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  • Laslett John Pott
  • Most Popular Paintings
the collector's folio

Laslett John Pott Most Popular Paintings

The 13 paintings by Laslett John Pott our visitors ask for most, ranked by popularity and presented plate by plate, with the specification of each hand-painted reproduction.

Hand painted in oil Edition 2026 · 13 plates Each plate painted to order
Linen canvas · Certificate of authenticity · Delivered worldwide Laslett John Pott · 1837 – 1898
Mary, Queen of Scots, Being Led to Her Execution (1871) — Laslett John Pott
Plate 01

Mary, Queen of Scots, Being Led to Her Execution

1871 · Nottingham Castle Museum And Art Gallery, Nottingham · original 127 x 183 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 39 × 26 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$202 Commission this plate
The Dancing Lesson — Laslett John Pott
Plate 02

The Dancing Lesson

Nottingham Castle Museum And Art Gallery, Nottingham · original 17 x 22 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 36 × 28 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Lord Byron (1788–1824) — Laslett John Pott
Plate 03

Lord Byron (1788–1824)

original 91 x 72 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 28 × 35 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
A Refugee in a Church (1894) — Laslett John Pott
Plate 04

A Refugee in a Church

1894 · Towneley Hall Art Gallery - Museum, Burnley · original 122 x 183 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 39 × 26 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Waiting for the King's Favourite (1877) — Laslett John Pott
Plate 05

Waiting for the King's Favourite

1877 · Towneley Hall Art Gallery - Museum, Burnley · original 55 x 90 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 41 × 25 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Wordsworth's Grave (1870) — Laslett John Pott
Plate 06

Wordsworth's Grave

1870 · Reading Museum - Town Hall, Reading · original 20 x 31 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 40 × 25 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
The Return of the Victors (1869) — Laslett John Pott
Plate 07

The Return of the Victors

1869 · original 109 x 71 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 25 × 40 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
The Sisters (1879) — Laslett John Pott
Plate 08

The Sisters

1879 · original 72 x 57 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 28 × 36 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Life is Like a Sundial (1878) — Laslett John Pott
Plate 09

Life is Like a Sundial

1878 · original 58 x 82 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 38 × 26 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
The Last Of The Summer Roses (1888) — Laslett John Pott
Plate 10

The Last Of The Summer Roses

1888
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 26 × 39 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Sir Peter Teazle — Laslett John Pott
Plate 11

Sir Peter Teazle

original 56 x 40 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 27 × 38 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$202 Commission this plate
Interior With A Lady And Two Gentlemen — Laslett John Pott
Plate 12

Interior With A Lady And Two Gentlemen

Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 28 × 35 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
A Morning Sail (1870) — Laslett John Pott
Plate 13

A Morning Sail

1870 · original 53 x 76 cm
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Sizes
From 38 × 26 cm, any size up to 250 cm
Delivery
Worldwide, about 5 weeks
from$177 Commission this plate
Portrait of Laslett John Pott
The artist

Laslett John Pott

Laslett John Pott: A Master of Victorian Maritime and Portraiture

Laslett John Pott (1837-1898) stands as a significant, yet often overlooked, figure in 19th-century British art. His career, spanning nearly six decades, reveals a remarkable evolution from early academic training to the creation of intensely evocative maritime scenes and meticulously rendered historical portraits. Pott’s work offers a poignant glimpse into Victorian society, capturing both its grandeur and its underlying anxieties through a distinctive blend of realism, sentimentality, and a deep understanding of naval history and aristocratic life.

Born in Nottinghamshire in 1837, Pott's artistic journey was far from straightforward. Initially, his father, a staunch advocate for architectural pursuits, compelled him into an apprenticeship with a local architect. This early constraint ignited within Pott a profound desire for creative freedom, ultimately leading him to pursue art formally. He enrolled at the Slade School of Fine Art in London, where he studied under Alexander Johnstone, a respected Scottish history and genre painter. Johnstone’s influence proved crucial, shaping Pott's technical skills and fostering his appreciation for narrative painting – a style particularly well-suited to depicting historical events and figures.

Pott’s artistic development truly blossomed during the 1860s and 70s. He quickly gained recognition at the Royal Academy of Arts, exhibiting an impressive string of works that resonated with Victorian audiences. His subjects were diverse, ranging from dramatic scenes of naval battles – notably his celebrated depictions of Napoleon's campaigns in Russia – to intimate portraits of British nobility, often imbued with a palpable sense of melancholy and introspection. His paintings weren’t merely historical records; they were carefully constructed narratives designed to evoke emotion and contemplation. Pott possessed an uncanny ability to capture the psychological states of his subjects, imbuing them with a quiet dignity or profound sorrow.

