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A. Patrick: De 2 mest berømte malerier, dokumenteret
Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 2 værker af A. Patrick i vores katalog
Oversigt
Ifølge denne rangliste er Mrs. Benajah Johnson (1830) det mest berømte maleri af A. Patrick; det befinder sig på Smithsonian American Art Museum i Washington, D.C.. Denne liste er baseret på de 2 værker af A. Patrick i kataloget og viser de 2 mest berømte, med dato, museum og beskrivelse for hvert værk.
Flest værker: Smithsonian American Art Museum
A. Patrick: de øverste 10 på listen
A. Patrick: museer med værker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af A. Patrick | Malerier fra denne liste |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Mrs. Benajah Johnson, Benajah Johnson |
A. Patrick efter år: de mest berømte malerier
De daterede værker af A. Patrick, der er registreret på denne side, er alle fra 1830.
Værker per år
Vælg et årstal for at se de vigtigste malerier fra det år.
A. Patrick: spørgsmål og dokumenterede svar
Hvilket maleri af A. Patrick topper listen over de mest berømte værker?Vis svaret
Mrs. Benajah Johnson (1830)
Hvor mange værker af A. Patrick er registreret?Vis svaret
Kataloget indeholder 2 værker af A. Patrick.
I hvilke samlinger findes A. Patricks mest berømte værker?Vis svaret
Primært i Smithsonian American Art Museum (Washington, D.C.). Tabellen over museer ovenfor viser den fulde fordeling.
Hvornår blev A. Patricks mest berømte værker malet?Vis svaret
I 1830: 2 af de 2 værker, der er listet på denne side, er dateret til den periode, herunder Mrs. Benajah Johnson.
Hvilke værker af A. Patrick er i Smithsonian American Art Museums samling?Vis svaret
Mrs. Benajah Johnson og Benajah Johnson er blandt de 2 værker på denne side i Smithsonian American Art Museum, Washington, D.C.s samling.
A. Patrick: liv og værk
The Portraitist of 1830
The brush meets the canvas in a quiet studio, capturing the likeness of the Benajah Johnson family. In 1830, A. Patrick works with oil on canvas, a medium that demands patience and a steady hand. The light settles on the subjects, freezing a specific moment of nineteenth-century life within the frame. These are not mere sketches; they are deliberate records of identity, preserved through the careful application of pigment.
The work exists now within the halls of the Smithsonian American Art Museum in Washington, D.C. Here, the portraits of Benajah Johnson and Mrs. Benajah Johnson remain as physical remnants of a bygone era. The textures of the oil paint hold the weight of their history, surviving long after the sitters themselves have passed into memory.
A Record of Presence
The artist's output is defined by these specific, documented encounters with his subjects. His technique focuses on the formal requirements of portraiture during this period, ensuring the likenesses remain accurate for posterity. The collection of his work highlights a specific focus on the individuals of the time:
- Benajah Johnson: A portrait rendered in 1830, executed in oil on canvas.
- Mrs. Benajah Johnson: A companion piece from 1830, also rendered in oil on canvas.
Historical Footprints
A. Patrick remains a figure defined by these specific contributions to the American portraiture tradition. While the broader details of his personal life remain obscured by time, his technical presence is confirmed by the preservation of his work in major institutions. The gift of Mrs. Frank Cummings Cook in 1966 ensured that these specific oils would continue to exist, allowing the faces of 1830 to remain visible to the modern eye.