Paper

Student Artwork Guide

Untitled

Name Class Date

David Hockney, Untitled. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
David Hockney wikioo.org/en/artists/david-hockney/
Artist’s dates
1937 –
Movement
Pop Art Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall.
Period
Modern
Artistic style
Observational, Vibrant
Influences
British Art, Pop Art
Notable elements
Nine swimmers
Subject or theme
Ocean Swimming Joy

In context

Untitled — David Hockney

When might this have been painted?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/david-hockney-untitled-AE3MH3-en/

Colours

Measured from the image

    Main colour

    Steel Blue #6ba8b8

    Catalogued palette

    • #6BA8B8
    • #0D91B9
    • #C9D7DC
    • #215478

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Steel Blue
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by David Hockney over the last twelve months — 36 countries in all. Where these figures come from

    The ten leading countries

    1. 1 France 20.8%9,400 visits
    2. 2 Belgium 13.5%6,100 visits
    3. 3 China 9.9%4,500 visits
    4. 4 United Kingdom 6.6%3,000 visits
    5. 5 Poland 6.2%2,800 visits
    6. 6 Czechia 5.7%2,600 visits
    7. 7 United States of America 5.5%2,500 visits
    8. 8 Italy 4.4%2,000 visits
    9. 9 Germany 3.8%1,700 visits
    10. 10 Greece 3.8%1,700 visits
    11. · 26 other countries 19.8%9,000 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by David Hockney

    1. 1 A bigger splash, 1967 12.3%10,500 visits
    2. 2 Garrowby hill 8.0%6,800 visits
    3. 3 Portrait of an artist pool with two figures, 1971 8.0%6,800 visits
    4. 4 Pool 2 figures 7.7%6,600 visits
    5. 5 Peter Getting out of Nick's Pool 3.9%3,300 visits
    6. 6 American Collectors (Fred and Marcia Weisman), 1968 3.9%3,300 visits
    7. 7 Late spring tunnel 3.9%3,300 visits
    8. 8 The Road to York through Sledmere 3.6%3,100 visits
    9. 9 Path through wheat field 3.5%3,000 visits
    10. 10 The Arrival of Spring in Woldgate 3.2%2,700 visits
    11. 11 Place furstenberg, paris 2.7%2,300 visits
    12. 12 Bigger Trees Near Warter Or Peinture Sur Le Motif Pour Le Nouvel Age Post-Photographique 2.6%2,200 visits
    13. 13 Three Trees near Thixendale 2.2%1,900 visits
    14. 14 A bigger grand canyon, 1998 2.1%1,800 visits
    15. 15 The Arrival of Spring in Woldgate, East Yorkshire May 4 2.1%1,800 visits
    16. 16 Nichols canyon 2.0%1,700 visits
    17. 17 My parents 1.9%1,600 visits
    18. 18 We two boys together clinging 1.9%1,600 visits
    19. 19 Clark percy 1.5%1,300 visits
    20. 41 Untitled this painting 0.4%300 visits

    Together these works take 77.4% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 120 works by this artist, of which 81 were looked at at least once. This painting ranks 41 of them, with 0.4% of that attention (300 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Untitled — David Hockney

    David Hockney’s “Untitled”: A Celebration of Oceanic Joy

    This captivating collage, assembled from photographs by David Hockney, isn't merely a collection of images; it’s an immersive experience of the sea and the profound joy derived from its embrace. Hockney, a pivotal figure in British Pop Art and a master of capturing light and atmosphere, presents us with nine distinct perspectives on ocean swimming – a subject he revisited throughout his prolific career. The arrangement itself is deliberately dynamic, utilizing varying image sizes to draw the viewer’s eye across the composition, mirroring the unpredictable movement of waves and the shifting angles of sunlight on water.

    The Hockney Vision: Observation and Color

    Born in 1937 in Bradford, England, David Hockney's artistic journey was shaped by a keen observational sensibility nurtured from an early age. His work, particularly during his time in Los Angeles, demonstrates a fascination with the effects of light on form – a characteristic vividly present here. Hockney’s technique relies heavily on direct observation and a bold use of color. The photographs within this collage likely capture moments when Hockney was experimenting with acrylic paints, achieving those signature vibrant hues that define his iconic pool paintings. Notice how he doesn't attempt to recreate the scene photographically; instead, he uses the images as building blocks for an entirely new visual narrative, emphasizing emotion and movement over strict realism.

    A Reflection of Leisure and Modernity

    The subject matter itself – ocean swimming – is deeply resonant with mid-20th century culture. Following World War II, leisure time became increasingly valued, and the seaside offered a vital escape for many Britons. Hockney’s work reflects this shift, capturing not just the physical act of swimming but also the sense of freedom, relaxation, and connection with nature that it represents. The photographs likely date from the 1960s or 70s, a period of significant social change and burgeoning consumerism in Britain, where opportunities for recreation were expanding.

    Symbolic Resonance & Emotional Impact

    Beyond its aesthetic qualities, this “Untitled” piece speaks to deeper human desires. The act of swimming is often associated with purification, renewal, and a return to primal instincts. The figures within the photographs – immersed in the cool embrace of the ocean – embody a sense of liberation from everyday concerns. Hockney’s masterful use of color and composition amplifies this emotional impact, inviting us to share in their joy and experience the restorative power of the sea. This reproduction offers a window into Hockney's artistic vision—a celebration of light, movement, and the simple pleasures of life.

