Paper

Student Artwork Guide

Ballet Scene from Robert la Diable (detail)

Name Class Date

Edgar Degas, Ballet Scene from Robert la Diable (detail) (1872). Public domain.

The facts

Artist
Edgar Degas wikioo.org/en/artists/edgar-degas/
Artist’s dates
1834 – 1917
Painted
1872
Medium
Oil On Panel
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Period
19th Century
Artistic style
Realist
Influences
Jean-Auguste-Dominique Ingres
Notable elements or techniques
Detailed observation; Precise rendering of light and shadow.
Subject or theme
Ballet performance; Parisian society

In context

Ballet Scene from Robert la Diable (detail) — Edgar Degas

When was this painted?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900
  9. 1910

Shaded: the lifetime of Edgar Degas (1834–1917) ▲ this work, 1872

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/hilaire-germain-edgar-degas-ballet-scene-from-robert-la-diable-detail-8XXTFZ-en/

Colours

Measured from the image

    Main colour

    Espresso #362b1e

    Catalogued palette

    • #362B1E
    • #1C140F
    • #9B884C
    • #6C5B33
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Ballet Scene from Robert la Diable (detail) — Edgar Degas

    A Glimpse into Parisian Grandeur

    In the heart of 1872 Paris, amidst the flickering gaslights and the velvet shadows of the opera house, Edgar Degas captured a moment that transcends the boundaries of mere performance. Ballet Scene from Robert la Diable (detail) is not simply a painting of dancers; it is a window into the soul of an era defined by spectacle and dramatic fervor. Inspired by the monumental success of Giacomo Meyerbeer's opera, Robert le Diable, Degas directs our gaze toward a pivotal moment where the boundary between the stage and reality begins to blur. This particular detail invites us into the intimate, unscripted corners of the ballet world, offering a glimpse of the grit and grace that existed far beneath the glittering surface of the Parisian stage.

    The composition is a masterclass in capturing the fleeting essence of movement. Degas, a self-proclaimed realist who often resisted the "Impressionist" label, utilizes a perspective that feels almost voyeuristic, as if the viewer has stumbled upon a private moment during a rehearsal. The scene is alive with a rhythmic pulse; one can almost hear the soft scuff of pointe shoes and the husled whispers of the crowd. By focusing on the subtle gestures—a dancer's posture, the tilt of a head, or the way light catches a fabric—Degas achieves a sense of life caught in the act of unfolding, making this piece an extraordinary choice for those who appreciate art that breathes with vitality.

    Technique and the Art of Observation

    Degas’s technical prowess is on full display through his meticulous application of oil paint. He achieved remarkable textural depth and luminosity by building up layers of pigment, often applying thin, translucent glazes over thicker underpaintings to capture the subtle nuances of light and shadow. This technique is particularly evident in the way he renders the play of light across the figures, creating a sense of atmosphere that feels both heavy with history and light with motion. His ability to balance the structured discipline of his classical training with the spontaneous energy of modern life allows the painting to possess a unique, sculptural quality.

    What truly sets this work apart is Degas’s commitment to unflinching honesty. Rather than presenting an idealized, porcelain version of ballet, he includes the raw, human elements of the profession. The inclusion of backstage details—the presence of spectators, the weary postures of performers, and the mundane reality of the setting—adds layers of realism that invite deep contemplation. For the collector or interior designer, this provides a sophisticated narrative element; it is a piece that offers more than just aesthetic beauty, providing a conversation starter about the complexities of artistic creation and the labor behind the elegance.

    Symbolism and Emotional Resonance

    Beyond its technical brilliance, this detail from Robert la Diable resonates with profound symbolic meaning. The ballet dancers embody the dual nature of the era: the aspiration toward ethereal grace and the rigorous, often exhausting discipline required to achieve it. Degas captures the tension between the public spectacle of the opera and the private reality of the performer. There is a poignant beauty in the way he portrays these figures—simultaneously powerful in their skill and vulnerable in their humanity.

    For those seeking to infuse a space with inspiration, this artwork offers an emotional depth that is rare. It evokes a sense of nostalgia for a lost Parisian era while remaining strikingly modern in its psychological insight. Whether placed in a grand gallery or a curated residential setting, the painting serves as a powerful reminder of the beauty found in movement, the strength found in discipline, and the enduring magic of the performing arts.

    Artist and museum

    Artist

    Edgar Degas

    Born in Paris, France

    A Life Immersed in Movement

    Born Hilaire-Germain-Edgar De Gas in Paris, 1834, Edgar Degas was an artist of fascinating contradictions. While often grouped with the Impressionists—Monet, Renoir, and others who revolutionized painting in the late 19th century—he actively resisted that label, identifying instead as a realist. This commitment stemmed from his meticulous observation of the world around him and a dedication to portraying it with unflinching honesty. Degas’s early life was comfortably bourgeois; his father was a banker, and his mother hailed from a Creole family in New Orleans. This background afforded him access to education and artistic training, though he often chafed against academic constraints. He initially enrolled at the Lycée Louis-le-Grand, but his true education began when he started copying works in the Louvre, honing his skills and igniting a lifelong passion for classical art. However, Degas’s path wasn't one of strict adherence to tradition; it was marked by constant questioning and reevaluation of artistic norms. He possessed an independent spirit that would define his entire career.

