圭尔奇诺 肖像

圭尔奇诺 最著名的 100 幅画作列表

更新于 October 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 367 件 圭尔奇诺 作品收录于我们的目录中

摘要

圭尔奇诺 最广为人知的作品是《Pietà (1638)》,现藏于尚蒂伊的康德博物馆。 接下来的条目是 St Peter and the angel (1650) 和 David with the Head of Goliath (1657)。 该目录收录了 圭尔奇诺 的 367 件作品;下方列出的 100 项为最著名的作品,按排名顺序排列,并包含创作日期、馆藏机构及作品描述。

1591 – 1666, 琴托 Baroque 藏品最多:巴伐利亚州绘画收藏馆

圭尔奇诺 的 10 幅代表作

1
Pietà (1638) 由 圭尔奇诺

Pietà

1638 · Oil On Canvas · 康德博物馆, 尚蒂伊

This painting, titled Pietà (or La Pietà), is a significant work by the Italian artist Giovanni Francesco Barbieri, known to history by his nickname Guercino. Created between 1635 and 1640, the work reflects the artist's profound command over the dramatic language of the Baroque period. It is an oil on canvas that captures a moment of intense human sorrow through a highly controlled use of light and shadow.

2
St Peter and the angel (1650) 由 圭尔奇诺

St Peter and the angel

1650 · Acrylic On Canvas · 南澳大利亚美术馆, 阿德莱德

Guercino’s “St Peter and the Angel” is not merely a depiction of biblical figures; it's an intensely felt moment of solace, rendered with a raw emotionalism that distinguishes the artist from his more polished contemporaries. Painted in 1650, this work, measuring a modest 30 x 21 cm, embodies the turbulent spirit of Baroque Italy – a world grappling with religious fervor and social upheaval, yet simultaneously yearning for moments of…

3
David with the Head of Goliath (1657) 由 圭尔奇诺

David with the Head of Goliath

1657 · Oil On Canvas · 博伊曼斯·范·本宁根博物馆, 鹿特丹

A single, heavy silence hangs in the air. David lunges forward, his muscular torso caught in a sudden, sharp light that carves his anatomy from the surrounding shadows. He does not wear the triumphant grin of a conqueror; instead, his face holds a quiet, introspective gravity. His golden cloak, lined with white fur, sweeps across the composition in a diagonal arc, pulling the eye toward the severed head of Goliath.…

4
The Samian Sibyl with a Putto (1651) 由 圭尔奇诺

The Samian Sibyl with a Putto

1651 · Oil On Canvas · 国家美术馆, 伦敦

The room is heavy with silence and the weight of unseen truths. A woman, the Samian Sibyl, sits anchored beside a weathered wooden desk, her body forming a stable, pyramidal shape that commands the center of this shadowed space. She is lost in deep introspection, perhaps mourning or contemplating a future only she can perceive. Her face and chest catch a sudden, directional light emerging from the upper left, pulling…

5
Saint-Jean-Baptiste (1661) 由 圭尔奇诺

Saint-Jean-Baptiste

1661 · Oil On Canvas · 法布尔博物馆, 蒙彼利埃

The oil on canvas titled SAINT JEAN-BAPTISTE A LA SOURCE depicts the figure of Saint-Jean-Baptiste. This work was executed by the Italian artist Giovanni Francesco Barbieri, known as Guercino. The painting emerged from his brush about 1661, during the later years of his creative life. It captures a moment of quietude through the depiction of the saint at a spring.

6
La Madonna del passero 由 圭尔奇诺

La Madonna del passero

Oil

In this intimate composition, we find a moment of profound stillness between a mother and her child. The Virgin Mary, draped in a deep red garment, holds the infant Jesus with a tenderness that feels both sacred and deeply human. A small sparrow rests near them, its presence drawing the gaze of both figures. This bird is not merely a casual addition to the scene; it acts as a focal…

7
Painting and Drawing (1656) 由 圭尔奇诺

Painting and Drawing

1656 · Oil On Canvas · 德累斯顿国家艺术收藏馆, 德累斯顿

The oil on canvas titled Painting and Drawing was executed by the artist Guercino in 1656. This allegorical work captures a quiet moment of creative exchange between two figures. A woman sits at the center, her hands engaged in the act of creation, while an older man observes the progress of a sketch. The scene functions as a visual metaphor for the relationship between different modes of artistic expression.

