Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 3 værker af Theodore E. Pine i vores katalog
Oversigt
Ifølge denne rangliste er The Daughters of Daniel T. MacFarlan (1857) det mest berømte maleri af Theodore E. Pine; det befinder sig på Metropolitan Museum of Art i New York. Det efterfølges af Mr. and Mrs. Daniel T. MacFarlan (1858) og Kate Lyon Cornell (1856). Denne liste er baseret på de 3 værker af Theodore E. Pine i kataloget og viser de 3 mest berømte, med dato, museum og beskrivelse for hvert værk.
In this 1857 oil on canvas, we find ourselves drawn into a private, sentimental moment from the mid-19th century. Two young girls, the daughters of Daniel T. MacFarlan, occupy a lush, atmospheric landscape that feels both expansive and deeply intimate. The composition is balanced with a gentle precision; the older girl stands to the left, while the younger child is seated upon a wooden bench to the right. A large,…
The oil on canvas titled Mr. and Mrs. Daniel T. MacFarlan captures a quiet moment of social standing. Theodore E. Pine rendered this portrait in 1858, fixing the likenesses of the couple within a formal composition. The subjects, Mr. and Mrs. Daniel T. MacFarlan, originated from Yonkers, New York, as noted in the records from 1857. They sit held within the frame, their presence defined by the steady hand of…
The portrait titled Kate Lyon Cornell brings a quiet presence into the room, capturing a specific moment of American history through the eyes of Theodore E. Pine. Created in 1856, this work presents a study of character and poise. The subject remains fixed in her elegant stance, her gaze meeting the viewer from a mid-19th-century perspective. There is a sense of stillness here, as if the air around her has…
De fire motiver, der er hyppigst repræsenteret i disse værker, hver med sit mest kendte eksempel.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Theodore E. Pine | Malerier fra denne liste |
|---|---|---|---|
 Metropolitan Museum of Art |
New York | 3 | The Daughters of Daniel T. MacFarlan, Mr. and Mrs. Daniel T. MacFarlan, Kate Lyon Cornell |
3 år, fra 1856 til 1858, omfatter alle de daterede værker af Theodore E. Pine på denne side; de er præsenteret efter årstal.
Vælg et årstal for at se de vigtigste malerier fra det år.
The portrait titled Kate Lyon Cornell brings a quiet presence into the room, capturing a specific moment of American history through the eyes of Theodore E. Pine. Created in 1856, this work presents a study of character and poise. The subject remains fixed in her elegant stance, her gaze meeting the viewer from a mid-19th-century perspective. There is a sense of stillness here, as if the air around her has…
In this 1857 oil on canvas, we find ourselves drawn into a private, sentimental moment from the mid-19th century. Two young girls, the daughters of Daniel T. MacFarlan, occupy a lush, atmospheric landscape that feels both expansive and deeply intimate. The composition is balanced with a gentle precision; the older girl stands to the left, while the younger child is seated upon a wooden bench to the right. A large,…
The oil on canvas titled Mr. and Mrs. Daniel T. MacFarlan captures a quiet moment of social standing. Theodore E. Pine rendered this portrait in 1858, fixing the likenesses of the couple within a formal composition. The subjects, Mr. and Mrs. Daniel T. MacFarlan, originated from Yonkers, New York, as noted in the records from 1857. They sit held within the frame, their presence defined by the steady hand of…
The Daughters of Daniel T. MacFarlan (1857), Metropolitan Museum of Art, New York. De følgende værker er Mr. and Mrs. Daniel T. MacFarlan (1858) og Kate Lyon Cornell (1856).
29 år: Theodore E. Pine blev født i 1828, og The Daughters of Daniel T. MacFarlan er dateret 1857.
Kataloget indeholder 3 værker af Theodore E. Pine, dateret mellem 1856 og 1858.
Primært i Metropolitan Museum of Art (New York). Tabellen over museer ovenfor viser den fulde fordeling.
Det tidligste værk på listen er fra Kate Lyon Cornell (1856); det nyeste er fra Mr. and Mrs. Daniel T. MacFarlan (1858).
Tree (2), Landscape (2) og Clouds (2) ud af de 3 værker, der er listet på denne side.
Oil On Canvas, i 3 af de 3 værker, der er listet på denne side.
The Daughters of Daniel T. MacFarlan, Mr. and Mrs. Daniel T. MacFarlan og Kate Lyon Cornell er blandt de 3 værker på denne side i Metropolitan Museum of Art, New Yorks samling.
Theodore E. Pine lived through many different landscapes, moving his brushes from the established streets of New York City to the quieter corners of the American West and South. Born in 1828, he was a native of New Jersey, but his early training began under the eye of his father, James, in New York. This shared practice in the city laid the foundation for a career defined by steady, observant work. He later sought out further study in Europe, bringing those learned techniques back to the various places he called home.
His movements were frequent and varied. He kept studios in Chicago, Illinois; St. Louis, Missouri; Manito, Colorado; and Asheville, North Carolina. Each location offered a different light and a different set of faces to capture. By the time he reached his final years in Ogdensburg, New York, his life had been a long sequence of settling into new spaces, setting up his easel, and recording what he saw.
His work focused on the tangible presence of people and objects. He worked primarily with oil on canvas, applying paint to capture the weight of a figure or the stillness of a still life. There is a documentary quality to his approach, particularly when he looked toward the likenesses of others. In 1904, he produced a posthumous portrait of Robert E. Lee, using a full-length photograph taken by Julian Vannerson in 1864 as his guide. This piece was not about a moment captured from life, but rather a careful reconstruction of a recorded appearance.
The subjects of his paintings were often individuals caught in specific moments of their own histories:
He also turned his attention to the smaller details of a room, such as the depiction of furniture and home furnishings. His hands were used to render the textures of cloth and wood with a quiet, focused accuracy.
Theodore E. Pine died in 1905, leaving behind a body of work that remains held in various collections, such as the New-York Historical Society. His paintings do not rely on grand gestures but on the steady recording of figures and still lifes. Through his portraits, he provided a visual record of the people and eras he encountered during his travels across the United States.
