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Student Artwork Guide

Nemo Loquebatur

Name Class Date

Cornelis Troost, Nemo Loquebatur (1740), Mauritshuis. Public domain.

The facts

Artist
Cornelis Troost wikioo.org/en/artists/cornelis-troost/
Artist’s dates
1696 – 1750
Painted
1740
Medium
Pastel Sticks of almost pure pigment drawn straight onto paper; the colour is bright but rubs off easily.
Movement
Rococo Light, playful, pastel-coloured pictures of leisure, made for private rooms rather than public halls.
Held at
Mauritshuis wikioo.org/en/museums/mauritshuis-the-hague/
Artistic style
Genre painting
Notable elements or techniques
Pastel technique, gouache
Subject or theme
Social gathering, revelry

In context

Nemo Loquebatur — Cornelis Troost

When was this painted?

  1. 1690
  2. 1700
  3. 1710
  4. 1720
  5. 1730
  6. 1740
  7. 1750

Shaded: the lifetime of Cornelis Troost (1696–1750) ▲ this work, 1740

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/cornelis-troost-nemo-loquebatur-D3TLNU-en/

Colours

Measured from the image

    Main colour

    Gray #887e70

    Catalogued palette

    • #887E70
    • #6A5E51
    • #393732
    • #524C43
    Palette
    Monochrome The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Nemo Loquebatur — Cornelis Troost

    A Glimpse into Rococo Merriment: The Social Scene of Nemo Loquebatur

    Imagine an evening bathed in the soft, flickering glow of crystal chandeliers, where the air hums with witty conversation and the clinking of fine glassware. This exquisite pastel scene, Nemo Loquebatur, transports us directly into the sophisticated salons of 18th-century Amsterdam. It captures a moment of convivial gathering among distinguished gentlemen, an atmosphere thick with intellectual exchange and burgeoning revelry. The composition itself is a masterclass in genre painting, depicting not just figures, but the very texture of high society life—a world where wit was as carefully curated as one's waistcoat.

    The Artistry of Pastel: Technique and Touch

    What makes this piece so captivating is its remarkable medium. Cornelis Troost eschewed the permanence of oil paint for the delicate, ethereal touch of gouache and pastel. This choice of materials speaks volumes about the period's artistic tastes; it allowed Troost to achieve a luminosity and softness that mimic the fleeting quality of memory itself. The opaque watercolour mixed with soft chalk lends the skin tones a remarkable delicacy while allowing the rich textures of the gentlemen’s elaborate clothing—the silks, the lace, the polished wood of the mantlepiece—to remain vividly present. To own a reproduction of this work is to possess an echo of that eighteenth-century luminosity.

    Historical Context and Narrative Depth

    This painting is part of a larger narrative cycle, suggesting a structured, unfolding story across several panels. The title itself, Nemo Loquebatur, hints at the playful structure underlying the apparent spontaneity. While the initial moments depicted might suggest polite discourse—men holding books, engaging in measured conversation near an elegant fireplace mantle—the overall trajectory of such scenes often suggests a delightful descent into spirited abandon fueled by good company and perhaps too much wine. Troost, deeply embedded in the vibrant cultural life of Amsterdam during this time, possessed an unparalleled ability to observe human nature at its most charmingly flawed.

    Emotional Resonance for the Modern Collector

    For the contemporary admirer, Nemo Loquebatur offers more than mere decoration; it offers an emotional anchor. It speaks to the universal yearning for connection—for that perfect gathering where laughter rings freely and conversation flows without end. Whether placed in a formal drawing-room or a richly paneled study, this artwork introduces an immediate sense of cultured warmth and sophisticated history. It invites the viewer not just to look, but to participate; one can almost hear the murmur of voices and smell the faint scent of expensive tobacco mingling with wine.

