Summary
According to this ranking, Me and my Wife (Self-portrait) (1927) is the most famous painting by Gyula Derkovits; the Hungarian National Gallery, Budapest, holds it. It is followed by Dózsa-series Xia. Slaughtered Peasants and Dózsa-series Vi. Clash. This list draws on the 33 works by Gyula Derkovits in the catalogue and records the 33 most famous, with date, holding museum and description for each entry.
Gyula Derkovits: top 10 entries of the list
Gyula Derkovits: list continued, 11 to 33
Principal subjects in the work of Gyula Derkovits
The four subjects most frequently represented among these works, each with its best-known example.
Hungarian art 3 works
Buildings 2 works
Forests 2 works
Gyula Derkovits: holding museums
The 2 museums that hold the most of the paintings on this page.
| Museum | City | Works by Gyula Derkovits | Paintings from this list |
|---|---|---|---|
| Budapest | 4 | Me and my Wife (Self-portrait), Bridge In Winter, Three Generations | |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Act in the Countryside |
Gyula Derkovits by year: the most famous paintings
Approximately a decade, 1919 to 1927: the period of Gyula Derkovits's dated works on this page, set out below year by year.
Gyula Derkovits: questions and documented answers
Which Gyula Derkovits painting heads the list of most famous works?Display the answer
Me and my Wife (Self-portrait) (1927), Hungarian National Gallery, Budapest. The following entries are Dózsa-series Xia. Slaughtered Peasants and Dózsa-series Vi. Clash.
What age had Gyula Derkovits reached when Me and my Wife (Self-portrait) was painted?Display the answer
33 years: Gyula Derkovits was born in 1894 and Me and my Wife (Self-portrait) is dated 1927.
Which works make up the top 10 of Gyula Derkovits?Display the answer
Me and my Wife (Self-portrait), Dózsa-series Xia. Slaughtered Peasants, Dózsa-series Vi. Clash, Dózsa-series Viii. Stakes, Self-portrait With Pipe, Dózsa-series Iii. Battering At The Gate, Dózsa-series Iv. Insurgent Peasant, Dózsa-series Vii. Subdual, Dózsa-series Ix. Dózsa On The Igneous Throne and Dózsa-series V. Dózsa On The Wall. The list above records the date and holding museum of each.
How many works by Gyula Derkovits are recorded?Display the answer
The catalogue records 33 works by Gyula Derkovits, dated between 1919 and 1927.
In which collections are Gyula Derkovits's most famous works held?Display the answer
Principally in Hungarian National Gallery (Budapest) and Ernest Zmeták Art Gallery (Nové Zámky). The museum table above gives the full distribution.
Which dated works by Gyula Derkovits are the earliest and the latest here?Display the answer
The earliest dated work listed here is Act in the Countryside (1919); the latest is Me and my Wife (Self-portrait) (1927).
What subjects appear most in the work of Gyula Derkovits?Display the answer
Hungarian art (3), Fish (3) and Buildings (2), out of the 33 works listed on this page.
Which works of Gyula Derkovits are held by the Hungarian National Gallery?Display the answer
Me and my Wife (Self-portrait), Bridge In Winter and Three Generations are among the 4 works on this page in the collection of the Hungarian National Gallery, Budapest.
Gyula Derkovits: life and work
A Life Forged in Wood and War
The life of Gyula Derkovits was a profound struggle between the heavy reality of manual labor and the ethereal call of artistic expression. Born in Szombathely, Hungary, his early years were defined by the scent of sawdust and the discipline of craftsmanship, as he was initially apprenticed to his father’s carpentry workshop. This foundation in physical labor would later haunt and inform the very texture of his visual language. Despite a burgeoning talent nurtured by a sign painter, Derkovical's path was diverted by the onset of World War I. He volunteered for service, a decision that left him with lasting scars: a paralyzed left hand and a debilitating lung condition. These physical hardships did not stifle his spirit but rather redirected it toward the pursuit of art through night schools and private instruction, eventually leading him to study under Károly Kernstok.
The Evolution of a Visual Language
As Derkovits navigated the turbulent political landscape of early 20th-century Hungary, his artistic style underwent a remarkable metamorphosis. His early works, shaped by his time in Budapest and later in Vienna, vibrated with the energy of Expressionism, Cubism, and Constructivism. During his years in Vienna, the influence of German expressionist painting became palpable, lending a certain raw intensity to his compositions. However, as he matured, his work moved away from purely formal experimentation toward a deeply personal and eccentric style. He began to favor tempera, utilizing it to create larger, almost monumental paintings that captured the essence of daily life with a unique blend of strict image editing and lyrical color.
Social Consciousness and Graphic Mastery
Beyond the canvas, Derkovits was a master of graphic arts, using printmaking to voice his profound social critiques. His connection to the political movements of his time—including his period of involvement with the Hungarian Communist Party—deeply permeated his subject matter. One of his most significant achievements remains his series of twelve woodcuts depicting the peasant revolt of 1514, a work that solidified his reputation through its powerful depiction of historical struggle. His graphic output often served as a biting satire of bourgeois society, utilizing sharp lines and stark contrasts to highlight the plight of the common person. Through both his monumental paintings and his intricate etchings, Derkovits left an indelible mark on Hungarian visual arts, blending social criticism with an unmistakable, individual formal language.









