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the collector's folio

Allaert Claesz Most Popular Paintings

The 2 artworks by Allaert Claesz our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

Edition 2026 · 2 artworks Each artwork painted to order
Linen canvas · Certificate of authenticity · Delivered worldwide Allaert Claesz · 1508 – 1560

Stable Boy with Brown Horse by Allaert Claesz, 1663

1663 · Groninger Museum, Groningen · original 39.5 x 55.0cm
View the most popular artwork of Allaert Claesz ranked #1: Stable Boy with Brown Horse
Color Palette
Earthy
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Popularity
No. 1 of 2 artworks by Allaert Claesz
Delivery
Worldwide, about 5 weeks
from$20238 × 27 cm Commission this artwork
Same size as the original$23755 × 40 cm Commission at original size

21 militiamen of the St. Joris guards

1534 · Amsterdam Museum, Amsterdam · original 125.0 x 225.0cm
View the most popular artwork of Allaert Claesz ranked #2: 21 militiamen of the St. Joris guards
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Popularity
No. 2 of 2 artworks by Allaert Claesz
Delivery
Worldwide, about 5 weeks
from$67743 × 23 cm Commission this artwork
Same size as the original$1466225 × 125 cm Commission at original size
The artist

Allaert Claesz

1508 – 1560

Portrait of Allaert Claesz
Quick facts
  • Copyright statusPublic domain
  • Top-ranked workStable Boy with Brown Horse
  • Museums on APSAmsterdam Museum, Groninger Museum
  • Born1508, Amsterdam, Netherlands
  • NationalityNetherlands
  • Top 3 worksStable Boy with Brown Horse, 21 militiamen of the St. Joris guards
Biography

A Life in Ink and Line

Born in Amsterdam around 1508, Allaert Claesz moved through the shifting landscapes of the Northern Netherlands during a period of profound transition. While the exact conclusion of his life remains obscured by the passage of centuries, records suggest he was active between 1520 and 1555, leaving behind a body of work that speaks to the precision of the engraver's craft. His presence in the artistic circles of Utrecht and Amsterdam places him at the heart of a burgeoning print culture.

His hand is found in the delicate grooves of copperplates, where religious narratives and classical themes were etched with careful intent. In works such as Ecce Homo, he demonstrated a command over the medium that allowed for subtle light and shadow to emerge from the metal. These engravings often carried contemporary hand-colouring, adding a layer of warmth to the stark black lines of the print.

The Precision of the Engraver

The technical skill of Claesz was rooted in the rigorous traditions of the 16th-century Netherlandish school. He worked primarily with engraving, a method requiring immense discipline to manipulate the burin across a copper surface. This labor-intensive process allowed him to explore complex compositions, such as the dramatic scenes found in his religious prints.

His repertoire included a variety of subjects that reflected the spiritual and secular interests of his era:

  • Biblical narratives including St. Lambert's Martyrdom and depictions of the Virgin Mary.
  • Classical and allegorical figures, such as the Naked Queen on a throne, threatened by a dragon from 1533.
  • Devotional subjects like Die hl. Maria Magdalena in den Wolken.

There is a notable connection between his work and the broader development of Northern Renaissance printmaking. His ability to render fine details, from the texture of a shroud to the sharp edges of a crown, helped establish a visual language that would influence those who followed in the Dutch tradition.

A Quiet Presence in Art History

Though his name does not carry the weight of the later masters of the Golden Age, Claesz provided a necessary foundation. He operated in an era where the print was becoming a vital tool for spreading imagery across borders. His work reached collectors and scholars through various collections, including the Royal Library of Belgium and the Fitzwilliam Museum.

The traces of his career are found in the meticulousness of his marks. Even when his works were later used as references or copied by others, the fundamental strength of his original compositions remained evident. He remains a figure defined by the quiet, steady application of ink to paper, capturing the gravity of his subjects through the simple, honest medium of the engraved line.

Questions & Answers

What other names is Allaert Claesz known by?

Allaert Claesz is also known as Alaert Claesz, Allaerd Claes, Monogrammist AC, Allard Klaaszen.

Where are Allaert Claesz's artworks grouped by palette?

To find works by Allaert Claesz in a specific palette, use the artist's By Palettes page.

Where is Allaert Claesz from?

Allaert Claesz was born in Netherlands.

By the WikiOO.org Editorial Team Updated Sept. 27, 2026
Collector's quiz
  1. In which city was Allaert Claesz born?

  2. What is the nationality of Allaert Claesz?

  3. Which artwork by Allaert Claesz is held in The Fitzwilliam Museum?

  4. In what year was the engraving 'Naked Queen on a throne, threatened by a dragon' created?

  5. According to some records, in which years was Allaert Claesz active?

Keep exploring

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one You choose the size

Standard formats or any custom dimension, matched to the proportions of the original.

two We paint and send a preview

A photo of the finished canvas for your approval before it is shipped.

three Delivered, certified

Rolled, stretched or framed, insured, with a certificate of authenticity.

Commission your Allaert Claesz

Every artwork by Allaert Claesz in our catalog can be painted to order, in the size that suits the room.

All artworks by Allaert Claesz

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