Copyright This work is in the public domain. Albert Eckhout died in 1666; copyright lasts 70 years after the artist’s death, so it ended in 1736.
In context
Coconuts — Albert Eckhout
The original measures 93 × 93 cm (height × width), drawn here beside an adult of average height.
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 56 at death.
Painted when the artist was 30. The artist lived to 56. 1 of the 25 dated works by this artist in our catalogue came earlier.
Shaded: the lifetime of Albert Eckhout (1610–1666) ▲ this work, 1640 every dated painting, decade by decade
First works: up to 1641 Main working years: 1641–1643 Late works: from 1643
Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them
Pick one work above: name two things it shares with this one, and one thing that's different.
More works to set beside this one: wikioo.org/en/art/similar/coconuts-by-albert-eckhout/
Measured from the image
Main colour
Walnut #7b613a
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
Artist and museum
Born in Groningen, Netherlands
Albert Eckhout was a Dutch portrait and still life painter born in Groningen, Netherlands. He was the son of Albert Eckhourt and Marryen Roeleffs. During his career, he traveled to Dutch Brazil as part of the entourage of the Dutch governor-general, Johan Maurits, Prince of Nassau-Siegen. Alongside fellow painter Frans Post, Eckhout was tasked with recording the landscape, flora, fauna, and inhabitants of the region.
His body of work includes:
Eckhout's ethnographic works, created between 1641 and 1643 for Maurits, were gifted to King Frederick III of Denmark and remain in Copenhagen. His paintings of the Tupi and Tapuya tribes are considered the first realistic images of these native populations.
Eckhout's artistic focus in Brazil included the people, plants, and animals of the region. His ethnographic paintings depicted various groups, including the Tapuya, Africans, Mulattos, and Mamelucas. In his depictions of the Tapuya, he included specific plants, animals, and reptiles to achieve accuracy. His paintings of Africans often featured tropical elements like papaya trees and coastal settings, while his depictions of Mulattos and Mamelucas explored different racial backgrounds and social contexts.
His still-life paintings are noted for their focus on Brazilian fruits and vegetables. In 2002, a restoration campaign allowed many of his well-known paintings to travel back to Brazil for an exhibition at the Instituto Ricardo Brennand in Recife.
On show in Copenhagen, Denmark
To step into Copenhagen's National Museum is to abandon the frantic pace of the modern world and enter a vibrant portal where the very soul of Denmark unfolds. Founded in 1807, this institution serves as much more than a mere repository for the past; it is a living, breathing odyssey that spans fourteen millennia. As visitors wander through its halls, they embark on a journey that begins with the earliest whispers of prehistoric life and traverses the complex, interconnected layers of the modern era. The museum’s architectural presence itself tells a story of evolution, a layered testament to time where various styles blend seamlessly, mirroring the organic growth of the culture it so meticulously preserves.
The collection is a breathtaking tapestry of human achievement, where the profound weight of history meets the delicate beauty of artistry. One cannot help but be captivated by the
Gundestrup Cauldron
, a magnificent silver vessel from the Iron Age that stands as a masterpiece of Celtic art. Its intricate, swirling patterns are not merely decorative; they are a complex language of symbolism, offering rare glimpses into the cosmological narratives and divine figures of a culture long since passed. This sense of wonder is echoed in the hauntingly beautiful presence of the
Egtved Girl
, whose remarkably preserved remains from the Bronze Age invite a poignant contemplation on ancient burial rituals and the fragile continuity of human life.
Within these walls, the legendary spirit of the Vikings resonates with an almost palpable energy. The museum showcases an impressive array of artifacts—weapons forged with unparalleled skill, jewelry that shimmers with ancient artistry, and fragments of seafaring vessels that once braved the most treacherous northern waters. While the original
Golden Horns of Gallehus
were tragically lost to history, their meticulously crafted replicas allow a modern audience to appreciate the exquisite craftsmanship and symbolic power of these iconic treasures. These horns serve as windows into a worldview steeped in mythology, where every spiral and etched line might represent the divine authority of Odin or the prowess of a legendary warrior.
Yet, the museum’s narrative is never confined by geographical borders. It masterfully illustrates how Danish culture has always been shaped by global exchange and interaction. The collections transport the observer to the sun-drenched landscapes of Greece, the storied ruins of Italy, and the ancient civilizations of the Near East. Through the careful reconstruction of vibrant frescoes from Pompeii and Herculaneum, the museum showcases the
Hellenistic tradition
—a style defined by its profound realism and emotional expression. This connection to the wider world reminds every collector and art lover that culture is a continuous dialogue between distant lands and eras.
What truly distinguishes the National Museum is its role as an active participant in the ongoing discovery of our shared human story. It is a place of rigorous scientific inquiry, where experts utilize
dendrochronology
to unlock the secrets of wooden artifacts and collaborate with specialized centers like SILA to expand our understanding of Arctic environments. This dedication to preservation ensures that Denmark’s national treasures, known as
Danefæ
, remain protected for future generations to study and admire.
For the interior designer or the discerning collector, the museum offers an inexhaustible wellspring of aesthetic inspiration. One can draw from the minimalist elegance found in Viking craftsmanship or find contrast in the opulent, intricate details of ancient Mediterranean civilizations. The museum presents a masterclass in form and function, proving that the principles of beauty are enduring. Whether one is moved by the rugged strength of prehistoric tools or the refined grace of Renaissance masterpieces, the National Museum stands as an essential destination for anyone seeking to understand the profound aesthetic threads that bind our history together.
Every fact we hold on Coconuts by Albert Eckhout, on its artwork page
wikioo.org/en/art/download/coconuts-by-albert-eckhout/
Look closely
Coconuts — Albert Eckhout
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
No - the artwork is kept abroad. "Coconuts" is held in Denmark, while Albert Eckhout was born in Netherlands.
The copyright status of "Coconuts" - in the public domain - its copyright has expired - follows from the artist's death in 1666.
"Coconuts" by Albert Eckhout uses an earthy palette, with walnut (#7b613a) as the dominant color.