Paper

Student Artwork Guide

Zigzag

Name Class Date

bashir makhoul, Zigzag (1992), Arts Council Collection. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
bashir makhoul wikioo.org/en/artists/bashir-makhoul/
Artist’s dates
1963 – ?
Painted
1992
Original size
230 x 175 cm
Movement
Geometric Abstraction Abstraction built strictly from squares, circles and straight edges rather than free gesture.
Held at
Arts Council Collection wikioo.org/en/museums/arts-council-collection-london/

In context

Zigzag — bashir makhoul

How big is it?

The original measures 230 × 175 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1960
  2. 1970
  3. 1980
  4. 1990

Shaded: the lifetime of bashir makhoul (1963–?) ▲ this work, 1992

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/bashir-makhoul-zigzag-AR2BKU-en/

Colours

Measured from the image

    Main colour

    Brown #920d05

    Catalogued palette

    • #920D05
    • #221E16
    • #CDC59D
    • #56261C
    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Zigzag — bashir makhoul

    The painting Zigzag by Bashir Makhoul is a remarkable example of contemporary art, showcasing the artist's unique style and technique. Created in 1992, this acrylic on canvas piece measures 230 x 175 cm and is part of the prestigious Arts Council Collection in London, United Kingdom.

    Background and Inspiration

    Bashir Makhoul's work is characterized by its use of geometric shapes and bold colors. In Zigzag, the artist employs a red background covered in black and white patterns, creating a visually striking composition. The inclusion of stars throughout the painting adds depth and complexity to the design. This piece is a testament to Makhoul's ability to balance simplicity and intricacy. Key Features:

    Geometric shapes and patterns

    Bold color palette

    Inclusion of stars for added depth

    Artist and Collection

    Bashir Makhoul is a notable artist in the contemporary art scene, and his work can be found in various collections, including the Arts Council Collection. This collection, managed by the Arts Council England, features over 8,000 works by more than 2,000 artists. To learn more about Makhoul's work and other artists in the collection, visit The Arts Council Collection London, United Kingdom Introduction.

    For those interested in acquiring a handmade oil painting reproduction of Zigzag, Bashir Makhoul:Zigzag is available on AllPaintingsStore.com. This platform offers a wide range of artworks, including pieces by other notable artists such as Sir Terry Frost and Daniel Sinsel. Explore the world of contemporary art and discover the beauty of handmade oil painting reproductions.

    Artist and museum

    Artist

    bashir makhoul

    The Geometry of Memory: The Art of Bashir Makhoul

    Born in 1963 amidst the evocative landscapes of Galilee, Palestine, Bashir Makhoul has emerged as a profound voice in contemporary global art, weaving together the threads of personal heritage and political complexity. His journey is one of movement and intellectual expansion, stretching from his roots in the Levant to the academic rigor of the United Kingdom, where he earned a PhD from Manchester Metropolitan University in 1995. This fusion of Palestinian identity and Western conceptual training has allowed him to develop a visual language that is simultaneously seductive and unsettling, inviting viewers into a space where beauty and trauma coexist.

    Makhoul’s practice is deeply rooted in the aesthetic traditions of his heritage, particularly the intricate logic of Islamic geometric patterns. However, he does not use these forms as mere ornamentation; instead, they serve as a sophisticated scaffolding for exploring much heavier themes of identity, conflict, and historical memory. In his hands, a repetitive pattern becomes a metaphor for cultural continuity and the resilience of a people, while the subtle disruptions within those patterns can mirror the fractures caused by war and displacement. His work often functions through a process of aesthetic seduction, where a viewer is first drawn in by the formal elegance of a composition—such as the vibrant, star-studded Zigzag (1992)—only to later confront the underlying layers of nationalism, economics, and the scars of torture.

    Technique and Symbolic Resonance

    The physical execution of Makhoul’s work reflects a meticulous dedication to formal precision. Working primarily with oil and acrylic on canvas, he employs a technique that prioritizes clarity and structural integrity. His compositions often utilize bold color palettes—deep reds, striking blacks, and stark whites—to create a sense of dynamic tension. In pieces like Red Triangle (1994), the artist utilizes geometric abstraction to command attention, using shape and color to evoke an emotional response that transcends simple decoration.

    Beyond the canvas, Makhoul’s exploration of grief and loss finds its most poignant expression in multimedia installations. His seminal video work, The Darkened Room (1998), serves as a haunting testament to the power of familial bonds, utilizing the recorded voice of his late grandmother to bridge the gap between presence and absence. This ability to pivot from the rigid, mathematical certainty of geometric abstraction to the raw, ephemeral nature of sound and memory defines the unique duality of his oeuvre.

    Global Recognition and Legacy

    Makhoul’s significance in the contemporary art canon is cemented by his presence in some of the world's most prestigious institutions. His work has been exhibited at a remarkable array of venues, including:

    The Venice Biennale (2013), a milestone that solidified his reputation on the international stage.

