Paper

Student Artwork Guide

George Bernard Shaw

Name Class Date

Alice Pike Barney, George Bernard Shaw (1908). Public domain.

The facts

Artist
Alice Pike Barney wikioo.org/en/artists/alice-pike-barney/
Artist’s dates
1857 – 1931
Painted
1908
Movement
Symbolism Pictures where objects stand for ideas — a flower or a door meaning something beyond itself.

In context

George Bernard Shaw — Alice Pike Barney

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Shaded: the lifetime of Alice Pike Barney (1857–1931) ▲ this work, 1908

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/alice-pike-barney-george-bernard-shaw-8XXDSW-en/

Colours

Measured from the image

    Main colour

    Espresso #4d451e

    Catalogued palette

    • #4D451E
    • #6C673F
    • #A69467
    • #837A4F
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Alice Pike Barney

    Born in Cincinnati, United States of America

    A Defiant Bloom: The Life and Art of Alice Pike Barney

    Alice Pike Barney emerged as a beacon of artistic independence in the late 19th and early 20th centuries, a period defined by societal constraints for women. Born in Cincinnati in 1857 to Samuel Napthali Pike, a cultural patron who owned Pike’s Opera House, and Ellen Pike, she was immersed in an environment that fostered appreciation for the arts from a young age. This early exposure would prove pivotal, though her path toward becoming a celebrated artist wasn't immediate or straightforward. Initially destined for a conventional life, a broken engagement to explorer Henry Morton Stanley paved the way for marriage to Albert Clifford Barney. However, it was a chance encounter with Oscar Wilde during a summer sojourn at Long Beach Hotel in 1882 that ignited within her a fervent passion – a desire to create, to express, and to challenge the limitations imposed upon women of her era. This conversation served as a catalyst, propelling her toward a life dedicated to artistic pursuit despite initial reservations from her husband and the prevailing societal norms.

    Parisian Refinement and the Embrace of Symbolism

    Driven by this newfound artistic fervor, Barney embarked on formal training in Paris, immersing herself in the vibrant artistic currents of the late 19th century. She studied under Charles Émile Auguste Carolus-Duran, a master portraitist renowned for his rich color palettes and dynamic compositions. Later, she sought guidance from James Abbott McNeill Whistler, whose emphasis on aestheticism and tonal harmony profoundly influenced her style. These influences coalesced into an artistic vision leaning towards Symbolism – a movement that prioritized expressing ideas and emotions through evocative imagery rather than literal representation. Her early works reflected this blend of realism and symbolic elements, often featuring portraits and landscapes imbued with a sense of mystery and introspection. Returning to the United States, Barney navigated the complexities of marriage while simultaneously striving to establish her artistic voice in a society that frequently relegated women to domestic roles. She found herself balancing societal expectations with an increasingly urgent need for self-expression, a tension that would define much of her creative journey.

    A Salonnière and Patron of the Arts in Washington D.C.

    Alice Pike Barney quickly became renowned for her vibrant salon life in Washington D.C., transforming her home into a haven for artists, writers, political figures, and intellectuals. This gathering place fostered lively discussions, artistic collaborations, and a spirit of intellectual exchange. She actively cultivated an environment where creativity flourished, becoming a central figure in the city’s burgeoning art scene. Beyond her own painting, Barney demonstrated remarkable versatility, extending her creative energies into theatrical productions. She wrote, directed, and produced plays – most notably The Enchantress of Streams, a “wordless Greek idyll” showcasing her innovative approach to performance. This commitment extended beyond artistic creation; she designed and built Studio House, an architectural embodiment of her vision for a dedicated artistic hub. It was intended as a space where artists could live, work, and exhibit their creations, solidifying Barney’s role not only as an artist but also as a passionate patron of the arts. The studio became a nexus point for Washington's cultural elite, attracting figures like former presidents Taft and Roosevelt, alongside countless other prominent individuals.

    Legacy and Lasting Influence

    Alice Pike Barney’s contributions extended far beyond the realm of art; she was a vocal advocate for women’s suffrage and actively engaged in philanthropic endeavors, demonstrating her commitment to social progress. Her life itself became a testament to the “New Woman” archetype – embodying independence, intellectual curiosity, and artistic expression. She challenged societal norms by pursuing a professional career while navigating the complexities of marriage and motherhood, paving the way for future generations of female artists. Notable works like In Shadow (1910) and Natalie at Seven, a tender portrait capturing childhood innocence, remain poignant examples of her artistic skill and sensitivity. Her paintings are now part of prestigious collections, including the Smithsonian American Art Museum, ensuring her legacy endures. Barney’s influence resonates not only through her artwork but also through her unwavering dedication to fostering creativity and challenging societal expectations. She died in Los Angeles in 1931, leaving behind a rich tapestry of artistic achievement, cultural influence, and unwavering dedication to the power of creative expression. Her story serves as an inspiration, reminding us of the importance of pursuing one’s passions and breaking down barriers to create a more inclusive and vibrant world.

    Family and Connections

    Daughters: Alice Pike Barney was the mother of two remarkable daughters who also left their mark on history: Natalie Clifford Barney, a renowned writer and salon hostess celebrated for her literary gatherings in Paris, and Laura Clifford Barney, a Baháʼí writer and philanthropist known for compiling Some Answered Questions from interviews with ʻAbdu'l-Bahá.

    Husbands: Her first marriage to Albert Clifford Barney provided the financial stability that allowed her to pursue her artistic ambitions. After his death, she married Christian Hemmick, a relationship that ultimately ended in divorce.

    Artistic Circle: Barney’s connections extended to prominent figures like James Abbott McNeill Whistler and Oscar Wilde, both of whom profoundly influenced her artistic development and worldview.

    Where to read more

    Find this online

    QR code linking to the download page for George Bernard Shaw

    wikioo.org/en/art/download/alice-pike-barney-george-bernard-shaw-8XXDSW-en/

    Cite this artwork

    MLA
    Barney, Alice Pike. George Bernard Shaw. 1908, https://wikioo.org/en/art/alice-pike-barney-george-bernard-shaw-8XXDSW-en/
    APA
    Barney, Alice Pike (1908). George Bernard Shaw [Painting]. https://wikioo.org/en/art/alice-pike-barney-george-bernard-shaw-8XXDSW-en/
    Chicago
    Alice Pike Barney. George Bernard Shaw. 1908. https://wikioo.org/en/art/alice-pike-barney-george-bernard-shaw-8XXDSW-en/
    Harvard
    Barney, Alice Pike (1908) George Bernard Shaw. Available at: https://wikioo.org/en/art/alice-pike-barney-george-bernard-shaw-8XXDSW-en/

    Look closely

    George Bernard Shaw — Alice Pike Barney

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: portrait art, literary figure, sepia tone. Do you agree? What would you add, or take away?
    4. Look back at The Field (1922), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Symbolism: Pictures where objects stand for ideas — a flower or a door meaning something beyond itself. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.