Paper

Student Artwork Guide

Casting Ingots

Name Class Date

David Plowden, Casting Ingots (1979), Grohmann Museum. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
David Plowden wikioo.org/en/artists/david-plowden/
Artist’s dates
1932 – ?
Painted
1979
Held at
Grohmann Museum wikioo.org/en/museums/grohmann-museum-milwaukee/

In context

Casting Ingots — David Plowden

When was this painted?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990

Row above: the year. Row below: the artist's age in that year.

Painted when the artist was 47. 2 of the 19 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of David Plowden (1932–?) ▲ this work, 1979

First works: up to 1979 Main working years: 1979–1985 Late works: from 1985

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell.

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/david-plowden-casting-ingots-D4H9ZG-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #282828

    Catalogued palette

    • #282828
    • #848484
    • #BBBBBB
    • #535353
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by David Plowden over the last twelve months — 1 countries in all.

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 6 most looked-at works by David Plowden

    1. 1 Puddler in Blast Furnace Cast House, Indiana Harbor Works, 1982 20.0%
    2. 2 Presque Isle Scrap Yard, ‘The Frog Pond’, 1985 20.0%
    3. 3 Norfolk & Western Railyard, 1974 20.0%
    4. 4 Men cleaning cargo hold on steamer ‘Crispin Oglebay’, 1989 20.0%
    5. 5 Tapping Open Hearth Furnace, 1979 20.0%
    6. Casting Ingots, 1979 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 19 works by this artist, of which 5 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    David Plowden

    Born in N/A, United States of America

    David Plowden: A Chronicle of Vanishing America

    David Plowden, born in Boston in 1932 and still actively creating today, is more than just a photographer; he’s a chronicler of a disappearing America. His work, spanning nearly seven decades, meticulously documents the fading grandeur of industrial landscapes, steam trains, small towns, and the agricultural heartland – scenes that increasingly exist as relics of a bygone era. Plowden's photographs aren’t simply images; they are powerful testaments to a nation undergoing profound transformation, capturing both the beauty and the melancholy of progress.

    Plowden’s early life instilled in him a deep appreciation for machinery and the rhythms of industry. Growing up primarily in New York City, he found solace and fascination in the world beyond – specifically, the vast expanse of rural America. This childhood curiosity led him to study economics at Yale College before pursuing photography seriously. A pivotal moment came with his apprenticeship under Minor White and Nathan Lyons in Rochester, New York, immersing himself in the principles of modernist photographic expression. These formative experiences shaped his approach: a deliberate focus on detail, stark contrasts, and an almost sculptural quality to his compositions.

    His career began modestly, working for publications like Time, Life, and Newsweek. However, it was his lifelong obsession with steam trains that truly defined his artistic trajectory. Recognizing the imminent demise of these magnificent machines – replaced by diesel and electric alternatives – Plowden embarked on a dedicated project to document them before they vanished entirely. This pursuit led him across vast distances, from the rolling hills of Pennsylvania to the industrial heartland of the Midwest. He wasn’t merely photographing trains; he was capturing an entire way of life inextricably linked to their operation.

    The Language of Industry

    Plowden's photographs are characterized by a remarkable ability to convey scale and texture. His images of steel mills, for instance – works like “Inland Steel” (1979) – aren’t romanticized depictions; they are brutally honest portrayals of industrial might. The sheer size of the structures, rendered in stark black and white, is almost overwhelming, emphasizing the human effort required to operate them. Geometric lines dominate these compositions, creating a sense of order amidst the chaos of production. He frequently used long exposures and careful manipulation of light to capture the textures of concrete, metal, and smoke – elements that contribute significantly to the photographs’ impact.

    Beyond industrial scenes, Plowden's work extends to documenting small towns and agricultural landscapes. “Men cleaning cargo hold on steamer ‘Crispin Oglebay’” (1968) offers a poignant glimpse into the daily lives of workers in a bustling port, showcasing their labor with a quiet dignity. Similarly, his images of grain elevators and farmhouses capture the essence of rural America – its simplicity, resilience, and connection to the land. He wasn’t interested in grand narratives; instead, he focused on the intimate details that revealed the character of these communities.

    A Guggenheim Fellowship and Critical Recognition

    Plowden's dedication to his craft was recognized with a prestigious Guggenheim Fellowship in 1968, a testament to the significance of his work. This award provided him with invaluable time and resources to pursue his projects, allowing him to travel extensively and develop his artistic vision. His photographs have been exhibited at major institutions worldwide, including the Art Institute of Chicago, the Smithsonian Institution, and the Library of Congress, solidifying his place as a leading figure in American documentary photography.

    The Beinecke Rare Book & Manuscript Library at Yale University holds the complete archive of Plowden’s work, a remarkable collection that offers unparalleled insight into his creative process. This archive serves not only as a repository for his photographs but also as a valuable resource for scholars and researchers interested in understanding the history of American photography and the changing landscape of the nation.

    Themes of Loss and Remembrance

    Throughout his career, Plowden’s work has consistently explored themes of loss and remembrance. He documented industries that were rapidly disappearing – steam trains, steel mills, and small towns – recognizing their significance as symbols of a bygone era. His photographs aren't simply records of these vanishing scenes; they are elegies for a way of life that was being irrevocably altered by industrialization and urbanization. He understood that his images would serve as a visual record for future generations, reminding them of the beauty and importance of the landscapes he captured.