    Artist and museum

    Artist

    Cornelis Troost

    Born in Amsterdam, Netherlands

    A Window into Amsterdam’s Golden Age

    Cornelis Troost, a name inextricably linked to the vibrant tapestry of 18th-century Amsterdam, was more than just an artist; he was a keen observer and masterful recorder of his era. Born in the heart of the Dutch Republic on October 8, 1696, in Amsterdam, Troost’s journey from aspiring actor to celebrated painter reveals a fascinating confluence of artistic passions and personal transformation. Initially trained as a performer on the stage, he found his true calling not amidst applause and drama, but within the meticulous detail and subtle nuances of painting. His life's trajectory is marked by a deliberate shift – a conscious rejection of the spotlight for the quiet contemplation of brushstrokes, ultimately leading him to become one of the most significant figures in Dutch Rococo genre art.

    Troost’s artistic education began under the tutelage of Arnold Boonen, a respected portraitist who recognized his student's innate talent. This apprenticeship provided a crucial foundation, but it was Troost’s early drawings that truly showcased his distinctive style – particularly one dated 1708 depicting Prince Eugene of Savoy and the notorious bookseller and spy, Louis Renard, engaging in clandestine activities within a luxurious Amsterdam brothel. This piece, brimming with wit and intrigue, hinted at the themes he would later explore with such captivating skill: the complexities of social life, the allure of pleasure, and the hidden currents beneath the veneer of respectability.

    The Elegance of Rococo and Social Narrative

    As his career matured, Troost became a master of capturing the delicate balance between frivolity and sophistication. His work was undoubtedly influenced by the prevailing artistic trends of his time, including the dramatic compositions of William Hogarth, known for his satirical depictions of London society, and the elegant grace of French masters like Watteau, Boucher, and Lancret. This synthesis of Dutch realism and French Rococo elegance allowed him to create works that were both deeply grounded in local reality and exquisitely refined.

    His repertoire was remarkably diverse, ranging from intimate portraits to monumental group compositions. Some of his most enduring contributions to the art world include:

    Portrait of the Inspectors of the Collegium Medicum (1724): A stunning Rococo oil painting that showcases the height of 18th-century Dutch artistry and institutional elegance.

    Portrait of Maria Magdalena Stavenisse (c. 1726): A Baroque masterpiece that utilizes refined detail to showcase aristocratic wealth and status.

    Regents of the Aalmoezeniersweeshuis Orphanage (1729): A monumental group portrait that serves as a window into the social structures of Amsterdam, utilizing dramatic lighting and an opulent setting to convey a sense of civic importance.

    Legacy of a Master Observer

    The significance of Cornelis Troost lies in his ability to act as a visual historian for a period of transition. While the era of the great Dutch Golden Age masters had passed, Troost breathed new life into the Dutch tradition by infusing it with the lightheartedness and decorative charm of the Rococo movement. His paintings do not merely depict faces; they capture the spirit of an age—the rustle of silk, the flicker of candlelight, and the subtle social hierarchies of Amsterdam's upper class.

    Through his witty portraits and captivating genre scenes, Troost left behind a legacy that continues to enchant viewers. He remains a pivotal figure who bridged the gap between the heavy, dramatic traditions of the 17th century and the airy, graceful aesthetics of the 18th century, ensuring that the social nuances of his beloved Amsterdam would be preserved in pigment for generations to come.

    Museum

    Mauritshuis

    On show in The Hague, Netherlands

    A Golden Echo: Exploring the Mauritshuis in The Hague

    Nestled within the historic heart of The Hague, a city steeped in diplomacy and artistic heritage, lies the Mauritshuis – a museum that transcends the simple notion of a repository for paintings. It’s an immersive experience, a carefully curated journey into the very soul of the Dutch Golden Age. More than just housing masterpieces, the Mauritshhuis whispers tales of power, refinement, and the burgeoning artistic spirit that defined 17th-century Holland – a period where light, color, and human emotion were meticulously rendered on canvas, capturing not just likeness but an essence of life itself. The building’s story is as captivating as the art it holds; originally conceived as a lavish city residence for Count Johan Maurits van Nassau-Siegen in the mid-1630s, its symmetrical facade and elegant interiors immediately establish a sense of stately calm, reflecting the wealth and status of its original owner while providing a serene, almost meditative space for contemplation. Designed by the renowned architects Jacob van Campen and Pieter Post, it’s a prime example of Dutch Classicism – a deliberate choice mirroring the era's prosperity and offering an intimate setting for artistic appreciation.

