Ενημερωμένο Οκτώβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 22 έργα του Ντάβιντ Μπέιλλυ στον κατάλογό μας
Σύνοψη
Σύμφωνα με αυτή την κατάταξη, το Johanna Visscher (1628) είναι το πιο διάσημο έργο του Ντάβιντ Μπέιλλυ· βρίσκεται στο Slovak National Gallery, Bratislava. Ακολουθούν τα Portrait of Ripperd Van Groenendijk (1650) και Portrait of Claudina Van Groenendijk (1633). Αυτή η λίστα βασίζεται στα 22 έργα του Ντάβιντ Μπέιλλυ στον κατάλογο και καταγράφει τα 22 πιο διάσημα, με ημερομηνία, μουσείο που τα διαθέτει και περιγραφή για κάθε είσοδο.
David Bailly painted Johanna Visscher about 1628. The portrait presents a woman of high social standing, captured in a formal bust-length composition. She faces the viewer with a calm, direct gaze that establishes an immediate connection. Her status is signaled through the elaborate details of her attire, including a large, crisp white ruff collar and a jeweled bodice.
In this bust-length portrait, David Bailly presents the subject, Ripperd Van Groenendijk, with a quiet and dignified presence. The man is positioned slightly off-center, turned toward the viewer's right, yet his gaze meets the observer directly. This direct eye contact creates an immediate sense of connection between the sitter and the viewer. The composition is set against a dark, indistinct, and flat background, which ensures that the focus remains entirely…
Created in 1633, this work is a product of the Dutch Golden Age. The style reflects the period's preoccupation with technical precision and the realistic depiction of social status through costume. The portrait adheres to the conventions of 17th-century Dutch Baroque portraiture, where the focus remains entirely on the individual and the material markers of their identity. The meticulous attention to the textures of lace, linen, and silk demonstrates the…
Young man with a fur hat is a bust-length portrait by the Dutch Golden Age painter David Bailly. Known in Dutch as Jonge man met bontmuts, the work functions as a tronie, focusing on the character and expression of the subject rather than a specific individual's likeness. The sitter is presented in a close-up view, centered against a dark, indistinct background.
This oil on canvas work, titled Portrait of Antonius Walaeus, Professor of Jurisprudence at Leiden, was executed by the Dutch artist David Bailly. Dated about 1601, the painting presents a formal study of a man of high academic status. The subject is captured in a moment of quiet dignity, his presence defined by the scholarly weight of his position.
A young man emerges from a deep, indeterminate darkness, his presence defined by a sudden, sharp light that sweeps across his features. This is Gerrit Schaep, captured in a moment of quiet dignity. He sits in a three-quarter view, his body angled slightly away while his gaze meets the viewer with a steady, calm composure. The light, descending from the upper left, carves the contours of his face, casting soft…
The Portrait of Willem Ruychaver is an oil painting executed by David Bailly in 1632. This work belongs to the Dutch Golden Age, a period marked by significant developments in portraiture and still-life painting within the Netherlands.
A single figure emerges from a void of deep browns and blacks. This young man, captured in a three-quarter view, gazes out with a quiet, heavy stillness. His face is a landscape of soft light and subtle shadow, carved by a light source from the upper left. The skin possesses a smooth, painterly quality, transitioning gently into the dark collar at his neck. He wears a large, textured cap that…
In this 1640 oil portrait, we encounter Dirck van Egmond van de Nijenburg, a man whose steady gaze meets ours with a quiet, unyielding dignity. David Bailly has composed this bust-length study with a profound sense of gravity, placing the subject slightly off-center to create a natural, breathing presence. The lighting is deliberate, employing a chiaroscuro effect that pulls the man’s features out of a deep, dark background. One side…
The oil on canvas work titled Vanitas is a large and splendid example of the vanitas still life genre. Created by the Dutch painter David Bailly, the composition captures a dense arrangement of objects that speak to the fleeting nature of existence. The artist, born in 1584, rendered this scene with a focus on the material world's inevitable decay.
Portrait of an unknown woman wearing pearls1650
12
Self-Portrait1625 · Rijksmuseum
13
Portrait of a Man1641 · Μετροπολιτικό Μουσείο Τέχνης
14
Self-Portrait1625 · Rijksmuseum
15
Portrait of a Man, Possibly a Botanist1641 · Μετροπολιτικό Μουσείο Τέχνης
16
Portrait of Claudius Salmasius (Saumaise), philologist
17
Portrait of David Bailly in Cornelis de Bie's Gulden Cabinet.
18
Portrait of the Painter François Gysels
19
Portrait of Anthony de Wale1636 · Rijksmuseum
20
Portrait of Prince Janusz RadziwiłłNational Museum in Wrocław
21
Self-Portrait with Vanitas Symbols1651 · Stedelijk Museum De Lakenhal
22
Portrait of Aertje WitsenRijksmuseum
Τα τέσσερα θέματα που αναπαρίστανται πιο συχνά σε αυτά τα έργα, το καθένα με το πιο γνωστό του παράδειγμα.