8
Portrait of a Woman (1628) 由 圭尔奇诺

Portrait of a Woman

1628 · Oil · 巴伐利亚州绘画收藏馆, 慕尼黑

Guercino’s Portrait of a Woman, created about 1628, presents a close-up bust portrait of a young woman. The subject is positioned with her body slightly turned to her right, while her gaze is directed downward and toward the viewer's left. This orientation creates a sense of quiet introspection. The monochromatic color palette of this specific image emphasizes tonal range and the interplay of light rather than hue.

9
Christ and the Moneylender (1628) 由 圭尔奇诺

Christ and the Moneylender

1628 · Oil · 巴伐利亚州绘画收藏馆, 慕尼黑

The composition presents a close-up profile view of two male figures positioned against a dark, indistinct background. On the left, a figure with long dark hair and a beard looks downward, his expression settled into a contemplative or sorrowful state. He is dressed in a reddish-brown garment. To the right, a second figure is shown in profile, wearing a white turban accented with blue stripes. This man possesses a weathered…

10
St Anthony of Padua with the Infant Christ 由 圭尔奇诺

St Anthony of Padua with the Infant Christ

Oil On Canvas

In this intimate composition, we find St. Anthony of Padua cradling the Infant Christ. The scene is stripped of grandiosity, focusing instead on the profound connection between the Franciscan friar and the child. There is a palpable tenderness in the way the figures interact, a moment of stillness that invites the viewer into a private space of devotion. The light falls softly upon the figures, pulling them from the shadows…

