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Vincenzo Pacetti Most Popular Paintings

The 4 artworks by Vincenzo Pacetti our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

Edition 2026 · 4 artworks Each artwork painted to order
Linen canvas · Certificate of authenticity · Delivered worldwide Vincenzo Pacetti · 1746 – 1820

Jupiter, 1783, Vincenzo Pacetti

View the most popular artwork of Vincenzo Pacetti ranked #1: Jupiter

1783 · Galleria Borghese, Rome · original 120 x 142 cm

Experience the serene dominance of Pacetti's Neoclassical Jupiter sculpture, a masterful study in classical power; discover this timeless piece for your collection.

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Theseus Contemplating the Dead Sow Phaea by Vincenzo Pacetti, 1783

View the most popular artwork of Vincenzo Pacetti ranked #2: Theseus Contemplating the Dead Sow Phaea

1783 · Galleria Borghese, Rome

Vincenzo Pacetti's 'Theseus Contemplating the Dead Sow' (1783) is a captivating marble sculpture depicting the Greek hero’s somber reflection, showcasing masterful detail and classical artistry.

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Apollo

1783 · Galleria Borghese, Rome · original 120 x 142 cm

Discover Vincenzo Gesualdo (1564-1618), Italian artist & bishop. Explore his religious artworks like 'The Temptation of Adam and Eve' & influence on 17th-century Italian art.

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Achille and Pentesilea – catalogue record

View the most popular artwork of Vincenzo Pacetti ranked #4: Achille and Pentesilea

Accademia di San Luca, Rome · original 68 x 42 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 4 of 4 artworks by Vincenzo Pacetti
Delivery: Worldwide, about 5 weeks

from$17727 × 37 cm Commission this artwork

Same size as the original$23242 × 68 cm Commission at original size

The artist

Vincenzo Pacetti

1746 – 1820

Quick facts

Top-ranked workJupiter
Died1820
Mediumsmarble
NationalityItaly
Creative periodsmature period
Room fitliving room
Top 3 worksJupiter, Theseus Contemplating the Dead Sow Phaea, Apollo

Biography

Vincenzo Pacetti: Life and Legacy

Early Life and Training

Born: Rome, Italy in 1746.
Vincenzo Pacetti began his artistic journey at the Accademia del Nudo, honing his skills in anatomical study and figure drawing.
He furthered his training from 1766 to 1772 under the tutelage of sculptor-restorer Pietro Pacili. Upon Pacili’s death, Vincenzo took over his studio.

Career and Artistic Development

Pacetti quickly established himself as an independent sculptor and was accepted into the Accademia di San Luca, serving as its director – a testament to his growing reputation.
Bartolomeo Cavaceppi, another prominent sculptor-restorer, held Pacetti in high regard, even naming him as executor of his will.
Pacetti’s work evolved around the intersection of sculpture and restoration. He wasn't merely a copier; he actively *completed* fragmented classical works, sometimes adding significant portions based on his artistic judgment.

Major Achievements & Notable Works

The Barberini Faun (1799): Perhaps Pacetti’s most celebrated work. He restored and completed this iconic sculpture, adding a new right leg, now housed in the Glyptothek, Munich.
Hope Dionysus: Currently residing in the Metropolitan Museum of Art, this piece exemplifies Pacetti's skill in completing ancient fragments.
Athena of Velletri (1797): Now located in the Louvre, this sculpture showcases his ability to bring classical forms back to life.
Extensive work at the Galleria Borghese, including reliefs and stucchi for the Sala degli Imperatori – notably “The Goat Amanthea” and “Perseus freeing Andromeda”. He also contributed to rooms housing Bernini’s masterpieces.
Other works can be found in churches like San Salvatore in Lauro, Santo Spirito in Sassia, Santi Michele e Magno, and the Palazzo Carpegna.

Patronage and Later Life

Lucien Bonaparte became a significant patron later in Pacetti’s career. He commissioned numerous plaster casts of famous antique sculptures for his villa at Canino.
Pacetti's diary, covering the years 1773–1803, and his correspondence provide invaluable insights into the Roman art market during that period.
Died: Rome in 1820.

Historical Significance & Legacy

Vincenzo Pacetti occupies a unique position in art history as both a sculptor and a restorer. His work raises questions about authenticity, artistic intervention, and the interpretation of classical forms.
He played a crucial role in shaping the understanding and appreciation of ancient sculpture during the Neoclassical period.
His diaries remain an essential resource for scholars studying the art market and restoration practices of 18th and 19th-century Rome.

Questions & Answers

Which artworks by Vincenzo Pacetti are the most viewed?

The Stats page of Vincenzo Pacetti presents statistics computed from the artist's artworks listed on this website.

Where can I see Vincenzo Pacetti's artworks in a 3D gallery?

A virtual visit is possible: the 3D Museum page of Vincenzo Pacetti presents the artist's works in a three-dimensional gallery.

Where are Vincenzo Pacetti's artworks grouped by palette?

Vincenzo Pacetti's works can be browsed by color palette on the artist's By Palettes page.

By the WikiOO.org Editorial Team Updated Sept. 1, 2026

Collector's quiz

Vincenzo Pacetti was renowned for both sculpting and what other significant skill?
The Barberini Faun, a famous work associated with Pacetti, is currently located in which city?
Who was a significant patron of Vincenzo Pacetti, commissioning works for the Sala degli Imperatori?
What was a common practice of Pacetti regarding ancient sculptures he acquired?
Besides sculpture, what type of resources are important primary sources for understanding the Roman art market during Pacetti's time?

one You choose the size

Standard formats or any custom dimension, matched to the proportions of the original.

two We paint and send a preview

A photo of the finished canvas for your approval before it is shipped.

three Delivered, certified

Rolled, stretched or framed, insured, with a certificate of authenticity.

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