    Despite the melancholy undertones of some of his work, Plowden’s photographs are ultimately imbued with a sense of quiet dignity and respect. He approached his subjects with empathy and understanding, capturing their essence in a way that transcends mere documentation. David Plowden's legacy lies not only in his stunning images but also in his ability to evoke a profound emotional response – a recognition of the past and a contemplation of the future.

    Museum

    Grohmann Museum

    On show in Milwaukee, United States of America

    A Symphony of Toil: The Soul of the Grohmann Museum

    In the heart of Milwaukee, nestled within a structure that breathes with the industrial spirit of a bygone era, lies an institution that transcends the traditional boundaries of art appreciation. The

    Grohmann Museum

    at the Milwaukee School of Engineering is not merely a silent hall of relics; it is a profound, living meditation on the dignity of human endeavor. To step through its doors is to embark on a chronological journey through the very essence of civilization—the evolution of work. From the raw, muscular physicality of blacksmithing and horsepower to the intricate, technological precision of the modern age, the collection serves as a visual chronicle of how humanity has shaped the world through sweat, intellect, and innovation.

    The museum’s narrative is woven through an extraordinary tapestry of over 2,000 pieces that span from the 17th to the 21st centuries. For the discerning collector or art lover, the collection offers a rare opportunity to witness the metamorphosis of labor through diverse artistic lenses. One might find themselves captivated by the meticulous, almost tender observations of German Romanticism, particularly in the museum’s most prestigious treasure: the largest collection of works by

    Carl Spitzweg

    in the United States. His canvases, imbued with emotional depth and precise detail, offer poignant glimpses into rural life, finding a quiet nobility in the everyday struggles of the common man. This romantic sensibility is beautifully juxtaposed against the dynamic energy of American masters like

    Norman Rockwell

    and

    Frederic Remington

    , whose works capture the rugged spirit of frontier life and the evolving American identity.

    Architectural Harmony and Artistic Grandeur

    The architectural setting of the museum is as much a part of the experience as the canvases themselves. Housed in a meticulously renovated 1924 auto dealership building, the space pays homage to its industrial heritage while providing a luminous sanctuary for contemplation. The design fosters a seamless connection between the subject matter and the environment; the expansive interior and abundant natural light allow the textures of oil on canvas and the weight of sculpture to resonate deeply with the viewer.

    This architectural harmony is further elevated by the breathtaking contributions of contemporary artist

    Hans Dieter Tylle

    , whose monumental ceiling painting and floor mosaic in the entry hall envelop visitors in a grand, artistic embrace even before they encounter the permanent collection. The museum's ability to celebrate the blacksmith, the chemist, the cobbler, and the factory worker with equal reverence elevates the concept of "work" to a high art form. For interior designers seeking inspiration or historians tracing the lineage of industry, the Grohmann Museum provides an unparalleled resource of imagery that speaks to resilience, craftsmanship, and progress.

    Where to read more

    Find this online

    QR code linking to the download page for Casting Ingots

    wikioo.org/en/art/download/david-plowden-casting-ingots-D4H9ZG-en/

    Cite this artwork

    MLA
    Plowden, David. Casting Ingots. 1979, Grohmann Museum. https://wikioo.org/en/art/david-plowden-casting-ingots-D4H9ZG-en/
    APA
    Plowden, David (1979). Casting Ingots [Painting]. Grohmann Museum. https://wikioo.org/en/art/david-plowden-casting-ingots-D4H9ZG-en/
    Chicago
    David Plowden. Casting Ingots. 1979. Grohmann Museum. https://wikioo.org/en/art/david-plowden-casting-ingots-D4H9ZG-en/
    Harvard
    Plowden, David (1979) Casting Ingots. Grohmann Museum. Available at: https://wikioo.org/en/art/david-plowden-casting-ingots-D4H9ZG-en/

    Look closely

    Casting Ingots — David Plowden

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at Puddler in Blast Furnace Cast House, Indiana Harbor Works (1982), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. David Plowden was about 47 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Can I order an oil reproduction of "Casting Ingots"?

    Hand-painted copies of "Casting Ingots" by David Plowden are sold on this website: a hand-painted oil reproduction on linen canvas, ordered from this page.

    Can I see an X-ray view of "Casting Ingots" by David Plowden?

    "Casting Ingots" can be examined layer by layer on the artwork's X-Ray page, a viewer inspired by a conservator's light bench with eleven optical readings of the image.

    What was David Plowden's age when "Casting Ingots" was created?

    David Plowden made "Casting Ingots" at the age of 47. The artist was born in 1932 and the work is dated 1979.

    When was "Casting Ingots" made?

    "Casting Ingots" dates from 1979. The date places the work within David Plowden's career and its era.

    Are the colors of "Casting Ingots" by David Plowden saturated or muted?

    "Casting Ingots" by David Plowden is recorded with a muted saturation.

    Who made "Casting Ingots", and when?

    The author of "Casting Ingots" is David Plowden, and the work is dated 1979.

    Who created "Casting Ingots"?

    "Casting Ingots" is attributed to David Plowden.