圭尔奇诺:第 11 至 100 项

11Lot and His Daughters (1651) 由 圭尔奇诺Lot and His Daughters1651 · 托莱多艺术博物馆 12God the Father (1630) 由 圭尔奇诺God the Father1630 · 华沙国家博物馆 13Saint Francis with an angel playing violin (1620) 由 圭尔奇诺Saint Francis with an angel playing violin1620 · 华沙国家博物馆 14Study of Saint Matthew turned to his right, reading a book 由 圭尔奇诺Study of Saint Matthew turned to his right, reading a book 15The Glory of All the Saints. Fragment (1613) 由 圭尔奇诺The Glory of All the Saints. Fragment1613 16The Glory of All the Saints. Fragment (1613) 由 圭尔奇诺The Glory of All the Saints. Fragment1613 17Jael and Sisera (1616) 由 圭尔奇诺Jael and Sisera1616 18Madonna and Child with Saint John The Baptist (1616) 由 圭尔奇诺Madonna and Child with Saint John The Baptist1616 · 休斯顿美术馆 19Abraham and Hagar (1616) 由 圭尔奇诺Abraham and Hagar1616 · 斯泰恩斯博物馆艺术馆 20St. Francis in Ecstasy with St. Benedict and an Angel (1620) 由 圭尔奇诺St. Francis in Ecstasy with St. Benedict and an Angel1620 21The Persian Sybil (1628) 由 圭尔奇诺The Persian Sybil1628 · 巴伐利亚州绘画收藏馆 22St Sebastian (1628) 由 圭尔奇诺St Sebastian1628 · 巴伐利亚州绘画收藏馆 23Martyrdom of Saints John and Paul (1632) 由 圭尔奇诺Martyrdom of Saints John and Paul1632 · Musée des Augustins 24Saint Joseph with the Christ Child (1637) 由 圭尔奇诺Saint Joseph with the Christ Child1637 · 爱尔兰国家美术馆 25Circé (1637) 由 圭尔奇诺Circé1637 26Mary Magdalene (1645) 由 圭尔奇诺Mary Magdalene1645 27The Sick Child (1660) 由 圭尔奇诺The Sick Child1660 28St. Paul the Hermit Fed by the Raven (1660) 由 圭尔奇诺St. Paul the Hermit Fed by the Raven1660 · Dayton Art Institute 29Absalom and Tamar (1655) 由 圭尔奇诺Absalom and Tamar1655 30The Virgin and Child appearing to Saint Jerome (1650) 由 圭尔奇诺The Virgin and Child appearing to Saint Jerome1650 31Santa Palazia (1658) 由 圭尔奇诺Santa Palazia1658 · Museo Civico 32Virtuous Love (1666) 由 圭尔奇诺Virtuous Love1666 33Assumption of the Virgin (1650) 由 圭尔奇诺Assumption of the Virgin1650 · 底特律艺术学院 34Saint Paul (1700) 由 圭尔奇诺Saint Paul1700 · Slovak National Gallery 35Cleopatra (1621) 由 圭尔奇诺Cleopatra1621 · 亚美尼亚国家美术馆 36La Madonna del Carmine con San Giuseppe e Santa Teresa e Gloria d' Angeli 由 圭尔奇诺La Madonna del Carmine con San Giuseppe e Santa Teresa e Gloria d' Angeli 37The Vocation of Saint Aloysius (Luigi) Gonzaga 由 圭尔奇诺The Vocation of Saint Aloysius (Luigi) Gonzaga大都会艺术博物馆 38Saint Margaret of Cortona 由 圭尔奇诺Saint Margaret of Cortona 39Apparition of Christ to Saint Therese 由 圭尔奇诺Apparition of Christ to Saint Therese 40The Holy Family (1620) 由 圭尔奇诺The Holy Family1620 41Fame, Honor and Virtue 由 圭尔奇诺Fame, Honor and Virtue 42Stilleben mit Melonen + Papagei (1616) 由 圭尔奇诺Stilleben mit Melonen + Papagei1616 43Amnon and Tamar 由 圭尔奇诺Amnon and Tamar国家美术馆 44The Flagellation of Christ (1642) 由 圭尔奇诺The Flagellation of Christ1642 · 布达佩斯美术博物馆 45Madonna and Child 由 圭尔奇诺Madonna and Child芬兰国家美术馆 46Saint Paul 由 圭尔奇诺Saint Paul 47Child seen from behind, standing between its mother's knees 由 圭尔奇诺Child seen from behind, standing between its mother's knees 48BAPTISM OF CHRIST 由 圭尔奇诺BAPTISM OF CHRIST 49St. Hieronymus 由 圭尔奇诺St. Hieronymus 50San Filippo Neri 由 圭尔奇诺San Filippo Neri 51Esther before Ahasuerus (1750) 由 圭尔奇诺Esther before Ahasuerus1750 · 密歇根大学艺术博物馆 52The Pensive Muse 由 圭尔奇诺The Pensive Muse爱尔兰国家美术馆 53Saint Agatha 由 圭尔奇诺Saint Agatha爱尔兰国家美术馆 54The Triumph of David 