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Student Artwork Guide

Self Portrait

Name Class Date

benjamin kopman, Self Portrait (1911). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
benjamin kopman wikioo.org/en/artists/benjamin-kopman/
Artist’s dates
1887 – 1965
Painted
1911
Original size
61 x 51 cm

In context

Self Portrait — benjamin kopman

How big is it?

The original measures 61 × 51 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960

Shaded: the lifetime of benjamin kopman (1887–1965) ▲ this work, 1911

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/benjamin-kopman-self-portrait-AQZTGM-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #2b281d

    Catalogued palette

    • #2B281D
    • #42391F
    • #BF9C59
    • #876B3A
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Self Portrait — benjamin kopman

    The Self Portrait by Benjamin Kopman is a captivating oil on canvas painting that showcases the artist's skill in capturing the intricacies of human emotion. Created in 1911, this painting measures 61 x 51 cm and is currently housed at the Smithsonian American Art Museum in the United States.

    The Painting's Composition

    The painting features a man wearing a hat and coat, with a serious expression on his face. The background appears to be blurred, which adds depth and focus to the main subject of the painting. The artist's use of oil on canvas brings out the textures and details of the subject's attire, making it a remarkable piece of art.

    Artist's Style and Influences

    Benjamin Kopman's style is characterized by his attention to detail and ability to capture the essence of his subjects. His work is often compared to that of other notable artists, such as Francis Bacon, who also created a series of self-portraits that explored the human condition. You can find more information about Francis Bacon's work on AllPaintingsStore.com.

    Other Notable Works by Benjamin Kopman

    Some of Benjamin Kopman's other notable works include Circus Scene, which can be found on AllPaintingsStore.com. This painting showcases the artist's ability to capture the energy and excitement of a circus scene.

    Visit AllPaintingsStore.com to learn more about Benjamin Kopman's work and other notable artists.

    Explore the Smithsonian American Art Museum collection on Wikipedia to discover more about American art and artists.

    Handmade oil painting reproductions of Benjamin Kopman's work, including the Self Portrait, are available on AllPaintingsStore.com. These reproductions are created by skilled artists who use high-quality materials to ensure that the final product is a faithful representation of the original painting.

    By exploring the work of Benjamin Kopman and other notable artists, we can gain a deeper understanding of the art world and its many wonders. Whether you are an art enthusiast or simply looking to learn more about a particular style or period, AllPaintingsStore.com is a valuable resource that can provide you with the information and inspiration you need.

    Artist and museum

    Artist

    benjamin kopman

    Benjamin Kopman: A Painter of American Grit

    Benjamin Kopman (1887-1965) wasn’t a name that frequently graces the hallowed halls of art history, yet his canvases hold a remarkable power—a raw, unflinching portrayal of American life in the early 20th century. Born in Vitebsk, Russia, and immigrating to the United States with his family as a young boy, Kopman’s artistic journey was shaped by displacement, observation, and a deeply rooted connection to the working class. His work, often characterized by its stark realism and distinctive use of bold outlines, offers a poignant glimpse into a nation undergoing rapid transformation – a world of bustling cityscapes, humble farms, and the quiet dignity of everyday laborers.

    Kopman’s early artistic training occurred at the Pennsylvania Academy of Fine Arts in Philadelphia. This period proved crucial, exposing him to the principles of academic realism while simultaneously fostering an independent approach. However, it was his time spent working as a stage designer for traveling circuses and fairs that profoundly influenced his style. These experiences immersed him in the vibrant chaos of American popular culture—the spectacle of performers, the energy of crowds, and the faces of those who toiled behind the scenes. This immersion translated directly into his paintings, imbuing them with an immediacy and a sense of authentic observation rarely found in more formal artistic circles.

    A defining characteristic of Kopman’s oeuvre is his masterful depiction of portraiture, particularly of working-class individuals. His subjects weren't idealized heroes; they were ordinary men and women—farmers, factory workers, circus performers – rendered with a remarkable sensitivity and attention to detail. His self-portraits, in particular, reveal a contemplative artist grappling with his own identity and the complexities of his life. The ‘Self Portrait’ (1920s) is a particularly revealing example, showcasing his ability to capture not just physical likeness but also an underlying sense of melancholy and introspection. His use of dark outlines, reminiscent of artists like Rousseau and Roualt, served to emphasize form and create a dramatic effect, drawing the viewer's eye to key features and adding a layer of emotional intensity.

    Among his most celebrated works is ‘The Organist’ (circa 1920s), a scene brimming with life and detail. The painting captures a moment within a bustling circus – an organist lost in his performance, surrounded by a captivated audience. It's not merely a snapshot; Kopman imbues the scene with a palpable sense of atmosphere, conveying the excitement, the noise, and the collective experience of the spectacle. Similarly, ‘Man with Cap’ (circa 1920s) offers a quiet study in observation, presenting a weathered farmer contemplating his surroundings – a testament to the enduring spirit of rural America.

    Kopman's artistic output extended beyond portraiture and scenes of popular entertainment. He also produced evocative depictions of American landscapes and urban settings. His work reflects a deep appreciation for the beauty found in the commonplace, transforming ordinary subjects into compelling works of art. During the Great Depression, Kopman contributed to the Works Progress Administration (WPA), further solidifying his commitment to documenting the realities of American life. This period saw him working on numerous public murals and creating thousands of paintings, offering a valuable record of the era.

    Legacy and Influence

    Despite not achieving widespread fame during his lifetime, Benjamin Kopman’s legacy endures through his powerful and enduring artwork. His distinctive style—characterized by bold outlines, realistic detail, and an empathetic portrayal of working-class subjects—has resonated with art historians and collectors alike. His work is held in prestigious collections including the Whitney Museum of American Art, the Brooklyn Museum, and the Pennsylvania Academy of Fine Arts, a testament to its artistic merit and historical significance.

    Furthermore, Kopman’s story serves as an important reminder of the diverse voices within American art history. An immigrant artist navigating a rapidly changing nation, he offered a unique perspective on the social and cultural landscape of his time. His paintings continue to invite viewers to contemplate the lives of ordinary Americans—a poignant reflection on the values, struggles, and enduring spirit of the United States.

    Sources:

    Benjamin Kopman - Whitney Museum of American Art: https://whitney.org/artists/717

    Benjamin Kopman | RoGallery: https://www.rogallery.com/artists/benjamin-kopman/

    Benjamin Kopman - UAG collection: https://collections.uag.pitt.edu/Detail/entities/883

    Benjamin Zuskin: https://en.wikipedia.org/wiki/Benjamin_Zuskin

    Where to read more

    Find this online

    QR code linking to the download page for Self Portrait

    wikioo.org/en/art/download/benjamin-kopman-self-portrait-AQZTGM-en/

    Cite this artwork

    MLA
    kopman, benjamin. Self Portrait. 1911, https://wikioo.org/en/art/benjamin-kopman-self-portrait-AQZTGM-en/
    APA
    kopman, benjamin (1911). Self Portrait [Painting]. https://wikioo.org/en/art/benjamin-kopman-self-portrait-AQZTGM-en/
    Chicago
    benjamin kopman. Self Portrait. 1911. https://wikioo.org/en/art/benjamin-kopman-self-portrait-AQZTGM-en/
    Harvard
    kopman, benjamin (1911) Self Portrait. Available at: https://wikioo.org/en/art/benjamin-kopman-self-portrait-AQZTGM-en/

    Look closely

    Self Portrait — benjamin kopman

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Circus Scene (1910), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. benjamin kopman was about 24 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.