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  • Most Popular Paintings
the collector's folio

Donatello Most Popular Paintings

The 25 artworks by Donatello our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

Edition 2026 · 25 artworks Each artwork painted to order
Linen canvas · Certificate of authenticity · Delivered worldwide Donatello · 1386 – 1466

Chellini Madonna, recto

View the most popular artwork of Donatello ranked #1: Chellini Madonna, recto
Victoria and Albert Museum, London · original 28 x 28 cm

Experience the profound tenderness of Donatello's Chellini Madonna, a breathtaking bronze relief from the Italian Renaissance that captures divine grace through masterful anatomical realism and invites you to explore its beauty.

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Miracle of the Avaricious Man's Heart (detail)

View the most popular artwork of Donatello ranked #2: Miracle of the Avaricious Man's Heart (detail)
1447 · Basilica di Sant'Antonio, Padua

Witness Donatello’s ‘Miracle of the Avaricious Man’s Heart,’ a Renaissance bronze masterpiece! Explore intricate detail & emotional depth in this iconic sculpture from 1447.

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Herod's Banquet

View the most popular artwork of Donatello ranked #3: Herod's Banquet
1427 · Baptistry, Siena · original 60 x 60 cm

Donatello's 'Feast of Herod' (1427) is a dramatic bronze relief depicting John the Baptist’s execution. Explore its innovative perspective, emotional intensity & Renaissance artistry.

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Crucifix

View the most popular artwork of Donatello ranked #4: Crucifix
1412 · Santa Croce, Florence · original 168 x 173 cm

Explore Donatello’s iconic ‘Crucifix’ (1412) – a stunning stained-glass masterpiece showcasing realism & dramatic light. A pivotal Early Renaissance work.

Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Popularity
No. 4 of 148 artworks by Donatello
Delivery
Worldwide, about 5 weeks
from$22726 × 38 cm Commission this artwork
Same size as the original$1043168 × 173 cm Commission at original size

Madonna with the Child

View the most popular artwork of Donatello ranked #5: Madonna with the Child
1448 · Basilica di Sant'Antonio, Padua

This bronze sculpture, created in 1448 by Donatello for the High Altar of the Basilica di Sant’Antonio in Padua, exemplifies the Early Renaissance style. The work departs from traditional depictions of the Madonna and Child, presenting Mary not simpl

Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Popularity
No. 5 of 148 artworks by Donatello
Delivery
Worldwide, about 5 weeks
from$17722 × 45 cm Commission this artwork

Entombment

View the most popular artwork of Donatello ranked #6: Entombment
1447 · Basilica di Sant'Antonio, Padua · original 139 x 188 cm

Experience the emotional intensity of Donatello's Entombment scene from 1447, showcasing early Renaissance drama; bring this masterpiece home today.

Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Popularity
No. 6 of 148 artworks by Donatello
Delivery
Worldwide, about 5 weeks
from$17728 × 36 cm Commission this artwork
Same size as the original$908139 × 188 cm Commission at original size

Madonna and Child between St Francis and St Anthony

View the most popular artwork of Donatello ranked #7: Madonna and Child between St Francis and St Anthony
1448 · Basilica di Sant'Antonio, Padua

Donatello’s "Madonna and Child" bronze sculpture captures Renaissance devotion with St. Francis and St. Anthony. This iconic Early Renaissance masterpiece showcases Donatello's genius and meticulous lost-wax casting technique – discover this timeless artwork.

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Pulpit (on the right)

View the most popular artwork of Donatello ranked #8: Pulpit (on the right)
1465 · San Lorenzo, Florence · original 123 x 292 cm

Donatello’s Resurrection Pulpit, completed in 1465 AD, stands as his final artistic achievement. Collaborating with Bertoldo and Bellano, it showcases the artist's signature style—characterized by elongated figures and refined craftsmanship—depicting pivotal biblical narratives like Christ’s Ascension and Pentecost.

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Pulpit (on the left)

View the most popular artwork of Donatello ranked #9: Pulpit (on the left)
1465 · San Lorenzo, Florence · original 137 x 280 cm

Donatello's 'Pulpit (on the left)' is a stunning marble sculpture showcasing Renaissance artistry & religious themes. A masterpiece by Donatello, it’s a testament to detail and skill.

Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Popularity
No. 9 of 148 artworks by Donatello
Delivery
Worldwide, about 5 weeks
from$17738 × 27 cm Commission this artwork

South pulpit

View the most popular artwork of Donatello ranked #10: South pulpit
1460 · San Lorenzo, Florence · original 123 x 292 cm

Donatello's 'South Pulpit' (1460) is a dramatic bronze masterpiece depicting scenes from Christ’s Passion, showcasing Donatello’s innovative style and profound emotional depth. Explore its rich symbolism & artistic legacy.

Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Popularity
No. 10 of 148 artworks by Donatello
Delivery
Worldwide, about 5 weeks
from$17728 × 36 cm Commission this artwork

David

View the most popular artwork of Donatello ranked #11: David
1409 · Museo Nazionale del Bargello, Florence

Experience Donatello's dynamic marble David, a masterpiece of early Renaissance sculpture capturing intense pre-battle focus; discover this iconic work today.

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Annunciation

View the most popular artwork of Donatello ranked #12: Annunciation
1435 · Santa Croce, Florence · original 218 x 168 cm

Donatello's "Annunciation" (1435) depicts the pivotal moment of Mary’s conception, showcasing his mastery of classical forms and expressive realism within a richly detailed Renaissance setting.

Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Popularity
No. 12 of 148 artworks by Donatello
Delivery
Worldwide, about 5 weeks
from$17726 × 39 cm Commission this artwork
Same size as the original$1211168 × 218 cm Commission at original size

Equestrian Statue of Gattamelata (11)

View the most popular artwork of Donatello ranked #13: Equestrian Statue of Gattamelata (11)
1447 · Piazza del Santo, Padua · original 340 x 390 cm

Donatello’s Equestrian Monument to Gattamelata is a groundbreaking achievement in bronze casting and sculptural representation. Commissioned by Gattamelata's family, it celebrates the Venetian commander who captured Padua and embodies the humanist ideals of the Florentine Renaissance.

Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Popularity
No. 13 of 148 artworks by Donatello
Delivery
Worldwide, about 5 weeks
from$17729 × 35 cm Commission this artwork

Old Sacristy

View the most popular artwork of Donatello ranked #14: Old Sacristy
1428 · San Lorenzo, Florence

Donatello’s Old Sacristy in San Lorenzo showcases Early Renaissance geometric precision and humanist contemplation with stunning sculptures and frescoes. Explore this masterpiece of Florentine ambition and architectural innovation – a timeless work to admire or own.

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Miracle of the Repentant Son

View the most popular artwork of Donatello ranked #15: Miracle of the Repentant Son
1447 · Basilica di Sant'Antonio, Padua · original 57 x 123 cm

Witness Donatello's poignant depiction of the Repentant Son – a bronze masterpiece by Renaissance sculptor Donatello. Explore its symbolism, technique & historical context within this stunning artwork.

Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Popularity
No. 15 of 148 artworks by Donatello
Delivery
Worldwide, about 5 weeks
from$17723 × 43 cm Commission this artwork
Same size as the original$35457 × 123 cm Commission at original size

Deposition

View the most popular artwork of Donatello ranked #16: Deposition
1465 · San Lorenzo, Florence

Donatello's 'Deposition' (1465) is a masterpiece of Early Renaissance sculpture, showcasing dramatic realism and classical influence. Witness the poignant scene of Christ’s removal from the cross in exquisite bronze detail.

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Prophet with Scroll (detail)

View the most popular artwork of Donatello ranked #17: Prophet with Scroll (detail)
1418 · Museo dell'Opera del Duomo, Florence

Donatello's Prophet with Scroll is an iconic Early Renaissance sculpture crafted between 1415-1418. Located within Giotto's Campanile, this monumental marble statue depicts a prophet gesturing towards a scroll of prophecies, showcasing exceptional anatomical accuracy and expressive emotion. Its serene posture and melancholic gaze exemplify Donatello’s mastery of humanist ideals.

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St George and the Dragon

View the most popular artwork of Donatello ranked #18: St George and the Dragon
1416 · Museo Nazionale del Bargello, Florence · original 39 x 120 cm

Admire Donatello's masterpiece – St George and the Dragon – a powerful marble bust capturing intense emotion from Renaissance Florence (1416). Explore its classical influence and artistic legacy.

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Cantoria

View the most popular artwork of Donatello ranked #19: Cantoria
1439 · Museo dell'Opera del Duomo, Florence · original 348 x 570 cm

Donatello’s Cantoria, completed in 1439, is a breathtaking marble choir loft adorned with dancing angels and gilded mosaics, symbolizing divine glory and marking a pivotal moment in Renaissance sculpture.

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St Mark

View the most popular artwork of Donatello ranked #20: St Mark
1411 · Orsanmichele, Florence

Donatello's iconic marble sculpture of St. Mark embodies Renaissance artistry & faith. Witness the saint’s contemplative pose within Orsanmichele’s grand Gothic archway – a masterpiece of detail and symbolism.

