Erase
Installation Art
Installation
Contemporary Installation Art
2013
Contemporary
Kochi-Muziris Biennale
Giclée / Kunsttryk
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. ( Bestil håndmalet reproduktion
Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Du kan indtaste dine egne mål for at passe til en specifik ramme eller et bestemt område. Hvis den valgte størrelse ikke stemmer overens med det originale billedes proportioner, vil vi enten beskære kunstværket eller udvide billedet med en spejlet eller ensfarvet kant. En digital mockup vil blive sendt til din godkendelse, før produktionen påbegyndes.
Bemærk venligst, at forhåndsvisningen på skærmen ikke afspejler den faktiske beskæring eller udvidelse. Kun mockuppen vil nøjagtigt vise den endelige komposition.
Selvom specialmål er tilgængelige, anbefaler vi at vælge et mål fra den foruddefinerede liste for at bevare de originale proportioner.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (5 oktober)
Gratis ekspresforsendelse til hele verden
Lærred af linned i høj kvalitet
Komplet transportforsikring
Garanti for refusion af told og importafgifter
Garanti for autentisk farvegengivelse
100 dages returret ved fabrikationsfejl
100% fuld returret
Mængderabat ved flere køb
Erase
Giclée / Kunsttryk
Reproduktionsstørrelse
-
Samlet pris
Dkr 399
A Ritual of Release: The Immersive World of Erase
In the quiet intersection of sculpture and performance, Venkataiah Srinivas Prasad’s 2013 installation, Erase, stands as a profound testament to the power of catharsis. This is not merely an object to be viewed from a distance, but an experiential journey that demands physical participation. The work presents a striking visual paradox: a thorny, woven cocoon suspended precariously above a rugged ascent of gunny sacks. As one navigates the uneven terrain of these earth-toned, filled bags, the viewer is drawn upward toward a prickly hollow. This architectural movement—the literal climb toward vulnerability—sets the stage for a deeply personal encounter with one's own psyche.
The aesthetic of the piece is rooted in a raw, organic minimalism that resonates with the textures of the natural world. The use of thorny branches to construct the cocoon creates a sense of protective yet sharp boundaries, while the burlap and sand elements ground the installation in a tactile, elemental reality. To look upon this work is to witness a dialogue between the man-made and the wild; the structured geometry of the ascent meets the chaotic, organic sprawl of the thorns. For collectors and designers, the visual language of Erase offers a sophisticated palette of earthy neutrals and complex textures that evoke a sense of grounded tranquility and contemplative depth.
Symbolism and the Alchemy of Destruction
Beyond its physical presence, Erase functions as a vessel for human emotion. The interior of the thorny cocoon serves as a sacred, private chamber—a sanctuary where the boundaries between the self and the external world blur. It is within this hollow that the artist invites the viewer to perform an act of psychological shedding. By whispering or thinking of unwanted memories, fears, or traumas into the heart of the structure, the participant engages in a ritualistic form of letting go. The installation acts as a physical manifestation of the desire to purge the heavy burdens of the past.
The true climax of the work, however, lies in its ephemeral nature. At the conclusion of its exhibition period, the cocoon is set ablaze under the cover of night. This ritualistic destruction is the ultimate expression of the title; as the flames consume the thorns and the branches, they take with them the very confessions uttered within. What remains is nothing but a layer of sand—a clean slate, devoid of the weight of history. This cycle of creation and annihilation offers a powerful metaphor for renewal, making the piece an emotionally resonant masterpiece that speaks to the universal human need for rebirth and the beauty of starting anew.
A Legacy of Experimental Vision
Venkataiah Srinivas Prasad’s work continues to captivate because it refuses to remain static. By blending elements of installation art, environmental sculpture, and ritualistic performance, he challenges the traditional boundaries of what a piece of art can be. Erase is not just a relic of a moment in time, but a living concept that explores the fragility of memory and the strength found in vulnerability. For those seeking to bring a sense of profound meaning and narrative complexity into their spaces, a high-quality reproduction of this work serves as a constant reminder of the transformative power of release and the enduring elegance of the natural world.
Spørgsmål & svar
Hvem er kunstneren bag "Erase"?
"Erase" tilskrives Venkataiah Srinivas Prasad.
Hvilken følelsesmæssig stemning formidler "Erase" af Venkataiah Srinivas Prasad?
"Erase" af Venkataiah Srinivas Prasad formidler en Reflective stemning.
I hvilket år blev "Erase" af Venkataiah Srinivas Prasad skabt?
"Erase" stammer fra 2013. Datoen placerer værket i Venkataiah Srinivas Prasad's karriere og dets tidsalder.
Hvem sælger håndmalede kopier af "Erase" af Venkataiah Srinivas Prasad?
"Erase" er tilgængelig som en håndmalet oliereproduktion på lærred af hør. Bestilling kan foretages på denne side, med valgmulighed mellem forskellige størrelser.
Hvilken placering passer til formatet på "Erase" af Venkataiah Srinivas Prasad?
Formatet Landscape til "Erase" af Venkataiah Srinivas Prasad anbefales til en Wellness Center. Format og rumstørrelse er tilsammen vejledende for placeringen af en reproduktion.
Hvilken kunstretning er "Erase" af Venkataiah Srinivas Prasad en del af?
"Erase" er et værk fra Contemporary Installation Art. Denne stilart angiver den kunstneriske tradition, som værket indgår i.
Hvor gammel var Venkataiah Srinivas Prasad, da Erase blev skabt i 2013?
Venkataiah Srinivas Prasad var 66 år gammel, da vedkommende skabte "Erase" i 2013. Alderen er beregnet ud fra kunstnerens fødselsår, 1947.

Glasmulighed er kun tilgængelig i størrelser under 110 cm
