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89.0 x 55.0 cm
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Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Giclée / Kunsttryk
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. (
Bestil håndmalet reproduktion Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end billedet, så en størrelse med en anden form vil miste en del af motivet. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (27 oktober)
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Work P
Giclée / Kunsttryk
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Dkr 408
Lignende kunstværker
Om kunstneren
Atsuko Tanaka: A Life in Art
- Born: Osaka, Japan (February 10, 1932)
- Died: Nara, Japan (December 3, 2005)
Early Life and Artistic Development
- Tanaka began her artistic journey in the early 1950s, studying at the Art Institute of Osaka Municipal Museum of Art and later at Kyoto Municipal College of Art.
- During this period, she encountered Akira Kanayama, who significantly influenced her exploration of new artistic territories.
- She initially worked in a figurative style but soon transitioned towards abstraction, experimenting with various materials and techniques.
- Her early works included collages featuring handwritten numbers on diverse surfaces like hemp cloth and tracing paper, reflecting a fascination with numerical signs and their potential for deconstruction.
The Gutai Years (1955-1965)
- In 1955, Tanaka joined the Gutai Art Association, a pioneering avant-garde group known for its experimental performances and radical approach to art.
- Her time with Gutai was pivotal in shaping her artistic identity, leading to the creation of some of her most iconic works.
- Key Works from this Period:
- Work (Bell) (1955): A participatory installation featuring a string of electric bells that visitors could activate.
- Work (Pink Rayon) (1955): An exploration of space and form using stretched fabric.
- Electric Dress (1956): Perhaps her most famous creation, this wearable sculpture comprised hundreds of lightbulbs and explored themes of technology, the body, and performance.
- Stage Clothes (1957): A multi-part ensemble involving a large red dress with exceptionally long sleeves, worn during a Gutai performance.
- Tanaka's work within Gutai challenged conventional notions of art by incorporating everyday objects and emphasizing the artist’s physical presence in the creative process.
Post-Gutai Period and Artistic Evolution
- Following her departure from Gutai in 1965, Tanaka continued to evolve as an artist, moving away from performance-based works towards large-scale paintings.
- She developed a distinctive style characterized by vibrant colors, organic abstract shapes, and intricate patterns of circles and lines.
- Her post-Gutai paintings often referenced earlier motifs from her Electric Dress and Bell series, demonstrating a continuous exploration of recurring themes.
- These works showcased a refined sense of composition and color harmony, solidifying her reputation as a significant figure in Japanese abstract art.
Legacy and Historical Significance
- Atsuko Tanaka's work has gained increasing recognition internationally since the early 2000s, with major retrospectives held at prestigious institutions like the Grey Art Gallery (New York) and the Morris and Helen Belkin Art Gallery (Vancouver).
- Her contributions to Gutai and her innovative use of materials have cemented her place in art history as a pioneer of performance art and abstract expressionism.
- Tanaka's Electric Dress remains an iconic symbol of postwar Japanese culture, reflecting themes of urbanization, technology, and the evolving role of women in society.
- Her work continues to inspire contemporary artists and scholars interested in exploring the intersection of art, performance, and everyday life.
Atsuko Tanaka
1932 - 2005 , Japan
Hurtige fakta
- Full Name: Atsuko Tanaka
- Nationality: Japanese
- Date Of Birth: 1932
- Date Of Death: 2005
- Place Of Birth: Osaka, Japan
- Notable Artworks:
- Work (Bell)
- Electric Dress
- Work (Pink Rayon)
- Artistic Movement Or Style: Avant-garde, Gutai
- Artists Who Influenced This Artist:
- Jiro Yoshihara
- Akira Kanayama
- Artists Or Movements Influenced By This Artist: ['Performance art']
