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Student Artwork Guide

Vittore Grubicy

Name Class Date

Giovanni Segantini, Vittore Grubicy (1887). Public domain.

The facts

Artist
Giovanni Segantini wikioo.org/en/artists/giovanni-segantini/
Artist’s dates
1858 – 1899
Painted
1887
Movement
Symbolism Pictures where objects stand for ideas — a flower or a door meaning something beyond itself.

In context

Vittore Grubicy — Giovanni Segantini

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890

Shaded: the lifetime of Giovanni Segantini (1858–1899) ▲ this work, 1887

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/giovanni-segantini-vittore-grubicy-8YE845-en/

Colours

Measured from the image

    Main colour

    Driftwood #a78a5e

    Catalogued palette

    • #A78A5E
    • #D9BB81
    • #7B6445
    • #483F30
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Giovanni Segantini

    Born in Graz, Austria

    Giovanni Segantini: A Life Dedicated to the Alps

    Born: January 15, 1858, Arco, Trentino (then Austria-Hungary)

    Died: August 10, 1899, Schiavi di Abbemaggiore, near Sondrio, Italy

    Giovanni Segantini was an Italian painter renowned for his large-scale pastoral landscapes of the Alps. His life story is one marked by hardship and eventual artistic triumph, culminating in a unique style that blended Divisionism with Symbolist imagery.

    Early Life and Struggles

    Difficult Beginnings: Segantini's early years were characterized by poverty. His father was a traveling tradesman, leaving his mother to raise him largely alone.

    Orphanhood and Reformatory: Following his mother’s death, he ran away from home and ended up in a Milanese reformatory. It was here that a chaplain recognized his artistic talent and encouraged its development.

    Self-Education: Despite limited formal education, Segantini taught himself to read and write later in life, demonstrating remarkable determination.

    Early Career: He initially worked as a photographer's assistant before pursuing painting seriously.

    Artistic Development and Influences

    Training at the Brera Academy: Segantini attended classes at the prestigious Brera Academy in Milan, where he encountered influential figures of the Scapigliatura movement. This group championed a rejection of artistic conventions and an embrace of life's raw realities.

    Key Influences: His work was significantly influenced by Anton Mauve and Jean-François Millet, introduced to him through Vittorio Grubicy de Dragon, who became his advisor and dealer. These artists emphasized realism and depictions of rural life.

    Divisionism: Segantini adopted a Divisionist painting approach, which involved applying small dots or strokes of pure color side by side on the canvas. This technique aimed to create optical mixing in the viewer's eye, producing vibrant and luminous effects.

    Symbolism: Alongside Divisionism, Segantini incorporated Symbolist elements into his work, imbuing his landscapes with deeper meanings and allegorical representations of life, death, and spirituality.

    Major Works and Themes

    Early Success: His painting "The Chancel of Sant'Antonio" gained recognition for its powerful quality and was acquired by Milan’s Società per le Belle Arti.

    Alpine Landscapes: Segantini is best known for his depictions of the Alps, capturing their grandeur and serenity. He sought to portray not just the physical beauty but also the spiritual essence of these landscapes.

    Notable Paintings: Some of his most celebrated works include:

    The Two Mothers (Le due Madri) - A poignant depiction of motherhood and rural life.

    Life (La Vita) – Captures the essence of Alpine beauty and human connection.

    Donna alla fonte (also known as Alpenlandschaft mit Frau am Brunnen) – A serene scene of a woman by a fountain in the Alps.

    Ragazza che fa la calza - A beautiful Symbolist painting featuring a woman and sheep.

    Il castigo delle lussuriose – A haunting depiction exploring themes of morality and nature.

    Later Years: He spent his final years in Switzerland, where he created some of his most significant works, including "Capriolo morto" (Dead Roe Deer), a deeply moving portrayal of mortality.

    Legacy and Historical Significance

    Unique Artistic Style: Segantini’s fusion of Divisionism and Symbolism resulted in a distinctive style that set him apart from his contemporaries.

    Capturing the Spirit of the Alps: He is remembered as one of the most important painters of Alpine landscapes, successfully conveying their beauty and spiritual significance.

    Influence on Later Artists: His innovative use of color and light influenced subsequent generations of artists.

    Continued Appreciation: Today, Segantini’s works are exhibited in major museums worldwide, and his legacy as a master painter continues to inspire art lovers.

    Where to read more

    Find this online

    QR code linking to the download page for Vittore Grubicy

    wikioo.org/en/art/download/giovanni-segantini-vittore-grubicy-8YE845-en/

    Cite this artwork

    MLA
    Segantini, Giovanni. Vittore Grubicy. 1887, https://wikioo.org/en/art/giovanni-segantini-vittore-grubicy-8YE845-en/
    APA
    Segantini, Giovanni (1887). Vittore Grubicy [Painting]. https://wikioo.org/en/art/giovanni-segantini-vittore-grubicy-8YE845-en/
    Chicago
    Giovanni Segantini. Vittore Grubicy. 1887. https://wikioo.org/en/art/giovanni-segantini-vittore-grubicy-8YE845-en/
    Harvard
    Segantini, Giovanni (1887) Vittore Grubicy. Available at: https://wikioo.org/en/art/giovanni-segantini-vittore-grubicy-8YE845-en/

    Look closely

    Vittore Grubicy — Giovanni Segantini

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at The Angel of Life (1895), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Symbolism: Pictures where objects stand for ideas — a flower or a door meaning something beyond itself. Where can you see that in this work?
    5. Giovanni Segantini was about 29 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.