Paper

Student Artwork Guide

Berenice

Name Class Date

Bernardo Strozzi, Berenice (1640), El Paso Museum of Art. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Bernardo Strozzi wikioo.org/en/artists/bernardo-strozzi/
Artist’s dates
1581 – 1644
Painted
1640
Movement
Tenebrism
Held at
El Paso Museum of Art wikioo.org/en/museums/el-paso-museum-of-art-el-paso/

In context

Berenice — Bernardo Strozzi

When was this painted?

  1. 1580
  2. 1590
  3. 1600
  4. 1610
  5. 1620
  6. 1630
  7. 1640

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 63 at death.

Painted when the artist was 59. The artist lived to 63. 38 of the 53 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Bernardo Strozzi (1581–1644) ▲ this work, 1640 every dated painting, decade by decade

First works: up to 1625 Main working years: 1625–1640 Late works: from 1640

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/bernardo-strozzi-berenice-D2U85R-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #1e1b18

    Catalogued palette

    • #1E1B18
    • #4D3C35
    • #DCC4AA
    • #96826E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Bernardo Strozzi over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 76.5%
    2. 2 United States of America 14.7%
    3. 3 United Kingdom 5.9%
    4. 4 France 2.9%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Bernardo Strozzi

    1. 1 Old Woman at the Mirror, 1615 18.0%
    2. 2 Sleeping Child 8.0%
    3. 3 Gamba Player, 1635 8.0%
    4. 4 Prophet Elijah and the Widow of Sarepta, 1630 6.0%
    5. 5 The Madonna of Justice, 1620 6.0%
    6. 6 St Maurice and the Angel, 1640 4.0%
    7. 7 The Cook, 1625 4.0%
    8. 8 The Healing of Tobit, 1635 4.0%
    9. 9 Joseph Telling his Dreams, 1626 4.0%
    10. 10 St Veronica, 1625 4.0%
    11. 11 Portrait of a fat gentleman 4.0%
    12. 12 The Charity Of St Lawrence 1 4.0%
    13. 13 Old Coquette, 1625 2.0%
    14. 14 Allegory of Arts, 1640 2.0%
    15. 15 The Charity of St. Lawrence, 1640 2.0%
    16. 16 Banquet at the House of Simon (detail), 1630 2.0%
    17. 17 Lute Player, 1630 2.0%
    18. 18 St Cecilia, 1620 2.0%
    19. 19 St Cecilia, 1623 2.0%
    20. — Berenice, 1640 this painting 0.0%

    Together these works take 88.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 73 works by this artist, of which 25 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Bernardo Strozzi

    Born in Genoa, Italy

    early life and training

    bernardo strozzi, also known as il cappuccino and il prete genovese, was a prominent italian baroque painter and engraver born in 1581 in genoa, italy. his early training took place in the workshop of cesare corte, a minor genoese painter, under whose guidance strozzi developed his skills until 1596. he then joined the workshop of pietro sorri, an innovative sienese painter, who led strozzi towards a more naturalistic style.

    artistic career

    strozzi's career can be divided into two main periods: his early years in genoa and his later work in venice. in genoa, he worked on various projects, including the frescoes in the choir of the san domenico church, commissioned by members of the doria family.

    key works:

    the vision of saint dominic (paradise) ( preparatory oil bozzetto for the vault, located at the museo dell’accademia ligustica in genoa)

    portrait of doge francesco erizzo (painted soon after his arrival in venice)

    influence and legacy

    strozzi's powerful art, characterized by rich colors and broad brushstrokes, had a significant impact on the artistic developments in both genoa and venice. he is considered one of the principal founders of the venetian baroque style.

    notable patrons:

    doge francesco erizzo

    catholic cardinal and patriarch of venice federico baldissera

    prominent venetian artists, including claudio monteverdi and barbara strozzi

    later life and death

    strozzi's later years were marked by his work as an engineer. he died in venice in 1644, leaving behind a legacy as a versatile and prolific artist. view more works by bernardo strozzi on AllPaintingsStore: [https://AllPaintingsStore.com/@/bernardo-strozzi](https://AllPaintingsStore.com/@/bernardo-strozzi) explore the pinacoteca di vicenza, italy, featuring works from various periods and styles: /en/art/show/art-d3afpd-en/

    Museum

    El Paso Museum of Art

    On show in El Paso, United States of America

    A Cultural Gateway: The Soul of the Borderland

    In the vibrant heart of West Texas, where the pulse of two nations converges, the El Paso Museum of Art (EPMA) stands as a luminous beacon of cultural synthesis. It is more than a mere repository for objects; it is a living dialogue between histories, a place where the boundaries of geography dissolve into the boundless realm of human creativity. As the only accredited art museum within a 250-mile radius, EPMA offers a sanctuary for those seeking to understand the complex, beautiful tapestry of the borderlands. To step inside its walls is to embark on a journey that transcends borders, inviting visitors to explore a world where the ancient echoes of Pre-Columbian traditions meet the sophisticated brushstrokes of European masters.

