the collector's folio

Simone Martini Most Popular Paintings

The 25 artworks by Simone Martini our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

Edition 2026 · 25 artworks Each artwork painted to order
Linen canvas · Certificate of authenticity · Delivered worldwide Simone Martini · 1284 – 1344

Altar of St Louis of Toulouse

1317 · Museo di Capodimonte, Naples · original 200 x 188 cm

Experience Simone Martini's masterpiece, the Altar of St Louis of Toulouse! This 1317 tempera painting showcases exquisite detail, vibrant colors, and a blend of Gothic & Byzantine styles – a true Renaissance treasure.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 1 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$17726 × 38 cm Commission this artwork

Same size as the original$1239188 × 200 cm Commission at original size

The Annunciation and Two Saints

1333 · Galleria degli Uffizi, Florence · original 184 x 210 cm

Featured prominently in the Oratorio di San Lorenzo in Ponte museum, this artwork showcases Martini’s exceptional skill in capturing spiritual beauty and architectural grandeur.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 2 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$17734 × 29 cm Commission this artwork

Same size as the original$1269210 × 184 cm Commission at original size

Christ Discovered in the Temple

1342 · Walker Art Gallery, Liverpool · original 351 x 495 cm

Discover Simone Martini’s ‘Christ Discovered in the Temple’ (1342). A stunning International Gothic masterpiece! Explore its rich details, historical context & artistic brilliance at the Walker Art Gallery.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 3 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$22727 × 38 cm Commission this artwork

The Virgin of the Annunciation

1333 · Hermitage Museum, Saint Petersburg · original 31 x 21 cm

Exquisite 1333 Simone Martini painting – 'The Virgin of the Annunciation.' A sorrowful devotional piece showcasing Italian Renaissance & Byzantine influences, rich colors, and masterful technique.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 4 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$17726 × 39 cm Commission this artwork

Blessed Agostino Novello Altarpiece (detail)

1324 · Pinacoteca Nazionale, Siena · original 65 x 67 cm

A serene courtyard scene filled with symbolic life captures the elegance of Simone Martini's 1324 Sienese masterpiece, offering a profound window into the medieval soul that you can bring into your own collection.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 5 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$17732 × 31 cm Commission this artwork

Same size as the original$27667 × 65 cm Commission at original size

Altar of St Louis of Toulouse (without predella)

1317 · Museo di Capodimonte, Naples · original 200 x 188 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 6 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$17728 × 36 cm Commission this artwork

Same size as the original$1239188 × 200 cm Commission at original size

Altar of St Louis of Toulouse (detail)

1317 · Museo di Capodimonte, Naples · original 56 x 38 cm

Experience the ethereal elegance of Simone Martini's Sienese Gothic masterpiece Altar of St Louis of Toulouse, a luminous display of medieval devotion and courtly grace that invites you to explore its divine beauty.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 7 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$17729 × 35 cm Commission this artwork

Same size as the original$21138 × 56 cm Commission at original size

The Annunciation and Two Saints (detail)

1333 · Galleria degli Uffizi, Florence

Discover Simone Martini’s ‘The Annunciation,’ a stunning 1333 tempera painting showcasing Renaissance artistry & religious devotion. Explore its detail, influence & reproductions at WikiOO.org.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 8 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$17726 × 39 cm Commission this artwork

The Annunciation with St. Margaret and St. Ansanus

1333 · Galleria degli Uffizi, Florence

Explore Simone Martini’s ‘Annunciation,’ a stunning Early Renaissance panel painting. Admire its Gothic elegance, gold leaf details & hierarchical composition – a masterpiece of 1333 Siena art.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 9 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$22734 × 29 cm Commission this artwork

Maestà (detail)

1315 · Palazzo Pubblico, Siena · original 79 x 65 cm

Experience the ethereal glow and courtly elegance of Simone Martini's Maestà, a luminous masterpiece of Sienese Gothic art from 1315 that invites you to bring a touch of divine grace into your personal collection.

