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  • Edward William Cooke
  • Most Popular Paintings
the collector's folio

Edward William Cooke Most Popular Paintings

The 25 paintings by Edward William Cooke our visitors ask for most, ranked by popularity and presented plate by plate, with the specification of each hand-painted reproduction.

Hand painted in oil Edition 2026 · 25 plates Each plate painted to order
Linen canvas · Certificate of authenticity · Delivered worldwide Edward William Cooke · 1811 – 1880
Venetian Fishing Craft Caught in a 'Borasca' (1873) — Edward William Cooke
Plate 01

Venetian Fishing Craft Caught in a 'Borasca'

1873 · Walker Art Gallery, Liverpool · original 88 x 139 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 38 × 27 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Breaming a Calais Lugger at Low Water (1848) — Edward William Cooke
Plate 02

Breaming a Calais Lugger at Low Water

1848 · Walker Art Gallery, Liverpool · original 45 x 61 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 37 × 27 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Ships at Sea — Edward William Cooke
Plate 03

Ships at Sea

Wigan Arts And Heritage Service, Wigan · original 96 x 134 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 38 × 27 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
The Antiquary's Cell (1835) — Edward William Cooke
Plate 04

The Antiquary's Cell

1835 · original 58 x 76 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 36 × 28 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Lobster Pots, Ventnor (1835) — Edward William Cooke
Plate 05

Lobster Pots, Ventnor

1835 · original 39 x 53 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 37 × 27 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Shipping on the Ij (1848) — Edward William Cooke
Plate 06

Shipping on the Ij

1848 · The Ashmolean Museum of Art And Archaeology, Oxford · original 11 x 25 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 48 × 21 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Rembrandt's father's mill — Edward William Cooke
Plate 07

Rembrandt's father's mill

Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 32 × 32 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Old Hastings (1835) — Edward William Cooke
Plate 08

Old Hastings

1835 · original 25 x 36 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 38 × 26 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Mending the Bait Nets, Shanklin (1836) — Edward William Cooke
Plate 09

Mending the Bait Nets, Shanklin

1836 · original 42 x 79 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 35 × 28 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Withycombe Mill, Devon (1898) — Edward William Cooke
Plate 10

Withycombe Mill, Devon

1898 · Exmouth Library, Exmouth · original 60 x 50 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 29 × 35 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Venetian Lagoons – Sunset (1862) — Edward William Cooke
Plate 11

Venetian Lagoons – Sunset

1862 · original 20 x 28 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 38 × 26 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Chub — Edward William Cooke
Plate 12

Chub

original 38 x 51 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 37 × 27 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
The antiquary's cell — Edward William Cooke
Plate 13

The antiquary's cell

Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 36 × 28 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
A Mackerel on the Seashore (1837) — Edward William Cooke
Plate 14

A Mackerel on the Seashore

1837
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 38 × 27 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
A Mackerel on the Seashore (1837) — Edward William Cooke
Plate 15

A Mackerel on the Seashore

1837 · original 17 x 25 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 38 × 27 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Off the Port of Havre (1840) — Edward William Cooke
Plate 16

Off the Port of Havre

1840 · original 168 x 214 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 37 × 27 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Cactus opuntia — Edward William Cooke
Plate 17

Cactus opuntia

Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 38 × 27 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Vesuvius and Castel del Oro — Edward William Cooke
Plate 18

Vesuvius and Castel del Oro

Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 38 × 26 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Sunset sky salute and san giorgio maggiore — Edward William Cooke
Plate 19

Sunset sky salute and san giorgio maggiore

Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 43 × 23 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Salerno, Italy (1849) — Edward William Cooke
Plate 20

Salerno, Italy

1849 · Guildhall Art Gallery, London · original 61 x 99 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 41 × 25 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Semaphore at Portsmouth (1836) — Edward William Cooke
Plate 21

Semaphore at Portsmouth

1836 · original 33 x 41 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 37 × 27 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Tower of Erchia — Edward William Cooke
Plate 22

Tower of Erchia

Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 40 × 25 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
The 'Cleopatra' Cylinder Vessel (1878) — Edward William Cooke
Plate 23