    The Saatchi Gallery and Hayward Gallery in London, showcasing his work to the heart of the British art scene.

    Tate Liverpool and the Arts Council Collection, where his pieces are preserved as vital examples of modern abstraction.

    International galleries spanning from Berlin (Haus am Lutzowplatz) to Sydney (UTS Gallery) and Lahore (NCA).

    Through his ability to translate the complexities of the Palestinian experience into a universal language of form and color, Bashir Makhoul has created a body of work that is both deeply personal and globally resonant. He remains a vital figure in contemporary discourse, reminding us that even within the most structured geometries, there exists a profound capacity for human emotion and historical truth.

    Museum

    Arts Council Collection

    On show in London, United Kingdom

    A Living Legacy: The Pulse of British Creativity

    To encounter the

    Arts Council Collection

    is to step into a vibrant, breathing narrative of British artistic evolution. Unlike traditional institutions that confine masterpieces within the silent, static halls of a fortress-like museum, this collection operates as a "museum without walls." Founded in 1946 amidst the transformative shadows of post-war austerity, it was conceived not merely as a repository for aesthetic contemplation, but as an active conduit of cultural vitality. Its very essence lies in its movement; it is a curated circulation of inspiration that breathes life into universities, hospitals, and public buildings across the United Kingdom. This democratic approach ensures that exceptional art is never sequestered away from the public eye, but instead becomes an integral part of the communal landscape, fostering a deep-seated appreciation for the creative spirit that defines the nation.

    The collection’s historical journey is one of profound growth and intentionality. What began as a modest inheritance of paintings bequeathed by earlier councils has blossomed into a monumental holding of nearly 8,000 works by over 2,000 artists. This vast archive serves as a chronicle of the twentieth and twenty-first centuries, capturing the shifts in societal values and the radical transformations in visual language. For the collector or the art enthusiast, the collection offers an unparalleled window into the soul of British modernism, tracing the lineage from the visceral, psychological depths of

    Francis Bacon

    to the luminous, sun-drenched landscapes of

    David Hockney

    . It is a place where the monumental weight of

    Henry Moore’s

    sculptures meets the unflinching, textured intimacy of

    Lucian Freud’s

    portraits, creating a dialogue between form and emotion that transcends time.

    Innovation and the Contemporary Vanguard

    What truly distinguishes the Arts Council Collection is its fearless embrace of the contemporary and the emerging. It does not merely look backward with nostalgia; it actively shapes the future of art through visionary initiatives like the

    Frieze Acquisition Fund

    . By empowering curators to procure groundbreaking works from the prestigious Frieze London art fair, the collection ensures that the voices of the next generation are woven into the permanent fabric of British heritage. This commitment to innovation means that visitors—and those inspired by its works for interior curation—are always encountering the cutting edge of sculpture, photography, video, and installation. The collection thrives on tension and discovery, often presenting challenging or controversial pieces that provoke thought and ignite debate.

    Beyond its physical holdings, the institution’s impact is amplified through a sophisticated program of touring exhibitions and global partnerships. Through collaborations with entities such as the

    Coventry Biennial

    , the collection explores themes of urban identity and community outreach, bringing curated excellence to regional galleries far beyond the central hubs of London. This spirit of accessibility is further extended into the digital realm via the

    Google Arts & Culture

    partnership, allowing a global audience to wander through its treasures from any corner of the world. For the interior designer seeking to evoke a sense of sophisticated modernism or the scholar tracing the threads of artistic lineage, the Arts Council Collection remains an inexhaustible source of profound beauty and intellectual rigor.

    Where to read more

    Find this online

    QR code linking to the download page for Zigzag

    wikioo.org/en/art/download/bashir-makhoul-zigzag-AR2BKU-en/

    Cite this artwork

    MLA
    makhoul, bashir. Zigzag. 1992, Arts Council Collection. https://wikioo.org/en/art/bashir-makhoul-zigzag-AR2BKU-en/
    APA
    makhoul, bashir (1992). Zigzag [Painting]. Arts Council Collection. https://wikioo.org/en/art/bashir-makhoul-zigzag-AR2BKU-en/
    Chicago
    bashir makhoul. Zigzag. 1992. Arts Council Collection. https://wikioo.org/en/art/bashir-makhoul-zigzag-AR2BKU-en/
    Harvard
    makhoul, bashir (1992) Zigzag. Arts Council Collection. Available at: https://wikioo.org/en/art/bashir-makhoul-zigzag-AR2BKU-en/

    Look closely

    Zigzag — bashir makhoul

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: geometric pattern, islamic art, star motif. Do you agree? What would you add, or take away?
    4. Look back at Intifada (diptych, right panel), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Geometric Abstraction: Abstraction built strictly from squares, circles and straight edges rather than free gesture. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.