Paper

Student Artwork Guide

Anxiety

Name Class Date

David Levine, Anxiety (1963). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
David Levine wikioo.org/en/artists/david-levine/
Artist’s dates
1926 – 2009
Painted
1963
Original size
35 x 24 cm
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.

In context

Anxiety — David Levine

How big is it?

The original measures 35 × 24 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000

Row above: the year. Row below: the artist's age in that year.

Painted when the artist was 37. The artist lived to 83. 2 of the 9 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of David Levine (1926–2009) ▲ this work, 1963

First works: up to 1963 Main working years: 1963–1967 Late works: from 1967

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell.

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/david-levine-anxiety-AS7TBD-en/

Colours

Measured from the image

    Main colour

    Espresso #352f21

    Catalogued palette

    • #352F21
    • #675A39
    • #AD8C53
    • #49412B
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by David Levine over the last twelve months — 1 countries in all.

    The ten leading countries

    1. 1 Ukraine 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by David Levine

    1. 1 Anxiety, 1963 this painting 66.7%
    2. 2 Like an Open Book, 1978 33.3%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 11 works by this artist, of which 2 were looked at at least once. This painting ranks 1 of them, with 66.7% of that attention.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    David Levine

    Born in Brooklyn, United States of America

    A Life Etched in Line: The Art of David Levine

    David Levine, born in Brooklyn in 1926 and passing away in 2009, was more than just a caricaturist; he was a visual chronicler of the American cultural and political landscape for over half a century. His legacy isn’t simply about exaggerated features or satirical wit—though those were certainly hallmarks of his style—but rather an insightful ability to capture the essence of his subjects with remarkable precision and often, poignant empathy. Growing up in a household steeped in both artistic encouragement and social consciousness – his father ran a clothing factory while his mother was a politically active nurse – Levine’s early life laid the foundation for a career that would blend keen observation with a deep understanding of human nature. Even as a child, his talent was evident, leading to an audition at Disney's animation studio at the astonishing age of nine. This early exposure to visual storytelling undoubtedly shaped his artistic sensibilities, though his path ultimately diverged towards a more personal and politically charged form of expression. His formal education included studies at Pratt Institute, Temple University’s Tyler School of Art, and with Hans Hofmann, each experience contributing to his evolving technique and understanding of art history. A brief interruption for military service after World War II only seemed to solidify his commitment to observing and interpreting the world around him.

    From Watercolors to Wit: The Evolution of a Style

    Levine’s artistic journey began with painting, initially aiming for a full-time career as an oil painter. However, financial realities led him to supplement his income through illustration work, including assignments for publications like Gasoline Retailer. A devastating fire in 1968 tragically destroyed many of these early paintings, but it also inadvertently steered him towards the medium he would become most celebrated for: watercolor. His earlier watercolors often depicted scenes of everyday life – garment workers and the vibrant energy of Coney Island – revealing a deep sympathy for ordinary people and a talent for capturing fleeting moments. It was his foray into political illustration at Esquire that truly began to hone his distinctive style, but it was his long-standing relationship with The New York Review of Books, beginning in 1963, that cemented his reputation as a master caricaturist. Over the course of four decades, he created over 3,800 drawings for the publication, each one a testament to his meticulous process and insightful understanding of his subjects. Unlike political cartoonists who often rely on immediate reactions or broad generalizations, Levine took the time to thoroughly research his subjects, reviewing drafts and photographs before committing pen to paper. This dedication allowed him to move beyond mere physical resemblance and capture something deeper – a psychological truth that resonated with viewers. His technique, characterized by expressive lines and masterful use of cross-hatching to create light, shadow, and texture, became instantly recognizable.

    Influences and Artistic Kinship

    Levine’s artistic lineage is rich and diverse, drawing inspiration from both European and American masters. He admired the delicate brushwork and atmospheric effects of artists like Vuillard, Prendergast, Bonnard, and Corot, while also appreciating the realism and psychological depth of Eakins and Degas. The biting satire of Goya clearly resonated with his own inclination towards social commentary. Studying with Hans Hofmann further refined his understanding of form and color, providing a solid foundation for his artistic explorations. He also co-founded the Painting Group in 1958 alongside Aaron Shikler, creating a unique salon where artists could gather to paint from life models for fifty years – a testament to his belief in the importance of direct observation and collaborative learning. This dedication to traditional skills, combined with his modern sensibility and political awareness, allowed him to forge a truly original artistic voice.