The 'Cleopatra' Cylinder Vessel

1878 · original 88 x 137 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 39 × 25 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Scheveningen Pincks off the Coast of Yarmouth (1864) — Edward William Cooke
Plate 24

Scheveningen Pincks off the Coast of Yarmouth

1864 · original 90 x 137 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 39 × 25 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
A Dutch Beurtman Aground on the Terschelling Sands, in the North Sea after a Snowstorm (1865) — Edward William Cooke
Plate 25

A Dutch Beurtman Aground on the Terschelling Sands, in the North Sea after a Snowstorm

1865 · Royal Holloway, Egham · original 107 x 168 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 40 × 25 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Portrait of Edward William Cooke
The artist

Edward William Cooke

A Life Immersed in Light and Water

Edward William Cooke, born in Pentonville, London, in 1811, was destined to become a pivotal figure in 19th-century British art. His artistic lineage was firmly established from the outset; his father, George Cooke, was a respected line engraver, and his uncle, William Bernard Cooke, followed a similar path. This familial environment wasn’t merely professional—it fostered an atmosphere where artistry was woven into the very fabric of life. Even as a child, Edward exhibited remarkable talent, demonstrating advanced engraving skills by the age of nine, particularly in depictions of ships. But his early inclinations weren't solely maritime; pastoral landscapes and animal studies also captured his attention, revealing a nascent aesthetic deeply influenced by the serene beauty of 17th-century Dutch masters like Nicolaes Berchem, Paulus Potter, and Karel Dujardin. This initial exposure to their work would become a defining characteristic of his mature style—a commitment to capturing atmosphere and nuanced detail. His formal training began with botanical illustrations for John Loudon’s *Encyclopaedia of Plants*, followed by extensive work at George Loddiges’ *Botanical Cabinet*. These years honed his meticulous observation skills and instilled in him an appreciation for the natural world, qualities that would permeate all his subsequent endeavors.

From Botanical Precision to Marine Mastery

Despite early success with botanical illustration—producing hundreds of wood engravings and around 400 watercolors within the vibrant ecosystem of Hackney nursery grounds—Cooke’s true passion lay with ships and the sea. Recognizing this inclination, he sought practical knowledge by studying under Captain Burton of the West-Indiaman *Thetis*. This experience proved invaluable, providing firsthand insight into the intricacies of vessels and maritime life – details he meticulously documented in his sketchbooks. He began painting in oils in 1833, formally studying under James Stark in 1834, and by 1835 had already exhibited at both the Royal Academy and the British Institution, marking a significant step in his artistic career. Even at this early stage, his style was clearly defined: detailed depictions of marine scenes and landscapes rendered with remarkable precision. He quickly gained recognition as a principal follower of Clarkson Stanfield, benefiting immensely from the older artist’s advice and guidance. Stanfield's influence is evident in Cooke’s ability to capture not just the physical appearance of ships and seascapes but also their atmosphere—the play of light on water, the drama of changing weather conditions, and the sense of vastness that characterizes the marine environment. He wasn’t simply recording what he saw; he was conveying a feeling, an experience.

A Wanderer's Palette: Travels and Artistic Development

Cooke’s artistic development was profoundly shaped by his extensive travels throughout Europe and North Africa. A pivotal journey to the Netherlands in 1837 ignited a lifelong fascination with Dutch marine art, which became a cornerstone of his style. He returned repeatedly over the next two decades, immersing himself in the coastal landscapes and studying the unique quality of light that defined the region. These trips weren’t merely about replication; they were about understanding the underlying principles of composition, color, and atmosphere that made Dutch marine painting so compelling. Beyond Holland, his travels took him to Normandy, Belgium, France, Scotland, Ireland, Scandinavia, Spain, and Venice. Each location offered new subject matter and broadened his artistic horizons. He masterfully captured the dramatic effects of weather—turbulent storms, tranquil sunsets, misty mornings—and the diverse topography of each region, demonstrating a remarkable ability to convey both the power and the beauty of nature. His sketches from these journeys weren’t just preparatory studies; they were works of art in their own right, imbued with a sense of immediacy and observation.

