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Student Artwork Guide

Sower and the Devil

Name Class Date

Albin Egger Lienz, Sower and the Devil. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Albin Egger Lienz wikioo.org/en/artists/albin-egger-lienz/
Artist’s dates
1868 – 1926
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.

In context

Sower and the Devil — Albin Egger Lienz

When might this have been painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 58 at death.

Shaded: the lifetime of Albin Egger Lienz (1868–1926) every dated painting, decade by decade

First works: up to 1914 Main working years: 1914–1925 Late works: from 1925

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/albin-egger-lienz-sower-and-the-devil-9HTLHF-en/

Colours

Measured from the image

    Main colour

    Walnut #763f28

    Catalogued palette

    • #763F28
    • #B77747
    • #C89E7D
    • #1F1213

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Albin Egger Lienz over the last twelve months — 5 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 85.3%
    2. 2 United States of America 5.9%
    3. 3 Austria 2.9%
    4. 4 Japan 2.9%
    5. 5 Singapore 2.9%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Albin Egger Lienz

    1. 1 Ila, die jüngere Tochter des Künstlers, 1920 8.3%
    2. 2 Female head with binding to the hair 5.6%
    3. 3 Male head with bitter expression 5.6%
    4. 4 Die Alten, 1914 5.6%
    5. 5 Savoy arden knabe 2.8%
    6. 6 Madonna 2.8%
    7. 7 Holy Night 2.8%
    8. 8 The Cross - 2.8%
    9. 9 Kalvarienberg At Bozen 2.8%
    10. 10 Sower and the Devil this painting 2.8%
    11. 11 The Portrait Painter In The Country 2.8%
    12. 12 Knight with sword 2.8%
    13. 13 Female curls with laughing expression 2.8%
    14. 14 Two Overs 2.8%
    15. 15 Teenage curly head, laughing 2.8%
    16. 16 The dead christ 2.8%
    17. 17 Two mountain mower 2.8%
    18. 18 Naked back lehned 2.8%
    19. 19 Field blessing 2.8%
    20. 20 The Family 2.8%

    Together these works take 69.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 170 works by this artist, of which 31 were looked at at least once. This painting ranks 10 of them, with 2.8% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Albin Egger Lienz

    Born in Dölsach, Austria

    Albin Egger-Lienz: Life and Legacy

    Early Life and Training

    Born: January 29, 1868, in Dölsach-Stribach near Lienz, Tyrol, Austria.

    Parentage: He was the natural son of Maria Trojer, a peasant girl, and Georg Egger, a church painter. He later adopted his father’s surname combined with his birthplace.

    His initial artistic education came from his father, laying the foundation for his future career.

    He continued his studies at the Academy in Munich, where he was profoundly influenced by artists like Franz Defregger and Jean-François Millet.

    Artistic Development and Influences

    Egger-Lienz’s early works focused on scenes of peasant life and historical events, particularly the Tyrolean Rebellion of 1809.

    Key Influence: The artist Ferdinand Hodler significantly impacted Egger-Lienz's style, leading to a monumental expressiveness characterized by heroic figures in stage-like spaces.

    He joined the Vienna Secession in 1909, further solidifying his position within the Austrian art scene.

    His artistic language evolved towards strongly outlined, massive forms painted with an almost monochromatic palette of earth colors.

    Major Works and Achievements

    Notable Paintings: Some of his most renowned works include “Der Totentanz von anno neun” (1906-1908), “Almlandschaft im Ötztal” (1911), and “Den Namenlosen” (1916).

    He participated in the Universal Exhibition in Paris in 1900, receiving a bronze medal for his painting "Feldsegen."

    During World War I, he served as a war painter on the southern Austrian front.

    His later works often incorporated religious themes alongside scenes of peasant life, such as “Christ’s Resurrection.”

    Historical Significance and Legacy

    Unique Style: Egger-Lienz blended elements of Expressionism with traditional Austrian art, creating a distinctive style that set him apart from his contemporaries.

    His work often explored themes of heroism, sacrifice, and the connection between humanity and nature.

    He declined multiple professorships at prestigious academies, preferring to maintain artistic independence.

    Lasting Impact: His paintings continue to be celebrated for their emotional power and monumental scale, representing a significant contribution to Austrian art history.

    Final Years and Death

    Egger-Lienz spent his final years painting frescoes for the Memorial Chapel of the Fallen in War in Lienz.

    Death: He passed away on November 4, 1926, in St. Justina-Rentsch, Bozen/Bolzano, South Tyrol/Alto Adige, Italy, leaving behind a rich artistic legacy.

    Where to read more

    Find this online

    QR code linking to the download page for Sower and the Devil

    wikioo.org/en/art/download/albin-egger-lienz-sower-and-the-devil-9HTLHF-en/

    Cite this artwork

    MLA
    Lienz, Albin Egger. Sower and the Devil. n.d., https://wikioo.org/en/art/albin-egger-lienz-sower-and-the-devil-9HTLHF-en/
    APA
    Lienz, Albin Egger (n.d.). Sower and the Devil [Painting]. https://wikioo.org/en/art/albin-egger-lienz-sower-and-the-devil-9HTLHF-en/
    Chicago
    Albin Egger Lienz. Sower and the Devil. n.d. https://wikioo.org/en/art/albin-egger-lienz-sower-and-the-devil-9HTLHF-en/
    Harvard
    Lienz, Albin Egger (n.d.) Sower and the Devil. Available at: https://wikioo.org/en/art/albin-egger-lienz-sower-and-the-devil-9HTLHF-en/

    Look closely

    Sower and the Devil — Albin Egger Lienz

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: conflict, sower, devil figure. Do you agree? What would you add, or take away?
    5. Look back at Ila, die jüngere Tochter des Künstlers (1920), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How can I view "Sower and the Devil" by Albin Egger Lienz as a slideshow?

    The diaporama of "Sower and the Devil" can be watched on the artwork's Diaporama page.

    Is "Sower and the Devil" free of copyright?

    The copyright answer for "Sower and the Devil" by Albin Egger Lienz: the work is in the public domain - its copyright has expired. This determines whether reproductions of the image may be freely made.

    Where can I buy a hand-painted reproduction of "Sower and the Devil" by Albin Egger Lienz?

    Hand-painted copies of "Sower and the Devil" by Albin Egger Lienz are sold on this website: a hand-painted oil reproduction on linen canvas, ordered from this page.

    What is the dominant color of "Sower and the Devil" by Albin Egger Lienz?

    The color that stands out most in "Sower and the Devil" is walnut (#763f28). The dominant color is useful when matching an artwork to an interior.

    Which artistic current is "Sower and the Devil" by Albin Egger Lienz part of?

    "Sower and the Devil" by Albin Egger Lienz belongs to the Expressionism movement. This movement provides the stylistic context of the work.

    How do movement and era meet in "Sower and the Devil" by Albin Egger Lienz?

    In "Sower and the Devil" by Albin Egger Lienz, the Expressionism movement meets the 19th-Century era.

    Where can I buy a print of "Sower and the Devil" by Albin Egger Lienz?

    A print of "Sower and the Devil" by Albin Egger Lienz can be ordered directly on this page: a fine art print on cotton canvas or archival canvas paper.

    From which country does the Expressionism work "Sower and the Devil" come?

    "Sower and the Devil" connects the Expressionism movement with Austria through its creator's birthplace.