由 圭尔奇诺The Triumph of David爱尔兰国家美术馆 55Study for St. William of Aquitaine 由 圭尔奇诺Study for St. William of AquitaineRhode Island School of Design Museum of Art 56Bust of a Soldier in Armor 由 圭尔奇诺Bust of a Soldier in ArmorRhode Island School of Design Museum of Art 57The Holy Family on the Flight meets the infant St John 由 圭尔奇诺The Holy Family on the Flight meets the infant St JohnFitzwilliam Museum 58Primavera 由 圭尔奇诺Primavera波士顿美术馆 59David with the head of Goliath 由 圭尔奇诺David with the head of Goliath 60Saint Alexius in a brown wrap, holding a staff 由 圭尔奇诺Saint Alexius in a brown wrap, holding a staff 61Man Kneeling 由 圭尔奇诺Man Kneeling 62Landscape with a Fisherman 由 圭尔奇诺Landscape with a Fisherman 63Landscape with Figures and a Wel 由 圭尔奇诺Landscape with Figures and a Wel 64Landscape with Figures and Trees 由 圭尔奇诺Landscape with Figures and Trees 65Landscape with Figures and a Tent 由 圭尔奇诺Landscape with Figures and a Tent 66Landscape with Figures and a Bridge 由 圭尔奇诺Landscape with Figures and a Bridge 67Landscape with Figures and a Bridge 1 由 圭尔奇诺Landscape with Figures and a Bridge 1 68Saint Francis in Adoration 由 圭尔奇诺Saint Francis in Adoration 69St. John the Baptist in the Wilderness 由 圭尔奇诺St. John the Baptist in the Wilderness 70Portrait of a Man 由 圭尔奇诺Portrait of a Man 71An Old Man 由 圭尔奇诺An Old Man 72A Woman Drinking from a Cup 由 圭尔奇诺A Woman Drinking from a Cup 73St. John the Baptist in the Wilderness 1 由 圭尔奇诺St. John the Baptist in the Wilderness 1 74A Woman Outstretched Arms 由 圭尔奇诺A Woman Outstretched Arms巴伐利亚州绘画收藏馆 75The Flaying of Marsyas 由 圭尔奇诺The Flaying of Marsyas 76God the Father 由 圭尔奇诺God the Father 77Saint Jerome 由 圭尔奇诺Saint Jerome 78Two Women and an Infant 由 圭尔奇诺Two Women and an Infant 79HEAD OF A GIRL, SEEN FROM BEHIND 由 圭尔奇诺HEAD OF A GIRL, SEEN FROM BEHIND 80A seated man training a dog 由 圭尔奇诺A seated man training a dog 81Cupid holding a vase of flowers 由 圭尔奇诺Cupid holding a vase of flowers 82Study of a woman holding a sieve 由 圭尔奇诺Study of a woman holding a sieve 83Susanna and the Elders 1 由 圭尔奇诺Susanna and the Elders 1 84The Martyrdom of St Peter 由 圭尔奇诺The Martyrdom of St Peter 85A study of Christ 由 圭尔奇诺A study of Christ 86Madonna of the Swallow 由 圭尔奇诺Madonna of the Swallow 87Landscape with tree in the foreground 由 圭尔奇诺Landscape with tree in the foreground 88Annunciation 由 圭尔奇诺Annunciation 89Warrior Kneeling with Arms Outstretched 由 圭尔奇诺Warrior Kneeling with Arms Outstretched 90Putto in the Clouds 由 圭尔奇诺Putto in the Clouds 91Saint John the Evangelist in Meditation 由 圭尔奇诺Saint John the Evangelist in Meditation 92The Resurrected Christ Appears to the Virgin 由 圭尔奇诺The Resurrected Christ Appears to the Virgin 93Saint Peter 由 圭尔奇诺Saint Peter 94Nude figure of a woman, seen from the side 由 圭尔奇诺Nude figure of a woman, seen from the side 95STUDIES FOR THE VISION OF SAINT PHILIP NERI 由 圭尔奇诺STUDIES FOR THE VISION OF SAINT PHILIP NERI 96The Virgin and Child with the Infant Saint John the Baptist 由 圭尔奇诺The Virgin and Child with the Infant Saint John the Baptist苏格兰国家美术馆 97David the violonist 由 圭尔奇诺David the violonist 98Self-Portrait before a Painting of Amor Fedele 由 圭尔奇诺Self-Portrait before a Painting of Amor Fedele 99St Augustine 由 圭尔奇诺St Augustine 100Study of the God Almighty 由 圭尔奇诺Study of the God Almighty