The Maritime Vision: Ships, Sailors, and the Victorian Sea

Perhaps the most enduring aspect of Pott’s oeuvre is his fascination with maritime subjects. He produced a vast body of work depicting ships in all their glory – majestic warships, humble merchant vessels, and daring privateers. These paintings are characterized by an extraordinary attention to detail, meticulously rendered rigging, sails, and hull planking that convey the power and complexity of naval technology. However, Pott’s maritime scenes transcend mere technical virtuosity; they are infused with a deep sense of atmosphere and drama.

His depictions of naval battles, such as “On the March from Moscow,” are particularly noteworthy for their dynamic compositions and their ability to capture the chaos and heroism of combat. He wasn’t simply illustrating historical events; he was conveying the human cost of war – the bravery, the sacrifice, and the devastating consequences. Pott's understanding of naval life extended beyond grand battles; he also painted scenes of everyday maritime existence, capturing the lives of sailors, dockworkers, and shipbuilders with a sympathetic eye.

Portraits of Power and Prestige: The Aristocracy’s Image

Alongside his maritime paintings, Pott was equally adept at portraying members of the British aristocracy. His portraits are not simply likenesses; they are carefully constructed representations of social status, wealth, and power. He frequently depicted figures from the royal family, including Queen Victoria herself, as well as prominent politicians, military officers, and wealthy industrialists.

Pott’s aristocratic portraits are distinguished by their formal elegance and their subtle psychological insights. He skillfully captured the personalities of his subjects – their pride, their ambition, and their vulnerabilities – through carefully observed details in their clothing, posture, and expressions. His depiction of Mary Queen of Scots on her way to her execution is a prime example, conveying both the queen’s regal bearing and her impending doom with remarkable sensitivity.

Influences and Legacy

Pott's artistic style reflects the prevailing trends of Victorian painting – a blend of academic realism, Romantic sentimentality, and historical narrative. He was influenced by artists such as William Turner, whose atmospheric landscapes and dramatic compositions inspired Pott’s own approach to depicting maritime scenes. John Brett, another Royal Academy painter, also exerted an influence on Pott's work, particularly in his depictions of aristocratic subjects.

Despite not achieving the widespread fame of some of his contemporaries, Laslett John Pott left a significant contribution to British art. His meticulously rendered paintings offer a valuable window into Victorian society and its fascination with naval history and aristocratic life. His works are now housed in several major museums across Britain, testament to their enduring artistic merit and historical significance.

Questions & Answers

Can I explore Laslett John Pott's works by keyword?

To find works by Laslett John Pott on a specific theme, use the artist's By Keywords page, which groups the artworks by keyword.

What aliases or alternate names does Laslett John Pott have?

Laslett John Pott is also known as John Pott.

How did Laslett John Pott's art evolve over time?

Laslett John Pott's career unfolds period by period on the artist's Chronicle page: a horizontal timeline of the artworks, grouped into career-period chapters.

By the WikiOO.org Editorial Team Updated Oct. 1, 2026
Laslett John Pott
Quick facts
  • Top-ranked workMary, Queen of Scots, Being Led to Her Execution
  • Died1898
  • Copyright statusPublic domain
  • Movementsromanticism
  • Born1837
  • Lifespan61 years
  • Museums on APSNottingham Castle Museum And Art Gallery, Reading Museum - Town Hall, Towneley Hall Art Gallery - Museum
Collector's quiz
  1. Laslett John Pott is best known for his paintings of which historical period?

  2. What was a key aspect of Laslett John Pott's artistic training?

  3. Which of the following best describes the subject matter frequently depicted by Laslett John Pott?

  4. During which period did Laslett John Pott exhibit the most works at the Royal Academy?

  5. What was a significant influence on Laslett John Pott's artistic style?

one You choose the size

Standard formats or any custom dimension, matched to the proportions of the original.

two We paint and send a preview

A photo of the finished canvas for your approval before it is shipped.

three Delivered, certified

Rolled, stretched or framed, insured, with a certificate of authenticity.

Commission your Laslett John Pott

Every painting by Laslett John Pott in our catalog can be painted to order, in the size that suits the room.

All artworks by Laslett John Pott

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