    Beyond Impressionism: A Unique Artistic Vision

    While contemporaries like Monet chased the fleeting effects of light outdoors, Degas largely worked within the confines of his studio, meticulously constructing scenes from observation and memory. His subject matter was decidedly modern—a departure from the historical or mythological themes favored by many academic painters. He found inspiration in the everyday lives of Parisians: laundresses, cabaret singers, milliners, and, most famously, dancers. It is this fascination with ballet that defines much of his oeuvre. Degas didn’t simply paint beautiful ballerinas; he captured the grueling reality of their profession—the endless rehearsals, the physical strain, the fleeting moments of grace amidst a world of hard work. His compositions are often unconventional, cropping figures in unexpected ways and utilizing asymmetrical arrangements that create a sense of dynamism and immediacy. He was a master of capturing movement, not through blurred lines or hazy effects, but through precise observation and careful rendering of form. Dancer, A Group of Dancers, and Women Combing Their Hair are prime examples of this dedication to portraying the human figure in motion and revealing the complexities of modern life. He wasn’t interested in superficial beauty; he sought to reveal the truth beneath the surface.

    Influences and Artistic Development

    Degas’s artistic journey was shaped by a diverse range of influences. His early training emphasized classical principles, particularly the work of Jean-Auguste-Dominique Ingres, whose emphasis on draftsmanship and precise form left a lasting impression. However, Degas also admired the Realists, such as Gustave Courbet, who challenged academic conventions and championed the depiction of contemporary life. A pivotal moment in his development came through his association with Camille Pissarro, a leading Impressionist who introduced him to other artists and encouraged him to experiment with new techniques. He was captivated by Japanese prints—Ukiyo-e—which influenced his use of asymmetrical compositions, flattened perspectives, and bold patterns. He also embraced photography, recognizing its potential as a tool for studying movement and capturing fleeting moments in time. This willingness to incorporate diverse influences into his work is what sets Degas apart and contributes to the unique character of his art. He wasn’t afraid to borrow from different sources, synthesizing them into something entirely new.

    Legacy and Lasting Impact

    Edgar Degas died in Paris in 1917, leaving behind a body of work that continues to captivate and inspire audiences today. His innovative approach to composition, his masterful draftsmanship, and his unflinching portrayal of modern life have had a profound impact on the course of art history. He paved the way for future generations of artists who sought to break free from traditional conventions and explore new ways of representing the world around them. His influence can be seen in the work of Pablo Picasso and Henri Matisse, among others. Museums worldwide—including the Musée d'Orsay and the Musée de l’Orangerie in Paris—house significant collections of his paintings, pastels, sculptures, and prints, ensuring that his legacy will endure for generations to come. Degas wasn’t merely a painter of dancers or racehorses; he was a keen observer of human nature, a master of form and movement, and a true innovator who redefined the possibilities of art.

    A Master of Line: Degas's exceptional draftsmanship set him apart.

    Modern Life as Subject: He focused on contemporary Parisian scenes, breaking from tradition.

    Influence on Future Artists: His work profoundly impacted Picasso and Matisse.

    Where to read more

    Find this online

    QR code linking to the download page for Ballet Scene from Robert la Diable (detail)

    wikioo.org/en/art/download/hilaire-germain-edgar-degas-ballet-scene-from-robert-la-diable-detail-8XXTFZ-en/

    Cite this artwork

    MLA
    Degas, Edgar. Ballet Scene from Robert la Diable (detail). 1872, https://wikioo.org/en/art/hilaire-germain-edgar-degas-ballet-scene-from-robert-la-diable-detail-8XXTFZ-en/
    APA
    Degas, Edgar (1872). Ballet Scene from Robert la Diable (detail) [Painting]. https://wikioo.org/en/art/hilaire-germain-edgar-degas-ballet-scene-from-robert-la-diable-detail-8XXTFZ-en/
    Chicago
    Edgar Degas. Ballet Scene from Robert la Diable (detail). 1872. https://wikioo.org/en/art/hilaire-germain-edgar-degas-ballet-scene-from-robert-la-diable-detail-8XXTFZ-en/
    Harvard
    Degas, Edgar (1872) Ballet Scene from Robert la Diable (detail). Available at: https://wikioo.org/en/art/hilaire-germain-edgar-degas-ballet-scene-from-robert-la-diable-detail-8XXTFZ-en/

    Look closely

    Ballet Scene from Robert la Diable (detail) — Edgar Degas

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: ballet, dance, opera. Do you agree? What would you add, or take away?
    4. Look back at Dancers in Pink (1885), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Ballet Scene from Robert la Diable (detail) — Edgar Degas

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject matter of "Ballet Scene from Robert la Diable (detail)"?

      • A A. A grand opera performance featuring elaborate costumes.
      • B B. A portrait depicting a wealthy Parisian family.
      • C C. A depiction of ballet dancers rehearsing in a studio.
    2. 2. Which artistic movement is Edgar Degas most associated with?

      • A A. Surrealism
      • B B. Impressionism
      • C C. Cubism
    3. 3. In what year was "Ballet Scene from Robert la Diable (detail)" created?

      • A A. 1850
      • B B. 1872
      • C C. 1900
    4. 4. What was the significance of Jules Perrot's role in this ballet scene?

      • A A. He was a celebrated dancer who performed in the opera.
      • B B. He served as Degas’s model and captured his likeness accurately.
      • C C. He represented the aristocratic patronage that supported the arts.
    5. 5. What technique did Degas employ to convey movement and realism in "Ballet Scene from Robert la Diable (detail)"?

      • A A. Using a monochromatic palette.
      • B B. Applying thick impasto brushstrokes.
      • C C. Employing geometric shapes.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2B · 3B · 4B · 5B