Τα 8 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσεία | Πόλη | Έργα του Ντάβιντ Μπέιλλυ | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Rijksmuseum |
Άμστερνταμ | 5 | Young man with a fur hat, Self-Portrait, Self-Portrait |
 Slovak National Gallery |
Bratislava | 2 | Johanna Visscher, The Portrait of Gerrit Schaep |
 Μουσεία Τέχνης της Σαν Φρανσίσκο |
Σαν Φρανσίσκο | 2 | Portrait of Ripperd Van Groenendijk, Portrait of Claudina Van Groenendijk |
 Μετροπολιτικό Μουσείο Τέχνης |
Νέα Υόρκη | 2 | Portrait of a Man, Portrait of a Man, Possibly a Botanist |
 Museum van Loon |
Amsterdam | 1 | Portrait of Willem Ruychaver |
 Stedelijk Museum |
Alkmaar | 1 | Portrait of Dirck van Egmond van de Nijenburg (1614-1663) |
 Herbert F. Johnson Museum of Art |
Ιθάκη | 1 | Vanitas |
 National Museum in Wrocław |
Wrocław | 1 | Portrait of Prince Janusz Radziwiłł |
Επιλέξτε μια δεκαετία για να εμφανιστεί το κύριο έργο της.
This oil on canvas work, titled Portrait of Antonius Walaeus, Professor of Jurisprudence at Leiden, was executed by the Dutch artist David Bailly. Dated about 1601, the painting presents a formal study of a man of high academic status. The subject is captured in a moment of quiet dignity, his presence defined by the scholarly weight of his position.
David Bailly painted Johanna Visscher about 1628. The portrait presents a woman of high social standing, captured in a formal bust-length composition. She faces the viewer with a calm, direct gaze that establishes an immediate connection. Her status is signaled through the elaborate details of her attire, including a large, crisp white ruff collar and a jeweled bodice.
Created in 1633, this work is a product of the Dutch Golden Age. The style reflects the period's preoccupation with technical precision and the realistic depiction of social status through costume. The portrait adheres to the conventions of 17th-century Dutch Baroque portraiture, where the focus remains entirely on the individual and the material markers of their identity. The meticulous attention to the textures of lace, linen, and silk demonstrates the…
In this 1640 oil portrait, we encounter Dirck van Egmond van de Nijenburg, a man whose steady gaze meets ours with a quiet, unyielding dignity. David Bailly has composed this bust-length study with a profound sense of gravity, placing the subject slightly off-center to create a natural, breathing presence. The lighting is deliberate, employing a chiaroscuro effect that pulls the man’s features out of a deep, dark background. One side…
In this bust-length portrait, David Bailly presents the subject, Ripperd Van Groenendijk, with a quiet and dignified presence. The man is positioned slightly off-center, turned toward the viewer's right, yet his gaze meets the observer directly. This direct eye contact creates an immediate sense of connection between the sitter and the viewer. The composition is set against a dark, indistinct, and flat background, which ensures that the focus remains entirely…
Johanna Visscher (1628), Slovak National Gallery, Bratislava. Οι επόμενες ε entries είναι Portrait of Ripperd Van Groenendijk (1650) και Portrait of Claudina Van Groenendijk (1633).
44 χρόνια: ο/η Ντάβιντ Μπέιλλυ γεννήθηκε το 1584 και το έργο Johanna Visscher χρονολογείται το 1628.
Johanna Visscher, Portrait of Ripperd Van Groenendijk, Portrait of Claudina Van Groenendijk, Young man with a fur hat, Portrait of Antonius Walaeus, Professor of Jurisprudence at Leiden, The Portrait of Gerrit Schaep, Portrait of Willem Ruychaver, Young Man in a Black Cap, Portrait of Dirck van Egmond van de Nijenburg (1614-1663) και Vanitas. Η παραπάνω λίστα καταγράφει την ημερομηνία και το μουσείο που τα φυλάσσει.
Ο κατάλογος περιλαμβάνει 22 έργα του Ντάβιντ Μπέιλλυ, με ημερομηνίες από 1601 έως 1651.
Κυρίως σε Rijksmuseum (Άμστερνταμ), Slovak National Gallery (Bratislava) και Μουσεία Τέχνης της Σαν Φρανσίσκο (Σαν Φρανσίσκο). Ο πίνακας μουσείων παραπάνω δείχνει την πλήρη κατανομή.
Στην 1630s: 5 από τα 22 έργα που περιλαμβάνονται σε αυτήν τη σελίδα χρονολογούνται σε αυτήν την περίοδο, συμπεριλαμβανομένου του Portrait of Claudina Van Groenendijk.
Το παλαιότερο έργο που περιλαμβάνεται εδώ είναι του Portrait of Antonius Walaeus, Professor of Jurisprudence at Leiden (1601), ενώ το νεότερο είναι του Self-Portrait with Vanitas Symbols (1651).
Man (8), Portrait (4) και White collar (3), από τα 22 έργα που περιλαμβάνονται σε αυτήν τη σελίδα.
Oil On Canvas, σε 5 από τα 22 έργα που περιλαμβάνονται σε αυτήν τη σελίδα.
Baroque και Dutch baroque, όπως τεκμηριεύονται από τα έργα σε αυτήν τη σελίδα.
Τα Young man with a fur hat, Self-Portrait και Self-Portrait περιλαμβάνονται στα 5 έργα σε αυτήν τη σελίδα από τη συλλογή του Rijksmuseum, Άμστερνταμ.