    The Mauritshuis’s collection is remarkably focused, a concentrated jewel box containing some of the most celebrated works in Western art history. Unlike sprawling museums that can overwhelm, this palace-turned-museum fosters a uniquely intimate encounter with its treasures. The museum's strength lies not in sheer volume but in the exceptional quality and thematic coherence of its holdings. While encompassing works by a diverse range of artists – including the dramatic intensity of Rembrandt van Rijn and the serene beauty of Jan Steen – it’s perhaps most renowned as a sanctuary for Johannes Vermeer and Hans Holbein the Younger. Vermeer's Girl with a Pearl Earring, undoubtedly the museum’s most iconic work, is an enigma that continues to captivate viewers centuries later. The painting’s power lies not just in its exquisite detail – the luminous pearl, the delicate folds of fabric, the subtle play of light and shadow – but also in the subject's elusive gaze, a silent invitation to connect with her story. It’s a moment frozen in time, imbued with an ethereal quality that feels both intimate and profoundly moving. The painting has become a global symbol of beauty and mystery, reproduced endlessly yet never losing its original allure. Rembrandt’s presence is equally profound. His The Anatomy Lesson of Dr. Nicolaes Tulp, a dynamic group portrait depicting a public dissection, showcases his unparalleled ability to capture not just physical likeness but also the intellectual curiosity and human interaction within a scene. The painting vibrates with energy, revealing Rembrandt's masterful use of light to illuminate key figures and create a sense of drama. Jan Steen’s lively genre scenes offer a contrasting yet equally compelling perspective, providing vibrant snapshots of everyday life in 17th-century Holland – scenes brimming with humor, domesticity, and subtle social commentary. These works invite us into the lives of ordinary people, revealing their joys, struggles, and quirks.

    Architecture: A Reflection of Power and Peace

    Beyond its artistic treasures, the Mauritshuis stands as a remarkable architectural achievement. The building’s design is deeply intertwined with the ambitions and personality of Count Johan Maurits van Nassau-Siegen, who envisioned it not merely as a residence but as a symbol of his power and status. Constructed in the mid-1630s, the palace embodies the ideals of Dutch Classicism – a style characterized by its symmetry, proportion, and restrained ornamentation. The facade is a masterpiece of classical design, featuring imposing columns, elegant windows, and a central pediment that echoes the grandeur of Roman architecture. Inside, the rooms are equally impressive, showcasing soaring ceilings, richly colored walls adorned with intricate stucco work, and meticulously crafted furniture. The building’s layout reflects a deliberate attempt to create a harmonious balance between public and private spaces – grand halls for entertaining guests alongside more intimate chambers for family life. The use of light is particularly noteworthy, with large windows strategically placed to flood the rooms with natural illumination, enhancing the beauty of the artwork on display. The Mauritshuis isn’t just a building; it's a carefully orchestrated stage set designed to impress and inspire awe.

    Renovations and Expansion

    The Mauritshuis hasn’t remained static throughout its history; it has evolved alongside the needs of both its collection and its visitors. Significant renovations and expansions have been thoughtfully undertaken to accommodate a growing number of masterpieces and ensure an optimal viewing experience. The most recent expansion, completed in 2014, connected the museum with the Sociëteit de Witte building, creating additional space for exhibitions and educational programs – a testament to the museum’s commitment to fostering engagement and learning. This connection also allows for a more fluid visitor journey, seamlessly blending the historical palace with the modern exhibition spaces. The renovation project, overseen by architect Hans van Heeswijk, was designed to preserve the building's original character while incorporating contemporary elements, creating a harmonious blend of past and present. The entire process underscored the museum’s dedication to balancing its role as a world-class art institution with its commitment to preserving its historical integrity. The careful restoration work has revealed hidden details and restored faded colors, bringing the palace back to its former glory.

