Mining II
Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Giclée / Kunsttryk
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. ( Køb håndmalet maleri
Skift til digitalt billede)
P118B Dkr10
P118H Dkr10
P118W Dkr10
P438Z Dkr10
P508JH Dkr12
P508YH Dkr12
P805H Dkr10
P805Z Dkr10
P919BZ Dkr10
P919G Dkr10
P919XJ Dkr10
P959ZH Dkr10
P968JZ Dkr12
W106C Dkr8
W218G Dkr10
W218JH Dkr8
W218Y Dkr10
W307PJ Dkr10
W316G Dkr10
W316PJ Dkr8
W316Y Dkr10
W398PJ Dkr8
W4111J Dkr10
W500HY Dkr15
W500JH Dkr15
W692G Dkr12
W849H Dkr8
W940BG Dkr15
W953PJ Dkr8
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end selve billedet, så en størrelse med et andet format vil medføre, at dele af motivet går tabt. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (9 november)
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Mining II
Giclée / Kunsttryk
Størrelse på reproduktion
-
Samlet pris
Dkr 414
Lignende kunstværker
Kunstnerbiografi
The Human Form Reimagined
Nicole Eisenman stands as one of the most significant voices in contemporary art, a creator whose practice fluidly traverses the realms of figurative painting, sculpture, and printmaking. Born in Verdun, France, her early life was shaped by movement, eventually leading her family to Scarsdale, New York. This unique blend of French origins and American upbringing has informed a body of work that is deeply rooted in historical allusion yet vibrantly modern. Eisenman’s artistry is characterized by an intense focus on the affective and expressive potential of the human form, often utilizing oil painting to explore the complex, sometimes uncomfortable, intersections of identity, sexuality, and social dynamics.
Her work is celebrated for its ability to restore a sense of cultural significance to the representation of the human figure—a mission that earned her the prestigious MacArthur Fellowship. In an era where abstraction often dominated the artistic discourse, Eisenman sought to reclaim the power of the figure, using it as a vessel for satire, anxiety, and profound empathy. Her paintings frequently toy with themes of comedy and caricature, yet beneath the surface-level humor lies a deep exploration of the individual and collective pathos of the human condition.
A Tapestry of Themes and Techniques
The breadth of Eisenman’s practice is truly remarkable, spanning from large-scale murals to intricate woodcuts and monumental bronze sculptures. Her paintings often feature dynamic groups of figures engaged in lively, sometimes surreal, social scenes. These works are frequently imbued with a sense of lowbrow humor and political engagement, purposefully undermining male-centric or misogynistic narratives through the use of queer and feminist perspectives. Whether she is depicting a bustling barroom scene or a symbolic religious tableau, her work remains anchored in the visceral experience of being alive.
In her sculptural endeavors, Eisenman has expanded her narrative reach into the third dimension, creating pieces that challenge the viewer's perception of space and allegory. Notable works such as Man at the Center of Men, featured in the Whitney Biennial, exemplify her approach to creating uncanny monuments that reflect the precariousness of life in the twenty-first century. Through her use of materials like bronze and her ability to manipulate scale, she creates a dialogue between the monumental and the intimate, much like her paintings do with color and form.
Legacy and Recognition
Eisenman’s career is marked by significant milestones and international acclaim. Her inclusion in multiple Whitney Biennials and her presence at the Venice Biennale have solidified her position within the global art canon. The recognition of her peers and institutions is evident through numerous accolades, including:
- The Guggenheim Fellowship
- The Carnegie Prize
- The MacArthur Fellowship
- Induction into the American Academy of Arts and Letters
Beyond her individual achievements, Eisenman has been a vital contributor to the curatorial landscape, notably as a co-founder of the queer/feminist initiative Ridykeulous. Her exhibitions have traveled from Munich and London to Chicago and Paris, demonstrating a global resonance that transcends borders. By fusing art historical references with contemporary social critique, Nicole Eisenman continues to shape the discourse of modern art, ensuring that the human story remains at the very center of the canvas.
Nicole Eisenman
1965 - , United States of America
Kort om kunstneren
- Artistic Movement Or Style: Figurative oil paintings and sculptures
- Full Name: Nicole Eisenman
- Nationality: American
- Notable Artworks:
- Seder Plate
- Mining II
- Man at the Center of Men
- Sketch for a Fountain
- Place Of Birth: New Orleans, United States of America
- Date Of Birth: 1965

Glasmulighed er kun tilgængelig i størrelser under 110 cm
