·苏汀的一生

夏伊姆·苏汀(Chaïm Soutine,1893-1943)的生命轨迹如同他笔下的色彩一般跌宕起伏。他出生于俄罗斯斯米洛维奇的一个贫困犹太家庭,幼年生活饱受艰辛。这段经历——物质匮乏和宗教社区限制并存的童年——深刻塑造了他对艺术的独特 vision 。尽管他的宗教信仰不鼓励具象绘画,但他天生的绘画天赋却在萌芽状态下蓬勃发展,预示着他日后作品中那份激烈的内在张力。1910年至1913年间,他在维尔纳(今立陶宛维尔纽斯)的一所艺术学院接受正规训练,但真正改变他命运的是1913年的移民巴黎。进入费南·科蒙的École des Beaux-Arts 后,苏汀身处充满活力的艺术氛围中,但他始终保持着独立性,开创了一条独一无二的道路。他在巴黎的初期生活依旧困苦,这种挣扎与画布上涌动的激情相呼应。

一位远离主流的表现主义者:风格与影响

苏汀常被归类为表现主义画家,但用这个标签来定义他显得过于局限。他的风格极具个性,是对欧洲传统绘画——尤其是荷兰大师伦勃朗和夏尔丹以及库尔贝的现实主义——的一种深刻综合,并经过了原始情感的过滤。他并非简单地模仿这些大师,而是吸收他们的技巧和构图策略,然后以一种近乎暴烈的姿态重新诠释它们,从而表达他内心的世界。鲜艳的色彩,通过厚涂法(impasto)——一种具有触觉质感的绘画技法,赋予他的画面强烈的物质感——以及激动的笔触是其风格的标志。苏汀并不追求精确的再现;他试图捕捉主体的情感本质,常常将它们注入不安或心理紧张感。风景、肖像和静物成为他探索这些主题的首选载体,其中食物和动物等 recurring themes 反映了他个人的经历和犹太传统。这些并非单纯的描绘,而是饱含着绝望能量的 visceral expressions 。

发展历程与代表作品

苏汀的艺术生涯经历了不同的阶段,每个阶段都呈现出独特的风格探索。巴黎初期的几年(1913-1917年),他在经济困境中摸索自己的声音。1919年至1922年在塞雷特度过的时期至关重要。正是在法国南部的壮丽风景中,他创作了许多最著名的作品。这些画作的特点是鲜艳的色彩、扭曲的形式和一种近乎暴力的能量感。树木、悬崖和田野成为 swirling masses of paint ,反映的不仅仅是苏汀所见,更是他*感受*到的东西。他的肖像也因其深刻的心理深度而独树一帜。他经常以一种坦诚的方式描绘工人阶级的人物,挑战了传统的肖像画惯例,展现了他笔下人物的尊严和脆弱性。同样,他的静物——食物和物品的组合——传达了一种活力感,但也有一种令人不安的能量,仿佛即使是无生命的物体也充满了生命和情感。这一时期的代表作品包括与“生命之舞”相关的研究,以及大量捕捉塞雷特精髓的风景画,还有对巴黎俄罗斯移民的 poignant portraits 。

认可、遗产与持久影响

苏汀是20世纪早期在巴黎学派中一位关键的人物,这是一个活跃于巴黎的多元艺术家群体。然而,他获得认可的道路并非一帆风顺。艺术品经销商利奥波德·兹博罗夫斯基在推广苏汀的作品和确保他的经济稳定方面发挥了重要作用,他敏锐地察觉到了其独特 vision 的力量。最初的评论褒贬不一,但他的声誉随着时间的推移稳步增长。他对颜料的表现主义运用和情感强度深刻影响了后来的艺术家,包括威廉·德·库宁和弗朗西斯·培根,他们在他身上看到了同类——一位愿意突破表现形式界限,追求真实表达的艺术家。今天,夏伊姆·苏汀被公认为表现主义的重要人物,也是20世纪艺术的重要贡献者。他的作品被世界各地著名的博物馆收藏,证明了他持久的遗产。他代表着传统欧洲绘画技巧与抽象表现主义新兴形式之间的关键桥梁,优先考虑情感表达而非客观再现,并发展出一种超越典型表现主义关注的艺术声音。他的创新风格为后代艺术家们探索人类情感的深度铺平了道路,通过颜料的力量实现。

All 118 works by 柴姆·苏丁 →