    The museum’s architectural presence is a testament to modern elegance and community integration. Completed in 1998, the current building provides a sleek, contemporary canvas that thoughtfully complements the evolving downtown El and Paso landscape. This intentional design creates an inviting atmosphere, a transparent and accessible space that beckons the curious passerby. The architecture does not merely house art; it frames the experience of discovery, offering a bright, airy environment where light and shadow dance across the gallery floors, much like the shifting desert suns of the surrounding Chihuahuan Desert.

    A Tapestry of Eras and Continents

    The true magic of EPMA lies in its remarkable ability to weave disparate eras into a single, cohesive narrative. Collectors and art enthusiasts will find themselves captivated by the prestigious

    Samuel H. Kress Collection

    , a magnificent assembly of fifty-seven European masterpieces spanning the 12th to the 18th centuries. Within these galleries, one can encounter the delicate precision of Canaletto and Bernardo Bellotto, or feel the dramatic, emotive power of Artemesia Gentileschi. These works bring a touch of Old World grandeur to the American Southwest, creating a profound juxtaposition with the museum's deep commitment to regional identity.

    This dialogue between the global and the local is perhaps the museum's most enchanting feature. The collection celebrates the rich, rugged artistic traditions of the Southwestern United States and Mexico, placing the works of legends like

    Luis Jiménez

    and

    Fritz Scholder

    in conversation with North American icons such as Frederic Remington. From the intricate beauty of Mexican colonial art to the raw energy of mid-20th-century American prints and photographs, the museum serves as a vital archive of the border region's multi-cultural heritage. For the interior designer or the passionate collector, these pieces offer more than aesthetic value; they provide a profound sense of place and a connection to the enduring spirit of the frontier.

    A Living Institution of Community and Connection

    Beyond its permanent treasures, the El Paso Museum of Art thrives through a dynamic rhythm of special exhibitions and community engagement. The museum’s halls are frequently transformed by rotating temporary shows that challenge perspectives and introduce new artistic voices to the region. This commitment to evolution is matched by an extensive array of educational programs—ranging from intimate art classes and film series to evocative storytelling sessions—that ensure the museum remains a cornerstone of local life. It is a place where the

    International Museum of Art

    shares a storied lineage, reminding us that the pursuit of beauty is a continuous, generational endeavor.

    What truly distinguishes EPMA is its role as a facilitator of cross-cultural dialogue. By actively engaging with both sides of the border, the museum fosters an environment of mutual appreciation and shared understanding. Whether you are wandering through the galleries to find inspiration for a new design project or seeking a moment of quiet reflection amidst historical masterpieces, the El Paso Museum of Art offers an experience that is as profound as it is unforgettable. It remains, quite simply, a cultural gem where every visitor can discover a new perspective, unbound by borders.

    Where to read more

    Find this online

    QR code linking to the download page for Berenice

    wikioo.org/en/art/download/bernardo-strozzi-berenice-D2U85R-en/

    Cite this artwork

    MLA
    Strozzi, Bernardo. Berenice. 1640, El Paso Museum of Art. https://wikioo.org/en/art/bernardo-strozzi-berenice-D2U85R-en/
    APA
    Strozzi, Bernardo (1640). Berenice [Painting]. El Paso Museum of Art. https://wikioo.org/en/art/bernardo-strozzi-berenice-D2U85R-en/
    Chicago
    Bernardo Strozzi. Berenice. 1640. El Paso Museum of Art. https://wikioo.org/en/art/bernardo-strozzi-berenice-D2U85R-en/
    Harvard
    Strozzi, Bernardo (1640) Berenice. El Paso Museum of Art. Available at: https://wikioo.org/en/art/bernardo-strozzi-berenice-D2U85R-en/

    Look closely

    Berenice — Bernardo Strozzi

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at Sleeping Child, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Bernardo Strozzi was about 59 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What are the date and style of "Berenice" by Bernardo Strozzi?

    "Berenice" was made in 1640, within the Tenebrism movement.

    What is the dominant color of "Berenice" by Bernardo Strozzi?

    The dominant color of "Berenice" by Bernardo Strozzi is phthalo green (#1e1b18).

    Can "Berenice" by Bernardo Strozzi, held at the El Paso Museum of Art, be legally reproduced?

    The original "Berenice" is at the El Paso Museum of Art, and the work is in the public domain - its copyright has expired.