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Prophet (left of the Porta della Mandorla)

View the most popular artwork of Donatello ranked #21: Prophet (left of the Porta della Mandorla)
1406 · Duomo, Florence

Donatello's 'Prophet (left of the Porta della Mandorla)' is a captivating marble sculpture showcasing Renaissance artistry & religious symbolism. Witness Donatello’s masterful detail and profound expression in this iconic piece.

Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Popularity
No. 21 of 148 artworks by Donatello
Delivery
Worldwide, about 5 weeks
from$17721 × 48 cm Commission this artwork

Christ before Pilate and Caiaphas

View the most popular artwork of Donatello ranked #22: Christ before Pilate and Caiaphas
1460 · San Lorenzo, Florence

Explore Donatello's masterpiece, 'Christ before Pilate and Caiaphas,' a monumental bronze sculpture depicting Jesus’s trial before Roman authorities and Jewish leaders—a pivotal moment in Christian history.

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Marzocco

View the most popular artwork of Donatello ranked #23: Marzocco
1419 · Museo Nazionale del Bargello, Florence

Discover Donatello's masterful 15th-century realism in the powerful Marzocco lion sculpture, embodying Florentine spirit; bring this Renaissance icon home.

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David

View the most popular artwork of Donatello ranked #24: David
1430 · Museo Nazionale del Bargello, Florence

Experience Michelangelo’s David – a High Renaissance bronze sculpture of youthful strength & courage. Admire its anatomical precision & classical beauty in this iconic triptych.

Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Popularity
No. 24 of 148 artworks by Donatello
Delivery
Worldwide, about 5 weeks
from$17739 × 26 cm Commission this artwork

Cantoria (9)

View the most popular artwork of Donatello ranked #25: Cantoria (9)
1439 · Museo dell'Opera del Duomo, Florence · original 348 x 570 cm

Donatello's "Cantoria" (1439) is a stunning marble relief by Donatello, showcasing dynamic angels and intricate detail from Florence’s Duomo. A masterpiece of the Early Renaissance.

Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Popularity
No. 25 of 148 artworks by Donatello
Delivery
Worldwide, about 5 weeks
from$17735 × 29 cm Commission this artwork
The artist

Donatello

1386 – 1466

Portrait of Donatello
Quick facts
  • Movementsearly renaissance
  • Vibecalm
  • NationalityItaly
  • Room fitliving room
  • Died1466
  • Top-ranked workChellini Madonna, recto
  • Also known asDonato di Niccolò di Betto Bardi, Donatello Donato, دوناتيلو, Донатело, Ντονατέλλο
  • Lifespan80 years
Biography

The Life and Identity of Donatello

Born as Donato di Niccolò di Betto Bardi, the man known to history as Donatello spent his life within the walls of Florence, Italy. He arrived in the world around 1386, a time when the city was beginning to reshape its own image through stone and bronze. His presence in the Florentine landscape was constant, marked by a steady hand and a focus on the physical reality of his subjects. He was an Italian Renaissance sculptor who understood the weight of the materials he handled, from the hardness of marble to the fluidity of wax.

His work was not a solitary pursuit of perfection but a series of responses to the needs of his time. He moved through the streets of Florence, working in various mediums and leaving behind a trail of figures that captured a specific, human presence. While he was known to be amiable and well-liked by those around him, he struggled with the practicalities of running a business. He often took on more work than his hands could finish in a timely manner, sometimes leaving the final touches to others or delivering pieces later than expected. This tendency toward over-commitment suggests a man more concerned with the act of creation than the management of a workshop.

Donatello died in Florence on December 13, 1466. He left behind a body of work that changed how sculptors approached the human form, moving away from the rigid traditions of the past toward something more grounded and expressive. His life was tied to the city, and his identity remains inseparable from the Florentine soil where he lived and worked.

Early Life and Artistic Training

Born in Florence, Italy, Donatello grew up in a city that acted as the primary epicenter for the burgeoning Renaissance. This environment provided the essential cultural energy for his development. He spent his early years immersed in the local atmosphere, where the shift away from rigid medieval traditions was already taking hold. His connection to the Florentine landscape was deep, as the city's evolving values shaped his early approach to form and figure.

His training involved a close study of classical sculpture. This focus on antiquity helped him move toward a new style that prioritized realism and humanism. Before finding his own voice, he learned the International Gothic style from Lorenzo Ghiberti. This period of learning allowed him to master the technical skills of his craft before he began to deviate from those established traditions. He worked with various materials, including stone, bronze, wood, clay, stucco, and wax, often using glass in inventive ways to achieve specific effects.