    Notable Exhibitions & Ongoing Research

    Beyond Girl with a Pearl Earring and Rembrandt’s masterpieces, the Mauritshuis regularly hosts compelling temporary exhibitions that delve into specific themes within the collection. These exhibits often shed new light on lesser-known works or explore broader artistic movements of the period. Currently, the museum is showcasing “Vermeer: The Artist and His World,” offering a detailed examination of Vermeer’s life, techniques, and influences. The museum's research department is actively engaged in ongoing investigations into provenance and conservation techniques, utilizing cutting-edge technology to unravel the stories behind each artwork and ensure its long-term preservation. Furthermore, the Mauritshuis maintains strong relationships with international institutions, facilitating collaborative research projects and sharing expertise. Don’t miss opportunities to discover lesser-known works alongside the iconic pieces – each contributing to a richer understanding of this remarkable artistic legacy. The museum also hosts lectures, workshops, and family activities, making it a vibrant cultural hub for visitors of all ages.

    Useful Links:

    Mauritshuis Official Website

    Google Arts & Culture - Mauritshuis

    Additional Research:

    Saul and david mauritshuis, the hague

    https://www.mauritshuis.nl/en/art/rembrandt-van-rijn-saul-and-david-mauritshuis-the-hague-9H5S88-en/

    Portrait of a man, mauritshuis, the hague

    https://www.mauritshuis.nl/en/art/memling-hans-portrait-of-a-man-mauritshuis-the-hague-9H5RGP-en/

    Vanitas still life, mauritshuis, the hague

    https://www.mauritshuis.nl/en/art/pieter-claesz-vanitas-still-life-mauritshuis-the-hague-9H5PSA-en/

    vermeer van haarlem, jan

    https://www.mauritshuis.nl/en/artists/vermeer-van-haarlem-jan-en/

    pauwels van hillegaert (workshop of)

    https://www.mauritshuis.nl/en/artists/pauwels-van-hillegaert-workshop-of-en/

    pieter jansz. quast

    https://www.mauritshuis.nl/en/artists/pieter-jansz-quast-en/

    The Hague

    : https://en.wikipedia.org/wiki/The_H

    Where to read more

    Find this online

    QR code linking to the download page for Nemo Loquebatur

    wikioo.org/en/art/download/cornelis-troost-nemo-loquebatur-D3TLNU-en/

    Cite this artwork

    MLA
    Troost, Cornelis. Nemo Loquebatur. 1740, Mauritshuis. https://wikioo.org/en/art/cornelis-troost-nemo-loquebatur-D3TLNU-en/
    APA
    Troost, Cornelis (1740). Nemo Loquebatur [Painting]. Mauritshuis. https://wikioo.org/en/art/cornelis-troost-nemo-loquebatur-D3TLNU-en/
    Chicago
    Cornelis Troost. Nemo Loquebatur. 1740. Mauritshuis. https://wikioo.org/en/art/cornelis-troost-nemo-loquebatur-D3TLNU-en/
    Harvard
    Troost, Cornelis (1740) Nemo Loquebatur. Mauritshuis. Available at: https://wikioo.org/en/art/cornelis-troost-nemo-loquebatur-D3TLNU-en/

    Look closely

    Nemo Loquebatur — Cornelis Troost

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: social gathering, genre scene, dutch interior. Do you agree? What would you add, or take away?
    4. Look back at Singing Round the Star on Twelfth Night, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Rococo: Light, playful, pastel-coloured pictures of leisure, made for private rooms rather than public halls. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Nemo Loquebatur — Cornelis Troost

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary medium used by Cornelis Troost for 'Nemo Loquebatur'?

      • A Oil paint
      • B Gouache and pastel
      • C Fresco
    2. 2. What general genre does this artwork belong to, depicting social interaction?

      • A History painting
      • B Portraiture
      • C Genre scene
    3. 3. The series of which 'Nemo Loquebatur' is a part, what theme does it explore?

      • A A formal portrait session
      • B A group socializing that becomes rowdy
      • C A depiction of classical mythology
    4. 4. In what century was this artwork created, placing it within the Rococo period?

      • A 16th Century
      • B 18th Century
      • C 19th Century
    5. 5. What element in the photo description suggests an atmosphere of warmth and elegance?

      • A The chandeliers
      • B The fancy clothes
      • C The fireplace with a mantle

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2B · 3A · 4A · 5B