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Black-figure amphora

Rozměry
18.0 x 40.0 cm

Discover Swing Painter, an ancient Greek black-figure vase artist known for mythological scenes, everyday life motifs, and distinctive use of color. Explore his unique style and historical significance in Attic pottery.

Umělecké dílo zobrazené na této stránce je chráněno autorským zákonem, což znamená, že nemůžeme legálně vytvářet ani prodávat jeho identickou reprodukci. Tato ochrana je vymáhána na základě mezinárodních dohod, jako například Berberská úmluva a národními zákony, včetně těch stanovených v Americký autorský zákon – Díl 17. Všechna práva vyhrazena.

Tato metoda je plně v souladu s autorským právem, protože nezahrnuje kopírování ani duplikování chráněného díla. Jde o kreativní reinterpretaci – nový obraz, který je inspirován originálem, ale není s ním identický.

Giclée / Umělecký tisk

Giclée nebo plátěný tisk muzeální kvality s rychlou výrobou a širokou nabídkou povrchových úprav. ( Koupit ručně malovaný obraz Přepnout na digitální obraz)

Standardní velikost
na zakázku
CM
INCH

Vyberte si z našich přednastavených velikostí, které odpovídají původním proporcím díla.

šířka
výška

Zadejte šířku a výšku, které potřebujete pro váš rám nebo stěnu. Tisk lze pouze oříznout, nikdy však nelze zvětšit obraz nad jeho původní rozměr, proto při výběru jiného formátu dochází ke ztrátě části obrazu. Před samotným tiskem vám zašleme digitální náhled k schválení. Obraz zobrazený na této stránce nenabízí skutečný výřez — ten uvidíte pouze v náhledu.

Celosvětové doručení () do 2 týdnů namísto standardních 4/5 týdnů. (7 listopad)

Zdarma celosvětová expresní doprava
Vysoce kvalitní lněné plátno
Kompletní pojištění přepravy
Záruka vrácení celního poplatku
Záruka věrného barevného souladu
100dení lhůta pro vrácení zboží (pouze při vadách výroby)
100% záruka vrácení peněz
Sleva při více objednávkách

Celková cena

Kč 1349

Black-figure amphora

Giclée / Umělecký tisk

Rozměry reprodukce

-

Celková cena za vybrané možnosti reprodukcí

Kč 1349

On the front side of the amphora, which is attributed to the Swing Painter, two Satyrs flank ivy-wreathed Dionysus. On the back is a scene of conversation between Hermes and Athena. Dionysus, as god of wine, was a fount of joy for mortals, as observed in the Iliad, soothing sorrows and bringing sleep and oblivion from everyday trials and the daily toils of labor. He was a particularly popular subject in 6th c. BC Attic vase-painting, for the decoration of vessels associated with heavy wine-bibbing (amphorae, kraters, oinochoai, kylikes). The high frequency of such scenes on Attic vases from the second half of the 6th c. BC attests to the increasing significance of the cult of Dionysus in Attica, possibly as a result of the policy of the Peisistratids, who for populist reasons sought to boost rural festivals. The idealized depictions of the Archaic period present Dionysus as aged, bearded and dressed, holding his beloved wine-cup. Incised on the base of the vase is the sign T, which was made by the potter. Such graffiti seem to have been incised after firing and referred to the price or were symbols relating to the trade of the vase. Possibly the T is a symbol of a monetary unit (T = tetrobol) and consequently denoted the price of the vase.

Otázky a odpovědi

Je dílo „Black-figure amphora“ od Swing Painter spíše světlé, nebo tmavé?

Z hlediska vnímané jasnosti je dílo „Black-figure amphora“ od Swing Painter balanced.

Jsou barvy v díle „Black-figure amphora“ od Swing Painter syté, nebo tlumené?

Nasycení barevné palety díla "Black-figure amphora" je na úrovni Balanced Soft.

Nachází se dílo „Black-figure amphora“ od Swing Painter v zemi původu umělce?

Ne – dílo se nachází v zahraničí. Rodimá země Swing Painter je Greece, zatímco muzeum, které uchovává originál díla „Black-figure amphora“, se nachází v zemi Řecko.


Biografie umělce

Swing Painter: An Unassuming Voice in Attic Black-Figure Pottery

Swing Painter remains an enigmatic figure within the annals of ancient Greek art, largely obscured by the brilliance of his contemporaries. Identified solely from a vase bearing his name – specifically a Panathenaic prize amphora – scholars have painstakingly reconstructed his life and artistic output based on fragmentary evidence. Born sometime before 550 BC in Athens, he flourished during the third quarter of the sixth century BC, coinciding with the peak activity of Group E, a prominent Athenian vase painting workshop. Despite producing an astonishing number of vases—estimated to be over fifty—his style is remarkably understated and lacks the grandeur often associated with artistic innovation. John Boardman aptly describes Swing Painter’s technique as “cursory,” suggesting a deliberate lack of meticulousness that paradoxically contributes to his enduring fascination. Unlike many artists of his era who adhered rigidly to established conventions, Swing Painter embraced experimentation, notably incorporating additional colors beyond the traditional black and red palette to create striking patterns on clothing—a bold move for its time. This willingness to deviate from accepted norms distinguishes him as an artist who prioritized originality over adherence to stylistic trends. His artistic repertoire encompassed both mythological narratives and depictions of everyday life. Among his most notable works are representations of Herakles and Busiris, scenes that stand apart due to their unique visual interpretation. Furthermore, he captured moments of Athenian daily existence—such as men on stilts and domestic motifs—demonstrating a keen observation of the human condition. The vase featuring a swing is particularly significant, serving as both his namesake and a testament to his artistic sensibility. Swing Painter’s influence extends beyond individual pieces; he played a crucial role in shaping the aesthetic landscape of Attic pottery during his formative years. His distinctive style—characterized by oversized heads with clenched fists and striking noses—elicits an unintentional humor that resonates across centuries, prompting modern viewers to reconsider perceptions of ancient Greek art. While not considered among the foremost artists of his time, Swing Painter’s legacy persists as a symbol of artistic courage and a reminder that beauty can reside in simplicity and unexpected detail.
  • Notable Works: Herakles and Busiris Amphorae; Men on Stilts Vase; Panathenaic Prize Amphora
  • Style Characteristics: Cursory Technique; Bold Use of Color; Distinctive Head Portrayals
  • Historical Significance: Represents a Counterpoint to Established Conventions; Embodies Athenian Artistic Spirit

Technique and Innovation

Swing Painter’s artistic approach was marked by a deliberate departure from prevailing stylistic norms. Unlike many of his peers who meticulously followed established conventions, he prioritized originality and experimentation. This is evident in his use of color—particularly the incorporation of hues beyond the standard black and red palette—to create vibrant patterns on clothing. Boardman noted that this technique demonstrated “a boldness” uncommon among his contemporaries. His vase paintings are characterized by a remarkable level of detail despite their apparent carelessness. The oversized heads of his figures, with their clenched fists and striking noses, possess an unintentional comedic quality that continues to captivate audiences today. This stylistic quirk underscores Swing Painter’s ability to infuse humor into seemingly solemn subjects—a characteristic that distinguishes him from many other artists of the period.

Rychlé informace o umělci

  • Full Name: Swing Painter
  • Nationality: Greek
  • Place Of Birth: Greece
  • Notable Artworks:
    • Herakles and Busiris
    • Panathenaic prize amphora
  • Artistic Movement Or Style: Black-figure vase painting