View the artwork

Saint Andrew

1326 · Metropolitan Museum of Art, new york · original 57 x 38 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 11 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$17727 × 37 cm Commission this artwork

Same size as the original$21238 × 57 cm Commission at original size

Madonna and Child (no. 583)

1308 · Pinacoteca Nazionale, Siena · original 88 x 57 cm

A breathtaking fusion of Sienese Gothic elegance, Simone Martini's Madonna and Child radiates divine grace through shimmering gold leaf and lyrical lines, inviting you to explore this timeless masterpiece of spiritual beauty.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 12 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$17728 × 36 cm Commission this artwork

Same size as the original$29657 × 88 cm Commission at original size

Madonna and Child 2

Considered a cornerstone of Gothic art, Martini’s Madonna and Child 2 exemplifies the stylistic innovations that paved the way for Renaissance artistic developments.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 13 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$17727 × 37 cm Commission this artwork

Polyptych

1320 · Fitzwilliam College, Cambridge · original 59 x 35 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 14 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$17732 × 31 cm Commission this artwork

Same size as the original$20959 × 35 cm Commission at original size

Window

1312

Simone Martini’s ‘Window,’ created in 1312, exemplifies the elegance of Early Gothic style. This fresco showcases vibrant colors and detailed depictions of people and animals within a stunning stained glass composition. Located at Pinacoteca Nazionale Siena, it's a captivating glimpse into medieval artistry. Discover museum-quality reproductions on WikiOO.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 15 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$17724 × 42 cm Commission this artwork

Maestà (detail)

1315 · Palazzo Pubblico, Siena · original 79 x 65 cm

Explore Simone Martini’s ‘Maestà’ (detail): A stunning 1315 fresco showcasing Virgin Mary & Christ in exquisite Gothic style. Admire gold leaf, intricate details & Renaissance artistry.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 16 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$20229 × 35 cm Commission this artwork

Same size as the original$32465 × 79 cm Commission at original size

Blessed Agostino Novello Altarpiece (detail)

1324 · Pinacoteca Nazionale, Siena · original 65 x 67 cm

The altarpiece exemplifies Martini’s mastery of technique and contributes to the preservation of Italian artistic heritage. It's reproduced by WikiOO.org offering high-quality oil painting reproductions.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 17 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$17732 × 31 cm Commission this artwork

Same size as the original$27667 × 65 cm Commission at original size

Maestà (Madonna with Angels and Saints)

1315 · Palazzo Pubblico, Siena · original 763 x 970 cm

Experience Simone Martini's 'Maestà,' a breathtaking 1315 fresco depicting the Virgin Mary with angels and saints. A masterpiece of International Gothic art, showcasing Siena’s rich history & artistic legacy.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 18 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$17738 × 26 cm Commission this artwork

The Carrying of the Cross

1333 · The Louvre, Paris · original 28 x 16 cm

Experience the luminous elegance of Simone Martini's International Gothic masterpiece The Carrying of the Cross, a profound vision of divine grace and suffering that invites you to bring this sacred history into your home.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 19 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$17725 × 40 cm Commission this artwork

Blessed Agostino Novello Altarpiece

1324 · Pinacoteca Nazionale, Siena · original 198 x 257 cm

Discover Simone Martini’s ‘Blessed Agostino Novello Altarpiece’ (1324). A stunning Early Renaissance masterpiece featuring rich symbolism & intricate detail. Explore this iconic artwork!

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 20 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$22736 × 28 cm Commission this artwork

The Virgin of the Annunciation

1333 · Koninklijk Museum voor Schone Kunsten, Antwerp · original 23 x 14 cm

Exquisite 1333 Simone Martini painting – 'The Virgin of the Annunciation.' A sorrowful devotional piece showcasing Italian Renaissance & Byzantine influences, rich colors, and masterful technique.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 21 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$17725 × 40 cm Commission this artwork

