Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 13 děl umělce Basawan v našem katalogu
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Mihrdukht aims her arrow at the ring (1570) je považován za nejslavnější obraz Basawan; nachází se v instituci Metropolitan Museum of Art, New York. The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) a The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) zaujímají druhé a třetí místo. Z 13 děl umělce Basawan zaznamenaných v katalogu je níže uvedeno 13 nejznámějších, přičemž u každého díla je uvedeno datum vzniku, muzeum, ve kterém se nachází, a poznámka k dílu.
1. Mihrdukht aims her arrow at the ring 1570
2. The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night 1560
3. The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night 1560
The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture that freezes the very pulse of the court. Below her, the world unfolds in layers of architectural precision and organic life. Attendants and observers gather in the shadows of the structure, their eyes drawn upward to the woman and her task. The…
6 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Basawan | Obrazy z tohoto seznamu |
|---|---|---|---|
 Clevelandské muzeum umění |
Cleveland | 8 | The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night |
 Metropolitan Museum of Art |
New York | 1 | Mihrdukht aims her arrow at the ring |
 Victoria and Albert Museum |
Londýn | 1 | Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer |
 Art Institute of Chicago |
Chicago | 1 | The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama |
 San Diego Museum of Art |
San Diego | 1 | The Virgin and Child |
 Harvard Art Museums |
Cambridge | 1 | A Mughal and a Rajput Converse at Dusk |
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The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture that freezes the very pulse of the court. Below her, the world unfolds in layers of architectural precision and organic life. Attendants and observers gather in the shadows of the structure, their eyes drawn upward to the woman and her task. The…
Mihrdukht aims her arrow at the ring (1570), Metropolitan Museum of Art, New York. Následující položky jsou The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) a The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560).
10 let: Basawan se narodil/a v 1560 a dílo Mihrdukht aims her arrow at the ring pochází z roku 1570.
Mihrdukht aims her arrow at the ring, The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night, A feast for Babur hosted by his half-brother Jahangir Mirza in Ghazni in May 1505, from a Babur-nama (Memoirs of Babur), Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer, The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama, The Virgin and Child, The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) a Page from Tales of a Parrot (Tuti-nama): text page. Seznam výše uvádí datum a muzeum, ve kterém se každý z nich nachází.
Katalog obsahuje 13 děl umělce Basawan datovaných v období od 1570 do 1596.
Primárně v Clevelandské muzeum umění (Cleveland), Metropolitan Museum of Art (New York) a Victoria and Albert Museum (Londýn). Tabulka muzeí výše uvádí úplné rozdělení.
V období 1590s: 4 z 13 děl uvedených na této stránce pochází z tohoto období, včetně Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer.
Nejdulší dílo uvedené zde pochází z Mihrdukht aims her arrow at the ring (1570); nejnovější z The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) (1596).
The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night a The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night patří mezi 8 děl na této stránce v kolekci Clevelandské muzeum umění, Cleveland.
