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the collector's folio

Mao Qiling Most Popular Paintings

The 1 artworks by Mao Qiling our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

Edition 2026 · 1 artworks Each artwork painted to order
Linen canvas · Certificate of authenticity · Delivered worldwide Mao Qiling · 1623 – 1716

Lone fisherman on a boat by Mao Qiling, 701

701 · original 63.5cm x 35.6cm
View the most popular artwork of Mao Qiling ranked #1: Lone fisherman on a boat
Color Palette
Monochrome
Technique
Hand-painted oil on linen canvas
Made
To order, by a trained painter
Popularity
No. 1 of 1 artworks by Mao Qiling
Delivery
Worldwide, about 5 weeks
from$17727 × 37 cm Commission this artwork
The artist

Mao Qiling

1623 – 1716

Portrait of Mao Qiling
Quick facts
  • Lifespan93 years
  • Died1716
  • Works on APS1
  • Top-ranked workLone fisherman on a boat
  • Born1623, Xiaoshan, China
Biography

Mao Qiling: A Dissenter of the Classics

Mao Qiling (毛奇龄, 1623-1716), a figure largely obscured by the grand narratives of the early Qing dynasty, emerges as a compelling study in intellectual resistance and scholarly devotion. Born in Xiaoshan, Zhejiang province, Mao’s life unfolded during a period of profound political upheaval – the collapse of the Ming Dynasty in 1644 and the subsequent rise of the Manchus to power. Rather than aligning himself with the new regime, he steadfastly refused service, choosing instead a path of quiet scholarship and critical inquiry. This decision, coupled with his later challenge to established Confucian orthodoxy, cemented his reputation as a dissenting voice within the intellectual landscape of his time.

Mao’s early life was marked by a dedication to learning, earning him a licentiate at just fifteen years old. He initially participated in local resistance against the Manchu forces, adopting a new name and living a nomadic existence in the lower Yangtze region – a period shrouded in some mystery but indicative of his commitment to principle. This experience undoubtedly shaped his worldview, fostering an independent spirit and a skepticism towards authority. His subsequent involvement in the metropolitan examination of 1679, facilitated by connections with prominent scholars like Yan Ruoqu and Shi Guizhang, marked a turning point, granting him access to official positions within the Hanlin Academy – the imperial institution for scholarship and administration.

A Scholar of Wide-Ranging Interests

Within the walls of the Hanlin Academy, Mao Qiling’s intellectual pursuits spanned an impressive breadth. He was a compiler of significant works on Confucian classics, meticulously examining their texts and challenging conventional interpretations. His expertise extended to phonetics, music theory, historical analysis, and geographical studies – reflecting a genuine thirst for knowledge and a desire to understand the world through multiple lenses. Notably, Mao’s work focused heavily on the intricacies of language and its relationship to meaning, a cornerstone of his later philosophical disagreements.

Perhaps most significantly, Mao Qiling dedicated considerable effort to analyzing the historical texts themselves. He meticulously scrutinized ancient documents, seeking to uncover their origins and expose potential forgeries. His most famous challenge involved confronting Yan Ruoju’s controversial claim that certain chapters of the *Book of Documents* – one of the Five Classics considered foundational to Confucian learning – were fabricated during the Han Dynasty. Mao's detailed critique, presented in the *Shang shu guangting fu*, remains a testament to his rigorous scholarship and unwavering commitment to historical accuracy.

Challenging Orthodoxy: A Philosophical Stand

Mao Qiling’s most enduring legacy lies in his vehement opposition to the orthodox commentaries on the Confucian classics by Song-dynasty Neo-Confucians, particularly Zhu Xi. Zhu Xi's interpretations, which dominated intellectual discourse for centuries, were viewed by Mao as fundamentally flawed and lacking a coherent understanding of Confucius’ core principles. He argued that Zhu Xi’s approach – often described as “going to all matters” (*zhi shi* 至事) in an attempt to grasp the *li* (principle) – missed the crucial connection between words and deeds, a concept Mao believed was central to Confucian thought.

Mao's critique extended beyond Zhu Xi’s specific interpretations. He questioned the association of early nonary cosmographic schemes with the Luoshu (a star chart), arguing that it lacked a grounding in practical application and genuine understanding. This stance positioned him as an iconoclast, challenging established traditions and advocating for a more nuanced and critical approach to classical scholarship. His writings, compiled into the eighty-volume *Collected Works of Xihe*, stand as a powerful testament to his intellectual independence and unwavering commitment to his own convictions.

Legacy and Rediscovery

Following Mao Qiling’s death in 1716, his works were collected and published, ensuring their survival and eventual rediscovery. His “Xihe” pseudonym – a popular choice reflecting his scholarly pursuits – became synonymous with his intellectual legacy. Today, Mao Qiling is recognized as a significant figure in Chinese intellectual history, not for grand political achievements but for his courageous defense of independent thought and his profound engagement with the classics. His life serves as an inspiring example of how scholarship can be a form of resistance, challenging established norms and preserving critical inquiry.

His works continue to offer unique insights into the complexities of Confucianism and the challenges faced by scholars navigating periods of political transition. Exploring Mao Qiling’s writings provides a valuable window into the intellectual debates that shaped early Qing China and reveals a scholar who, despite remaining largely outside the corridors of power, profoundly influenced the course of Chinese thought.

Questions & Answers

Where are Mao Qiling's artworks grouped by art movement?

The movements Mao Qiling worked in can be seen on the artist's All Movements page, which groups the artworks by movement.

Is there a 3D virtual tour of Mao Qiling's works?

Mao Qiling's artworks can be seen in a 3D gallery on the artist's 3D Museum page.

Where is Mao Qiling from?

Mao Qiling was born in China.

Collector's quiz
  1. Mao Qiling was born in which province of China?

  2. What event led Mao Qiling to refuse service under the Qing dynasty?

  3. In 1679, Mao Qiling participated in an examination to gain favor with which emperor?

  4. What was a key area of disagreement for Mao Qiling regarding Confucian scholarship?

  5. Mao Qiling's collected works were published under what pseudonym?

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