Crucifix

1321 · original 164 x 147 cm

Simone Martini’s 1321 ‘Crucifix’ showcases the exquisite elegance of Sienese art with Jesus and Mary Magdalene before angels, a poignant depiction from the late medieval period – discover this masterpiece and bring it into your collection.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 22 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$17730 × 34 cm Commission this artwork

Same size as the original$850147 × 164 cm Commission at original size

Entombment

1335 · Staatliche Museen zu Berlin, Berlin · original 22 x 15 cm

Admire Simone Martini’s masterful depiction of Jesus' entombment – a poignant scene from Siena’s artistic heritage, rendered in tempera on wood (1335-44). Explore its beauty at WikiOO.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 23 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$17726 × 39 cm Commission this artwork

St John the Evangelist

1330 · Barber Institute of Fine Arts, Birmingham · original 34 x 24 cm

Admire Simone Martini’s exquisite ‘St John the Evangelist’ (1330). This captivating painting showcases St. John's devotion, rendered with rich colors and a gold frame – a masterpiece of International Gothic art.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 24 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$17727 × 37 cm Commission this artwork

Polyptych (detail)

1320 · Fitzwilliam College, Cambridge · original 59 x 35 cm

A luminous display of Sienese elegance features a man with a book and crucifix in this exquisite 1320 detail by Simone Martini, inviting you to explore the refined beauty of the International Gothic style.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 25 of 151 artworks by Simone Martini
Delivery: Worldwide, about 5 weeks

from$17724 × 42 cm Commission this artwork

Same size as the original$20935 × 59 cm Commission at original size

The artist

Simone Martini

1284 – 1344

Quick facts

Born1284, Siena, Italy
NationalityItaly
Creative periodsmature period
Movementsinternational gothic
Top 3 worksAltar of St Louis of Toulouse, The Annunciation and Two Saints, Christ Discovered in the Temple
Art periodLate Medieval
Gift suitabilitymother's day, wedding
Emotional tonespiritual

Biography

The Life and Identity of Simone Martini

Born in Siena, Italy, around 1284, Simone Martini lived a life that mirrored the shifting tides of his era. Known also as Simone di Martino, he was a central figure in the development of early Italian painting. His presence in the art world was felt from the heart of Tuscany to the papal courts of France, marking him as a man whose reach extended far beyond his birthplace. He was a painter who understood the language of his time, moving through the religious and civic centers of Europe with a steady, purposeful hand.

His identity was deeply tied to the city of Siena, a place of commerce and deep devotion. This environment helped shape a man who could navigate both the sacred requirements of a church and the sophisticated tastes of a royal court. He was not a solitary figure working in isolation; his life was woven into the social and intellectual fabric of the fourteenth century. His connections even reached the famous poet Petrarch, suggesting a life spent among the thinkers and leaders of the age.

The scope of his life can be understood through the various cities where he left his mark, including:

Siena, Italy
Naples, Italy
Orvieto, Italy
Assisi, Italy
Avignon, France

Early Life, Family and Training

Born in Siena, Italy, around 1284, Simone Martini grew up in a city where art was the language of both faith and civic pride. While the exact details of his childhood remain somewhat obscured by time, his path into the world of painting seems to have been guided by the hands of the masters. He was likely a pupil of Duccio di Buoninsegna, the leading artist of Siena, whose influence helped shape the early sensibilities of the young man who would eventually redefine the Sienese style.

Family connections played a significant part in his life and professional circle. He was the brother of Donato, and his social and artistic ties were further strengthened through his marriage. In 1324, he wed Giovanna, the daughter of Memmo di Filippuccio. This union brought him into a close-knit network of creators, as his brother-in-law was the artist Lippo Memmi. These relationships likely provided more than just companionship; they offered a shared language of technique and a collaborative spirit that would characterize much of the artistic activity in Siena during this era.

Artistic Activity in Siena and Tuscany

By 1315, Simone Martini was already making his mark on the civic life of Siena. That year, he painted the Maestà fresco for the Palazzo Pubblico, the seat of the city's government. This work placed him at the center of Sienese public life, working within the halls where the city's leaders met. His presence in the region grew steadily as he moved between the city and its surrounding territories, establishing a reputation that would soon carry him far beyond the walls of Siena.