    Recognition and Lasting Legacy

    Throughout his career, David Levine received numerous accolades for his contributions to art and illustration, including the Louis Comfort Tiffany Foundation Award, a Guggenheim Fellowship, and the Gold Medal of the American Academy and Institute of Arts and Letters. He was elected into the National Academy of Design, first as an Associate member in 1967 and later as a full Academician in 1971. His work is represented in major museum collections such as the Metropolitan Museum of Art, the Brooklyn Museum, and the Hirshhorn Museum, solidifying his place within the canon of American art. In 2008, he published American Presidents, a collection of his drawings of U.S. presidents, offering a unique visual history of leadership through his discerning eye. However, perhaps the most enduring testament to his influence is the widespread recognition of his skill and insight. As Jules Feiffer aptly stated, Levine was “the greatest caricaturist of the last half of the 20th century.” His work revitalized caricature as a journalistic tool, offering social commentary with wit and intelligence. He left behind a vast body of artwork that continues to document key cultural and political moments in American history, reminding us of the power of art to both reflect and shape our understanding of the world. His ability to reveal both the humor and humanity of his subjects ensures that David Levine’s legacy will endure for generations to come.

    A Final Brushstroke: Facing Vision Loss

    In his later years, Levine faced a new challenge – macular degeneration, which gradually impaired his vision. Despite this adversity, he continued to paint and draw, adapting his technique and relying on memory and intuition. This period of artistic struggle was documented in a Vanity Fair article and a C-SPAN interview, offering a poignant glimpse into the resilience of an artist facing loss. While his later work differed from his earlier precision, it retained its emotional depth and expressive power. His story serves as an inspiration to artists everywhere, demonstrating that creativity can flourish even in the face of physical limitations. David Levine’s life was a testament to the enduring power of observation, the importance of social commentary, and the transformative potential of art.

    Where to read more

    Find this online

    QR code linking to the download page for Anxiety

    wikioo.org/en/art/download/david-levine-anxiety-AS7TBD-en/

    Cite this artwork

    MLA
    Levine, David. Anxiety. 1963, https://wikioo.org/en/art/david-levine-anxiety-AS7TBD-en/
    APA
    Levine, David (1963). Anxiety [Painting]. https://wikioo.org/en/art/david-levine-anxiety-AS7TBD-en/
    Chicago
    David Levine. Anxiety. 1963. https://wikioo.org/en/art/david-levine-anxiety-AS7TBD-en/
    Harvard
    Levine, David (1963) Anxiety. Available at: https://wikioo.org/en/art/david-levine-anxiety-AS7TBD-en/

    Look closely

    Anxiety — David Levine

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: portrait, sadness, introspection. Do you agree? What would you add, or take away?
    5. Look back at Pier Fire (1967), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Can I preview "Anxiety" by David Levine before ordering?

    The Preview page of "Anxiety" lets you preview the artwork before ordering.

    What stage of David Levine's development does "Anxiety" represent?

    "Anxiety" represents the Mature Period of David Levine.

    What luminance does "Anxiety" by David Levine have?

    "Anxiety" by David Levine has a dark luminance. Luminance describes how much light the colors appear to reflect.

    In what year was "Anxiety" by David Levine created?

    "Anxiety" dates from 1963. The date places the work within David Levine's career and its era.

    How do the colors of "Anxiety" relate to each other?

    "Anxiety" by David Levine displays a unified palette color harmony.

    At what age did David Levine make "Anxiety"?

    David Levine made "Anxiety" at the age of 37. The artist was born in 1926 and the work is dated 1963.

    Who is the artist behind "Anxiety"?

    "Anxiety" was created by David Levine. The information on this page describes David Levine's original work.