圭尔奇诺:时期作品

圭尔奇诺 作品中的主要题材

这些作品中最常出现的四个主题,以及各自最具代表性的范例。

圭尔奇诺:博物馆珍藏

收藏了本页中大部分画作的 8 家博物馆。

博物馆 城市 圭尔奇诺 的作品 此列表中的画作
巴伐利亚州绘画收藏馆, 慕尼黑巴伐利亚州绘画收藏馆 慕尼黑 8 Portrait of a Woman, Christ and the Moneylender, The Persian Sybil
爱尔兰国家美术馆, 都柏林爱尔兰国家美术馆 都柏林 6 Saint Joseph with the Christ Child, The Pensive Muse, Saint Agatha
华沙国家博物馆, 华沙华沙国家博物馆 华沙 2 God the Father, Saint Francis with an angel playing violin
Rhode Island School of Design Museum of Art, 普罗维登斯Rhode Island School of Design Museum of Art 普罗维登斯 2 Study for St. William of Aquitaine, Bust of a Soldier in Armor
国家美术馆, 伦敦国家美术馆 伦敦 8 The Samian Sibyl with a Putto
德累斯顿国家艺术收藏馆, 德累斯顿德累斯顿国家艺术收藏馆 德累斯顿 4 Painting and Drawing
Fitzwilliam MuseumFitzwilliam Museum 3 The Holy Family on the Flight meets the infant St John
苏格兰国家美术馆, 爱丁堡苏格兰国家美术馆 爱丁堡 3 The Virgin and Child with the Infant Saint John the Baptist

圭尔奇诺:各年代代表画作

各年代作品数量

选择一个年代以展示其代表画作。

圭尔奇诺 的画作:参考问题

圭尔奇诺 的哪幅画作最广为人知?显示答案

Pietà (1638),康德博物馆, 尚蒂伊。以下是St Peter and the angel (1650)和David with the Head of Goliath (1657)。

创作Pietà时,圭尔奇诺的年龄是多少?显示答案

47岁:圭尔奇诺出生于1591,其作品Pietà创作于1638年。

圭尔奇诺 最著名的十幅画作是哪些?显示答案

Pietà, St Peter and the angel, David with the Head of Goliath, The Samian Sibyl with a Putto, Saint-Jean-Baptiste, La Madonna del passero, Painting and Drawing, Portrait of a Woman, Christ and the Moneylender 及 St Anthony of Padua with the Infant Christ。上方列表记录了每件作品的创作日期及馆藏博物馆。

圭尔奇诺 的作品中有多少件已收录?显示答案

目录记录了 圭尔奇诺 的 367 件作品,创作时间在 1613 至 1666 之间。

哪些博物馆收藏有 圭尔奇诺 最著名的画作?显示答案

主要收藏于 巴伐利亚州绘画收藏馆 (慕尼黑), 爱尔兰国家美术馆 (都柏林) 及 华沙国家博物馆 (华沙)。上方的博物馆列表展示了完整的分布情况。

圭尔奇诺 最著名的作品创作于哪个时期?显示答案

在 1650s 时期:本页列出的 100 件作品中有 9 件属于该时期,其中包括 St Peter and the angel。

在此列表中,圭尔奇诺 的创作年代最早和最晚的作品分别是哪些?显示答案

此处列出的最早作品日期为 The Glory of All the Saints. Fragment (1613),最晚为 Virtuous Love (1666)。

在 圭尔奇诺 的作品中,哪些主题出现频率最高?显示答案

在本文档列出的 100 件作品中,共有 Woman (11), Man (10) 及 Religious (9) 件。

圭尔奇诺 的作品中以哪种媒介为主?显示答案

Oil On Canvas,共计 15 件,收录于本页 100 件作品中。

圭尔奇诺 属于哪种艺术流派?显示答案

如本页作品所记录的 Baroque。

圭尔奇诺 的哪些作品被 巴伐利亚州绘画收藏馆 所收藏?显示答案

Portrait of a Woman, Christ and the Moneylender 及 The Persian Sybil 是 巴伐利亚州绘画收藏馆, 慕尼黑 馆藏中本页 5 件作品之一。

是否有 圭尔奇诺 的画作复制品?显示答案

是的。本页面列出的每件作品均可通过其专属详情页进行订购,您可以根据需求选择手工油画复刻版或艺术微喷版,并自由选择尺寸。

圭尔奇诺:生平简介

少年时代与早期学艺

乔瓦尼·弗朗切斯科·巴比耶里,世称“格尔基诺”(Il Guercino),这个绰号源于他略带斜视的眼睛,但最终却代表了一种彻底改变巴洛克绘画风格的艺术视野。1591年,格尔基诺出生在费拉拉和博洛尼亚之间的城镇琴托,他的艺术之路并非始于庄严的学院殿堂,而是通过自我探索以及早期对路多维科·卡拉奇(Ludovico Carracci)的学徒生涯开始。这段奠基时期为他日后以强烈情感、戏剧性的明暗对比和深刻的现实主义与理想主义相结合而闻名的风格打下了基础。与许多同时代追求古典完美主义的艺术家不同,格尔基诺的作品充满了原始的人类活力,反映了17世纪意大利动荡的精神氛围。他的早期生活充满着天赋异禀,很快便超越了传统的训练;他并非简单地复制风格,而是开辟了一条属于自己的道路,这条道路沐浴在对光影的内在理解中。