Patrons, Workshop and Commissions

Donatello’s hands were often full. He had a habit of accepting more work than his schedule could hold, a tendency that sometimes meant projects were finished late or handed off to others to complete. This heavy workload required a steady presence in his workshop, where he worked alongside several assistants. A group of four was a typical number for his studio, helping him manage the physical demands of stone, bronze, and clay.

The Medici family provided steady support, offering the kind of patronage that allowed him to work through different phases of his life. His reach extended far beyond the streets of Florence; he traveled to work on commissions in Rome, Padua, and Siena. This movement between cities meant his practice was never confined to a single place, as he carried his methods and his assistants to various centers of activity.

  • Equestrian Statue of Gattamelata (1447)
  • David (1409)
  • St. Mark (1411)
  • Saint George (1416)

Innovative Techniques and Artistic Style

Donatello’s approach to sculpture moved away from the rigid traditions of the International Gothic style. He developed an Early Renaissance style that favored a new kind of realism. This was often achieved through a deep understanding of the human form and the way light hits a surface. He was not limited to a single medium, working instead with stone, bronze, wood, clay, stucco, and wax. He even found ways to use glass in inventive ways to add detail to his figures.

One of his most specific technical contributions was the development of rilievo stiacciato. This is a very shallow type of bas-relief where the carving is so slight that it creates an illusion of depth through subtle shifts in thickness. By using this method, he could suggest perspective and distance on a nearly flat surface. His work often shows a tension between the physical weight of the material and the expressive movement of the subject. He could make marble appear as soft as skin or bronze carry a sense of heavy, muscular energy.

  • David (bronze)
  • Equestrian Monument of Gattamelata
  • Saint George (marble)

Key Sculptural Masterpieces

In 1416, he finished Saint George, a marble figure that captures a sense of resolute courage. The sculpture depicts the knight in armor, balancing on the balls of his feet rather than standing in a traditional contrapposto. There is a palpable sense of the muscular body working beneath the surface of the stone. This work was one of many commissioned by the guilds of Florence to decorate the external niches of the Orsanmichele Church.

His bronze David remains a significant point in the history of sculpture. It is the first freestanding nude male sculpture produced since antiquity. The figure is depicted with an enigmatic smile, standing with a foot placed upon the severed head of Goliath. While the marble version of this subject was an early commission, the bronze version is noted for its delicate, androgynous physique and the way it uses the youth's nakedness to contrast with the heavy sword in hand.

Later in his career, he moved toward different materials and scales. The Equestrian Monument of Gattamelata, created in 1453, is a massive bronze work located in Padua. Around 1440, he produced the Penitent Magdalene, a wooden sculpture carved from white poplar. This figure is gaunt and emaciated, departing from the typical depictions of a beautiful young woman. The carving is stark and highly detailed, showing a different side of his technical skill.

  • Saint George, 1416
  • David (bronze), c. 1440
  • Penitent Magdalene, c. 1440
  • Equestrian Monument of Gattamelata, 1453

Legacy and Artistic Influence

Donatello's approach to form did not find immediate acceptance within his community. His work moved through distinct phases, starting with a focus on classical monumentality and a growing sense of expressiveness. As his career progressed, this style gained traction, eventually becoming the most popular way of working in the region. His influence reached far beyond the borders of Florence, spreading to other Italian courts and affecting artists across Europe.

The way he handled materials allowed for a range of emotional depths. He moved from the heavy, solid presence of his early marble figures to more stark, even brutal works in his later years. This shift showed a willingness to explore the human condition through varied textures, from the smooth surfaces of stone to the textured, emaciated wood of his later religious carvings. His ability to capture a sense of movement and psychological weight changed how sculptors approached the human figure.

  • David (bronze)
  • Equestrian Statue of Gattamelata
  • Saint George
  • Penitent Magdalene

Questions & Answers

Where is Donatello from?

Donatello was born in Italy.

What are the birth city and country of Donatello?

Donatello was born in Florence, in Italy.

How do I find works by Donatello in a specific palette?

The By Palettes page groups Donatello's artworks by their color palettes.

By the WikiOO.org Editorial Team Updated Oct. 15, 2026
Collector's quiz
  1. In which city was Donatello born?

  2. Which family commissioned the bronze David?

  3. What was Donatello's first freestanding nude male sculpture since antiquity?

  4. Which museum houses the marble David?

  5. What material was used for the Penitent Magdalene sculpture?

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one You choose the size

Standard formats or any custom dimension, matched to the proportions of the original.

two We paint and send a preview

A photo of the finished canvas for your approval before it is shipped.

three Delivered, certified

Rolled, stretched or framed, insured, with a certificate of authenticity.

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Every artwork by Donatello in our catalog can be painted to order, in the size that suits the room.

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