Recognition, Scholarship, and Enduring Legacy

Edward William Cooke achieved considerable recognition during his lifetime, solidifying his position as a leading figure in 19th-century British art. He was elected an Associate of the Royal Academy in 1851 and became a full Royal Academician in 1863—a testament to his artistic skill and standing within the art world. His international acclaim extended beyond Britain, with his election as an honorary academician to the National Academy of Design in 1858. Throughout his career, Cooke exhibited over 120 works at the Royal Academy, consistently receiving critical praise for his technical mastery and evocative depictions of marine scenes and landscapes. However, his achievements weren’t limited to the realm of art; he was also a respected scientist, elected as a Fellow of the Royal Society in 1863, alongside memberships in the Geological, Linnean, and other learned societies. This intellectual breadth distinguished him from many artists of his time, highlighting his curiosity and dedication to understanding the world around him. Hay Barge off Greenwich (1835), *Venetian Lagoons – Sunset*, *Salerno, Italy* (1849), and *Brighton Sands* (1837) continue to captivate audiences today. Edward William Cooke died on January 4, 1880, leaving behind a substantial body of work that stands as a testament to his skill, vision, and enduring legacy as both an accomplished painter and a respected scholar. He is remembered for his meticulous attention to detail, combined with his ability to capture the atmosphere of coastal scenes—a master of light, water, and the subtle nuances of the natural world.

A Lasting Influence

  • Technical Mastery: Cooke’s skill in rendering detail and capturing atmospheric effects remains highly admired.
  • Dutch Inspiration: His embrace of Dutch marine painting traditions enriched British art with a new sensibility.
  • Scientific Curiosity: His scientific pursuits informed his artistic vision, adding depth and accuracy to his work.
  • Broad Appeal: Cooke’s paintings continue to resonate with audiences today, offering glimpses into a bygone era of maritime life and coastal beauty.

Questions & Answers

Where can I find statistics about Edward William Cooke's works?

A Stats page exists for Edward William Cooke, presenting statistics about the artist's artworks on this website.

Can I explore Edward William Cooke's works by keyword?

The By Keywords page of Edward William Cooke groups the artist's artworks by their keywords.

Where is Edward William Cooke from?

Edward William Cooke was born in United Kingdom.

By the WikiOO.org Editorial Team Updated Sept. 1, 2026
Edward William Cooke
Quick facts
  • Corpus themesdutch coastal scenes, maritime tradition, detailed naturalism, dutch masters influence, coastal scenes
  • Art period19th Century
  • Color intensitybalanced, monochromatic
  • Top 3 worksVenetian Fishing Craft Caught in a 'Borasca', Breaming a Calais Lugger at Low Water, Ships at Sea
  • Museums on APSWalker Art Gallery, Salford Museum - Art Gallery, Wolverhampton Art Gallery, Guildhall Art Gallery, The Ashmolean Museum of Art And Archaeology
  • Works on APS134
  • Also known asE.W. Cooke, Edward Cooke, E. W. Cooke, E. Cooke
  • Top-ranked workVenetian Fishing Craft Caught in a 'Borasca'
Collector's quiz
  1. Edward William Cooke's father and uncle were both known for what profession?

  2. What artistic influence was particularly strong in Cooke's early work, especially regarding pastoral landscapes?

  3. Cooke gained practical knowledge about ships by studying under the captain of what type of vessel?

  4. Which country did Cooke visit repeatedly, becoming deeply inspired by its marine art traditions?

  5. Besides being a painter, Edward William Cooke was also recognized for his contributions to what field, earning him a fellowship?

one You choose the size

Standard formats or any custom dimension, matched to the proportions of the original.

two We paint and send a preview

A photo of the finished canvas for your approval before it is shipped.

three Delivered, certified

Rolled, stretched or framed, insured, with a certificate of authenticity.

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Every painting by Edward William Cooke in our catalog can be painted to order, in the size that suits the room.

All artworks by Edward William Cooke

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