从卡拉瓦乔主义到古典优雅:风格转变

格尔基诺的艺术发展并非线性递进,而是一场不同影响和风格探索之间的迷人对话。他早期的作品深受革命性的自然主义大师卡拉瓦乔(Caravaggio)的影响,拥抱鲜明的对比和一种震撼观众的粗犷现实主义。例如,《阿摩嫩与塔玛尔》(Amnon and Tamar)就代表了这一早期阶段——对一个圣经故事的深刻描绘,以毫不妥协的诚实和心理深度呈现。然而,格尔基诺并不满足于仅仅停留在卡拉瓦乔主义的轨道上。在1630年代,由于艺术好奇心和挑剔的赞助人的需求,他的风格发生了关键性的转变。他开始柔化他的调色板,远离严酷的暗影法,转向一种更加明亮和平衡的方法。这种过渡并非仅仅是一种风格上的异想天开;它反映了对古典理想更深入的参与以及创造既具有情感力量又具有美学精致的作品的愿望。这一时期他拥抱了更大的空间深度感和更和谐的构图,正如他在杰作《浪子回头》(The Return of the Prodigal Son)中所展现的那样。

圣经叙事与情感共鸣

纵观他的职业生涯,格尔基诺始终以圣经故事作为灵感来源。然而,他并非简单地插图这些故事;而是赋予它们深刻的人类戏剧性和情感共鸣。他的角色不是理想化的圣徒,而是努力应对信仰、怀疑、悔恨和救赎的缺陷个体。 《圣阿洛伊修斯·冈萨加的献身》(The Vocation of Saint Aloysius Gonzaga)就是一个很好的例子——对宗教觉醒的有力描绘,以惊人的技巧和敏感度呈现。格尔基诺捕捉人物内心世界的能力使他与同时代许多艺术家区分开来。他理解真正的虔诚不在于外在的奉献表现,而在于定义致力于信仰的一生的内在斗争和牺牲。这种心理深度,加上他对光影的大师级运用,创造了既视觉上令人惊叹又情感上引人入胜的作品。他不回避描绘困难或不安的时刻,认为这些时刻对于理解人类状况至关重要。

持久遗产:影响与重新发现

格尔基诺的影响远远超出了他的一生。他对光影的戏剧性运用以及唤起强烈情感的能力激励了欧洲几代艺术家。尽管他在18世纪和19世纪的声誉有所下降,但由于艺术史学家丹尼斯·马洪(Denis Mahon)的不懈努力,人们对他的作品在20世纪重新产生了赞赏,这很大程度上归功于他。马洪一丝不苟的研究和充满激情的倡导帮助将格尔基诺恢复到巴洛克时期大师的应有位置。今天,他的画作在世界各地享有盛誉的博物馆中被庆祝——从费拉拉的国家美术馆(Pinacoteca Nazionale)到华盛顿特区国家艺术画廊(National Gallery of Art),证明了他持久的艺术天才。
  • 博物馆和收藏:格尔基诺的作品装饰着像费拉拉的国家美术馆、热那亚的布里尼奥-萨莱宫和罗马斯帕达画廊这样的机构大厅。
  • 明暗对比大师:他对光影的戏剧性运用仍然是他风格的一个决定性特征。
  • 圣经故事讲述者:他以前所未有的情感深度和心理洞察力将圣经故事带入生活。
格尔基诺的遗产不仅仅是技术技巧或风格创新;它关乎艺术连接我们共同人性的力量,探索信仰和怀疑的复杂性,并照亮永恒的人类心灵之谜。

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