His hands were busy with various commissions throughout the following decade. In 1319, he completed the Saint Catherine of Alexandria Polyptych in Pisa. As his career progressed, his reach extended to other Tuscan towns, including Orvieto, where he was active in 1320. These years were a period of constant movement and steady production, as he navigated the needs of different religious and civic patrons across the landscape.

The work he produced during this time reflected a growing familiarity with the specific demands of his patrons. Around 1324, he was commissioned to paint the Blessed Agostino Novello Altarpiece. This period of his life was defined by this steady rhythm of travel and creation, as he moved through the hills and valleys of Tuscany, leaving behind a trail of painted surfaces that documented his presence in the region.

Patrons, Workshop and Commissions

Simone Martini’s career was shaped by the shifting centers of power across Italy and France. In his early years, he worked closely with the Government of the Nine in Siena, decorating the halls of the Palazzo Pubblico. This civic connection provided a steady foundation for his growing reputation. His reach eventually extended to the royal courts, such as when he was commissioned by the House of Anjou in Naples in 1317. These early roles allowed him to move between the religious and the political, finding work that required both spiritual depth and a sense of courtly grace.

His reputation for elegance eventually brought him to the highest levels of European patronage. In 1336, he accepted a significant commission from Pope Benedict XII. This appointment led him to Avignon, where he was tasked with creating frescoes for the Papal Palace. Living in the heart of the papal court, he moved within an intellectual circle that included the poet Petrarch. This period of his life was marked by a transition from the local traditions of Tuscany to the sophisticated, international tastes of the French court.

Saint Louis of Toulouse Crowning His Brother Robert of Anjou, 1317
Maestà, 1315

Artistic Style and Technique

Simone Martini worked with a delicate sensibility that favored grace over the heavy, monumental forms found in Florence. He was an architect of elegance, focusing on the way a line could flow across a surface to create a sense of movement. His compositions often featured elongated figures and soft, decorative details that gave his work a courtly refinement. This aesthetic was shaped by the arrival of French influences through the Via Francigena, specifically the intricate patterns found in manuscript illumination and the fine textures of ivory carving. He did not simply adopt these foreign styles; he blended them with the traditions of Siena to create a visual language that felt both sophisticated and deeply spiritual.

To achieve the luminous quality of his colors, Martini relied on the tempera technique. He used egg yolk as a binder for his pigments, a method that allowed for precise, fine brushwork and a lasting clarity. This technical precision was essential for the intricate ornamentation he favored. In his paintings, the interplay of light and color was used to convey emotion through subtle shifts in posture and gesture rather than through dramatic scale. His ability to balance these decorative elements with a sense of narrative clarity allowed him to depict complex religious scenes with a quiet, poetic intensity.

The Annunciation with St. Margaret and St. Ansanus, 1333
Saint Louis of Toulouse Crowning His Brother Robert of Anjou, 1317
Maestà, 1315

Key Works and Masterpieces

Martini’s hands were busy throughout his travels, leaving behind works that reflect the shifting needs of his patrons. In 1317, he worked on the Altar of St Louis of Toulouse, a piece that depicts the saint alongside his brother, Robert of Anjou. This work, now held in the Museo Nazionale di Capodimonte in Naples, captures a moment of familial and spiritual connection. His ability to handle complex narratives was evident in the Saint Catherine of Alexandria Polyptych, which he produced in 1319.

As his reputation grew, so did the scale and intimacy of his subjects. In 1333, he painted the Annunciation with St. Margaret and St. Ansanus, a work currently housed in the Galleria degli Uffizi in Florence. This piece demonstrates his ability to balance religious devotion with a sense of courtly grace. Even in his later years, his brush remained steady. In 1342, he completed the Christ Discovered in the Temple, a painting that can be found in the Walker Art Gallery in Liverpool.