    Artist and museum

    Artist

    David Hockney

    Born in Bradford, United Kingdom

    A Life Painted in Light: The World of David Hockney

    David Hockney, born July 9, 1937, in the industrial heartland of Yorkshire, England, is more than simply a painter; he’s a visual polymath whose career has spanned painting, drawing, printmaking, stage design, and photography. His story begins amidst the grit and determination of Bradford, a landscape that instilled within him a keen observational eye, even as his father, Kenneth Hockney, fostered a spirit of independent thought through conscientious objection during World War II. This early environment shaped a young artist who would consistently challenge conventions and forge his own path. Formal education at Wellington Primary School and Bradford Grammar School laid the foundation for a career that would redefine British art in the 20th and 21st centuries, culminating in studies at Bradford College of Art and later, the prestigious Royal College of Art in London. It was during these formative years that Hockney began to articulate a unique artistic voice, one that blended Pop sensibilities with a distinctly British perspective.

    The Rise of a Pop Icon and Beyond

    The 1960s witnessed Hockney’s ascent as a pivotal figure within the burgeoning Pop Art movement. However, unlike some contemporaries who wholeheartedly embraced American commercial culture, Hockney brought a uniquely British sensibility to the genre. His work exploded with vibrant color and bold lines, depicting scenes that were both familiar and subtly subversive. A Bigger Splash (1966), perhaps his most iconic early piece, encapsulates this perfectly – a seemingly simple depiction of a swimming pool becomes a meditation on Californian leisure, artifice, and the very act of seeing. This wasn’t merely representation; it was an exploration of how we perceive reality. His double portraits, like American Collectors (Fred and Marcia Weisman), demonstrate his remarkable ability to capture not just likeness but also the essence of personality and relationship. Hockney didn't shy away from personal themes either, notably exploring gay love with openness and vulnerability in works such as We Two Boys Together Clinging (1961), challenging societal norms at a time when homosexuality was largely taboo. This willingness to confront difficult subjects head-on cemented his position as a groundbreaking artist.

    Experimentation, Innovation, and the Rescue of Painting

    Hockney’s artistic curiosity has never been confined to a single medium. Throughout his career, he's relentlessly experimented with new technologies and approaches. From his early embrace of lithography and etching to his later explorations of photography – particularly his use of Polaroid composites in the 1980s – Hockney consistently pushed the boundaries of what art could be. He famously declared painting wasn’t dead but needed “rescuing” from its own conventions, leading him to develop innovative techniques like perspective distortions and fragmented viewpoints. This desire to revitalize painting led to ambitious projects such as Pearblossom Hwy., 11–18th April 1986, a complex photomontage that challenged traditional notions of space and representation. His stage designs for opera, including sets for Mozart's The Magic Flute and Stravinsky's The Rake’s Progress, further demonstrate his versatility and ability to translate his visual language into a different artistic realm. More recently, he has embraced the digital medium, creating stunning landscapes on iPads that showcase his continued fascination with light, color, and perspective – proving that innovation knows no bounds.

    Recognition, Legacy, and Enduring Influence

    David Hockney’s contributions to the art world have been widely recognized throughout his illustrious career. He was appointed Order of the Companion of Honour (CH) in 2018, a testament to his profound impact on British culture. Prior to that, he was elected a Fellow of the Royal Society (FRS) in 2003 and received the Laureate of the Praemium Imperiale for Painting in 2000. His works are held in major museum collections worldwide, and can be readily accessed through online platforms, ensuring his art continues to inspire new generations. Hockney’s influence extends beyond the visual arts; he has become a cultural icon, celebrated for his wit, intelligence, and unwavering commitment to artistic exploration. His work is not merely about what he depicts but how he depicts it – a constant questioning of perception and representation that continues to resonate with audiences today. He remains an active force in the art world, continually challenging expectations and inspiring artists across disciplines.

    Further Explorations

    Place Furstenberg, Paris: A captivating example of Hockney’s interior scenes, showcasing his mastery of color and composition.

    Oona Zlamany: A poignant portrait that blends realism with Pop Art influences, revealing the sitter's contemplative nature.

    Lawn Sprinkled: A vibrant depiction of suburban life, characterized by geometric forms and a playful use of color.

    Discover more about fellow British Pop artist Pauline Boty.

    Explore the works of Frank Lisle, a painter who influenced Hockney’s early development.

    Where to read more

    Find this online

    QR code linking to the download page for Untitled

    wikioo.org/en/art/download/david-hockney-untitled-AE3MH3-en/

    Cite this artwork

    MLA
    Hockney, David. Untitled. n.d., https://wikioo.org/en/art/david-hockney-untitled-AE3MH3-en/
    APA
    Hockney, David (n.d.). Untitled [Painting]. https://wikioo.org/en/art/david-hockney-untitled-AE3MH3-en/
    Chicago
    David Hockney. Untitled. n.d. https://wikioo.org/en/art/david-hockney-untitled-AE3MH3-en/
    Harvard
    Hockney, David (n.d.) Untitled. Available at: https://wikioo.org/en/art/david-hockney-untitled-AE3MH3-en/

    Look closely

    Untitled — David Hockney

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: ocean swimming, david hockney, collage artwork. Do you agree? What would you add, or take away?
    4. Look back at Pool 2 figures, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Pop Art: Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What is the dominant hue of "Untitled" by David Hockney?

    "Untitled" leans toward a green to violet spectrum tone.

    Where can I see a preview of "Untitled"?

    A preview of "Untitled" by David Hockney is available on the artwork's Preview page.

    What color leads the composition of "Untitled" by David Hockney?

    The dominant color of "Untitled" by David Hockney is steel blue (#6ba8b8).