Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 12 děl umělce Jun Sin v našem katalogu
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Nejznámějším dílem autora Jun Sin je Portrait of a Beauty. Další položky jsou A Secret Night Trip (1800) a Metallurgical Mohaeng (1805). Katalog obsahuje 12 děl umělce Jun Sin; níže je uvedeno 12 nejznámějších položek seřazených podle pořadí včetně data, umístění v muzeu a popisu.
A young woman occupies the center of this vertical portrait, her presence commanding the space with a serene, poised grace. She is draped in the traditional hanbok, the fabric of her garments rendered with meticulous detail that suggests the weight and texture of fine silk. Her hair is styled with precision, a dark and structured contrast to the soft, pale tones of her skin. The composition places her slightly off-center,…
The world is muffled by a layer of white. Under a pale moon, three figures move through a snowy street in Joseon, their silhouettes cutting through the dim light. They walk along a diagonal path, a quiet procession against the dark geometry of buildings. A seated figure watches from the shadows, a silent witness to this clandestine movement. The air feels heavy with the stillness of winter, where every footstep…
The scene unfolds in Metallurgical Mohaeng, a work by the artist Shin Yun-Bok. Within this composition, a group of individuals gathers for a social occasion or a moment of leisure. They find themselves positioned against a backdrop that suggests an industrial or mining setting, where the presence of a large metal structure looms in the background. The atmosphere feels quiet, as if a momentary pause has been captured amidst the…
This evocative painting captures an intimate tableau, a scene steeped in the quiet aftermath of shared moments. Two figures are depicted lying together on the floor, their proximity suggesting a deep, comfortable bond. The composition centers on the contrast between repose and wakefulness; one figure seems lost to sleep, while the other gazes upon them with an expression that is both tender and contemplative. Their intertwined forms create a natural…
Festivity in Springtime – A Celebration of Tradition and Color Shin Yun-bok’s “Festivity in the Valley” is more than just a depiction of a pastoral scene; it's a window into the artistic sensibilities of Joseon Korea during its twilight years. Painted around 1805, this artwork embodies the Hyewon Pungsokhwacheop style – a movement characterized by opulent color palettes and idealized representations of rural life, reflecting the aspirations of the aristocratic…
Čtyři nejčastěji zastoupená témata těchto děl, z nichž každé má svůj nejznámější příklad.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Jun Sin | Obrazy z tohoto seznamu |
|---|---|---|---|
 Národní muzeum Koreje |
Seul | 5 | Scenery on Dano Day, Album of Obscene Paintings, Two-Sword Dance |
Díla uměleckého autora Jun Sin uvedená zde pokrývají období 6 let, od 1800 do 1805, což je krátké období předložené níže rok po roce.
Vyberte rok pro zobrazení jeho hlavních obrazů.
The world is muffled by a layer of white. Under a pale moon, three figures move through a snowy street in Joseon, their silhouettes cutting through the dim light. They walk along a diagonal path, a quiet procession against the dark geometry of buildings. A seated figure watches from the shadows, a silent witness to this clandestine movement. The air feels heavy with the stillness of winter, where every footstep…
Další díla z období 1800
The scene unfolds in Metallurgical Mohaeng, a work by the artist Shin Yun-Bok. Within this composition, a group of individuals gathers for a social occasion or a moment of leisure. They find themselves positioned against a backdrop that suggests an industrial or mining setting, where the presence of a large metal structure looms in the background. The atmosphere feels quiet, as if a momentary pause has been captured amidst the…
Portrait of a Beauty. Následující položky jsou A Secret Night Trip (1800) a Metallurgical Mohaeng (1805).
Portrait of a Beauty, A Secret Night Trip, Metallurgical Mohaeng, Scenery on Dano Day, A Beautiful Woman, Album of Obscene Paintings, A shaman dances a demented dance, Two-Sword Dance, Keimyung Gok Amdo a Slavnost v údolí na jaře. Seznam výše uvádí datum a muzeum, ve kterém se každý z nich nachází.
Katalog obsahuje 12 děl umělce Jun Sin datovaných v období od 1800 do 1805.
Primárně v Národní muzeum Koreje (Seul). Tabulka muzeí výše uvádí úplné rozdělení.
V období 1800: 2 z 12 děl uvedených na této stránce pochází z tohoto období, včetně A Secret Night Trip.
Nejdulší dílo uvedené zde pochází z A Secret Night Trip (1800); nejnovější z Metallurgical Mohaeng (1805).
Figures (3), Traditional dress (2) a People (2), z celkových 12 děl uvedených na této stránce.
Ink, v 2 ze 12 děl uvedených na této stránce.
Joseon dynasty, jak je dokumentují díla na této stránce.
Scenery on Dano Day, Album of Obscene Paintings a Two-Sword Dance patří mezi 5 děl na této stránce v kolekci Národní muzeum Koreje, Seul.
Shin Yun-bok, widely recognized by his art name Hyewon, stands as one of the most captivating figures in the history of Korean art. A painter active during the late Joseon Dynasty, he belonged to an elite group of masters often referred to as the "Three Great Genre Painters." While his contemporaries like Kim Hong-do focused on the simpler, more rugged lives of commoners, Shin Yun-bok carved out a unique niche by exploring the more intimate, sophisticated, and sometimes provocative layers of urban life. His work serves as a vibrant window into the social dynamics of his era, capturing the delicate interplay between romantic longing, societal norms, and the quiet beauty of everyday moments.
Born in Seoul, South Korea, Shin Yun-bok was immersed in an artistic lineage from a young age, coming from a family of painters. His technical prowess eventually led him to serve as a cheomjeoljesa, a junior officer, at the Dohwaseo, the royal painting bureau. However, his artistic spirit was perhaps too bold for the rigid structures of the time. Known for his skill in depicting genre scenes that leaned toward the erotic and the romantic, he famously faced expulsion from the royal bureau. This departure from officialdom allowed him to pursue a more personal and daring vision, focusing on the lives of urban gentlemen and courtesans through a lens of stylized realism.
The artistry of Hyewon is defined by a remarkable mastery of color and line. Unlike the more muted tones found in some traditional landscapes, Shin Yun-bok utilized a vibrant color palette, frequently employing rich reds and yellows to imbue his scenes with symbolic depth and visual energy. His brushwork was characterized by an extraordinary fluidity and precision, capable of capturing both the delicate texture of silk garments and the subtle nuances of human emotion. Through the skillful application of translucent washes, he achieved a sense of luminosity and depth that elevated his genre paintings from mere documentation to emotive experiences.
His repertoire extended beyond the scandalous or romantic, showcasing a profound versatility in several classical styles:
The historical significance of Shin Yun-bok lies in his ability to document the complexities of late Joseon society with both honesty and aesthetic grace. His works, such as the Album of Obscene Paintings and Festivity in the Valley in Spring, offer invaluable insights into the cultural traditions, fashion, and social hierarchies of the period. By blending the boundaries between the sacred and the profane, he challenged the era's artistic conventions, leaving behind a legacy that continues to intrigue art historians and collectors worldwide.
Today, his masterpieces are preserved in prestigious institutions like the Gansong Art Museum and the National Museum of Korea. His ability to capture the ephemeral quality of human interaction—whether through a shared glance in a moonlit garden or the joyful energy of a seasonal festival—ensures that his name remains synonymous with the pinnacle of Korean genre painting. Through his delicate lines and bold colors, Shin Yun-bok transformed the fleeting moments of the Joseon era into eternal works of art.