Saint Louis of Toulouse Crowning His Brother Robert of Anjou, 1317
Saint Catherine of Alexandria Polyptych, 1319
Annunciation with St. Margaret and St. Ansanus, 1333
Christ Discovered in the Temple, 1342

Later Years and Death

The later years of Martini's life were marked by a significant shift in geography and social circles. Around 1334 or 1335, he moved from the familiar landscapes of Tuscany to Avignon, France. This transition placed him in a center of European power, where he worked closely with the Papal court. His presence in Avignon allowed him to move within highly intellectual circles, forming a friendship with the humanist poet Petrarch. This connection between the visual arts and the burgeoning humanism of the era was a defining feature of his time in France.

While in Avignon, his work continued to reflect the sophisticated tastes of his patrons. Some accounts suggest he even painted a portrait of Laura de Noves, the woman who served as Petrarch's lifelong muse, though that specific work has been lost to history. His time in the French court was a period of high-level engagement, far removed from the provincial life of his early training. He remained active in this cosmopolitan environment until his death in July 1344. He passed away in Avignon, leaving behind a body of work that had already begun to bridge the gap between different European traditions.

Legacy and Enduring Influence

Simone Martini helped bridge the gap between the medieval era and the Renaissance. His presence in the art world signaled a shift toward a new way of seeing, moving away from the heavy, monumental forms of the past. By bringing the Sienese style across the mountains, he helped Sienese painting penetrate French territory, allowing his specific aesthetic to take root in new lands. This movement helped spread the International Gothic style throughout Europe, influencing how artists across the continent approached line and decoration.

The reach of his work extended far beyond his own lifetime. Generations of artists followed the paths he cleared, adopting the grace and refined detail that defined his hand. His ability to blend the spiritual with a certain courtly elegance left a mark on the development of European painting. Even as styles changed, the way he used color and silhouette remained a point of reference for those who came after him.

Saint Louis of Toulouse Crowning His Brother Robert of Anjou, 1317
Annunciation with St. Margaret and St. Ansanus, 1333
Christ Discovered in the Temple, 1342

Where to See the Works Today

To encounter the physical presence of Martini's art, one must travel through the landscapes of Italy and beyond. In Siena, the Palazzo Pubblico holds the Maestà fresco, a work that has occupied its space since 1315. Seeing it in the seat of the city's government allows for a sense of the scale and civic importance his paintings once held. In Naples, the Museo di Capodimonte preserves the Altar of St Louis of Toulouse, a piece that reflects the artist's ability to handle complex religious narratives through color and form.

His reach extended far beyond the borders of Tuscany. In Florence, the Galleria degli Uffizi contains the Annunciation with St. Margaret and St. Ansanus, created in 1333. This work provides a look at the delicate, flowing lines that defined his approach during his years of high activity. For those traveling to the United Kingdom, the Walker Art Gallery in Liverpool houses Christ Discovered in the Temple, a work from 1342 that shows his skill even in his later years.

1308: Madonna and Child - Pinacoteca Nazionale, Siena
1317: St Louis of France and St Louis of Toulouse - Museo di Capodimonte, Naples
1321: Orvieto Polyptych - Museo dell'Opera del Duomo, Orvieto
1326: Saint Andrew - Metropolitan Museum of Art, New York
1330: St John the Evangelist - Barber Institute of Fine Arts, Birmingham

Questions & Answers

Where are Simone Martini's artworks grouped by technique?

Simone Martini's works can be browsed by medium on the artist's All Medium page.

Where is Simone Martini from?

Simone Martini was born in Italy.

Is there a complete list of Simone Martini's artworks?

Every work by Simone Martini on this website can be browsed from the artist's All Artworks page.

By the WikiOO.org Editorial Team Updated Oct. 13, 2026

Collector's quiz

In which Italian city was Simone Martini born?
Which famous humanist poet was a friend of Simone Martini in Avignon?
Which artistic movement is Simone Martini associated with?
To which Pope did Martini accept a commission to create frescoes for the Papal Palace in Avignon?
Who was Simone Martini's brother-in-law and fellow artist?

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