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Student Artwork Guide

Cleopatra's Feast

Name Class Date

Jacob Jordaens, Cleopatra's Feast (1653), Hermitage Museum. Public domain.

The facts

Artist
Jacob Jordaens wikioo.org/en/artists/jacob-jordaens/
Artist’s dates
1593 – 1678
Painted
1653
Medium
Oil On Canvas
Original size
156 x 149 cm
Movement
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.
Held at
Hermitage Museum wikioo.org/en/museums/hermitage-museum-saint-petersburg/
Artistic style
Baroque
Influences
Rubens
Notable elements or techniques
Dramatic chiaroscuro; masterful brushwork
Subject or theme
Aristocratic portraiture

In context

Cleopatra's Feast — Jacob Jordaens

How big is it?

The original measures 156 × 149 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1590
  2. 1600
  3. 1610
  4. 1620
  5. 1630
  6. 1640
  7. 1650
  8. 1660
  9. 1670

Shaded: the lifetime of Jacob Jordaens (1593–1678) ▲ this work, 1653

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/jacob-jordaens-cleopatra-s-feast-8XZJ3M-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #1a151a

    Catalogued palette

    • #1A151A
    • #D7CDA8
    • #5B3E1C
    • #9A7D32
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Cleopatra's Feast — Jacob Jordaens

    Cleopatra’s Feast by Jacob Jordaens

    Jacob Jordaens, a Flemish Master of Life’s Abundance, stands as one of the most vibrant and influential figures within the Antwerp Baroque. Unlike many artists of his era who pursued formal training in Italy—a path favored by prestige and artistic advancement—Jordaens remained firmly rooted in Flanders, cultivating a uniquely robust and earthy style that celebrated not just grandeur but also the tangible realities of human experience. His father’s success as a linen merchant afforded him a privileged upbringing, allowing for an education commensurate with his social standing before he embarked on his artistic journey under Adam van Noort – another master whose influence would shape Jordaens' formative years. This grounding in meticulous technique and astute compositional understanding quickly propelled him beyond mere imitation, fostering the development of a distinctive vision that would define his oeuvre.

    The Painting’s Narrative Depth: Beyond Surface Ornamentation

    “Cleopatra’s Feast,” completed in 1653, transcends mere visual splendor; it's a masterful distillation of Baroque artistic principles and philosophical currents. Executed with oil paints on canvas—a technique championed by Rubens himself—the artwork embodies the Antwerp School’s commitment to realism blended seamlessly with theatrical grandeur. The scene depicts Cleopatra, Queen of Egypt, presiding over an opulent banquet attended by dignitaries and adorned with exotic animals – a motif prevalent in aristocratic portraiture during Jordaens' time, reflecting anxieties about mortality and the pursuit of earthly pleasures amidst divine judgment. This preoccupation with human drama is underscored by dramatic lighting—chiaroscuro—which sculpts figures and objects alike, creating an atmosphere of palpable tension and emotional intensity.

    Compositional Brilliance: The Pyramidal Embrace

    The painting’s composition adheres to a pyramidal structure, positioning Cleopatra at its apex – a deliberate device designed to convey authority and stability while simultaneously drawing the viewer's gaze upwards. Figures are arranged in layered planes, generating depth through overlapping forms and subtle variations in tonal value. This masterful orchestration of perspective isn’t merely decorative; it serves to heighten the sense of drama and reinforce the hierarchical relationships depicted within the tableau. The architectural backdrop—a richly ornamented interior—further contributes to this illusion of space, mirroring the grandeur of royal courts and symbolizing power and prestige.

    Symbolic Resonance: Jewels, Birds, and Dogs – Echoes of Nobility

    “Cleopatra’s Feast” is replete with symbolic elements that enrich its narrative significance. Cleopatra herself wears extravagant jewelry—gold necklaces and bracelets—representing wealth and status—a visual shorthand for the queen's dominion. The inclusion of parrots and dogs—animals associated with intelligence, loyalty, and exotic allure—underscores the banquet’s celebratory character and reinforces Cleopatra’s position as a ruler surrounded by symbols of magnificence. These carefully chosen details speak to broader themes of earthly ambition and divine contemplation, reflecting the Baroque fascination with reconciling faith and reason.

    A Legacy of Flemish Artistry: Influence and Enduring Appeal

    Jacob Jordaens' “Cleopatra’s Feast” stands as a testament to the Antwerp School’s artistic prowess—a celebration of vibrant color palettes, dynamic brushwork, and profound psychological insight. Its enduring appeal lies in its ability to capture not only the visual splendor of aristocratic life but also the underlying anxieties about mortality and the yearning for earthly fulfillment. Reproductions of this iconic artwork offer collectors and interior designers alike a captivating glimpse into the artistic spirit of Baroque Flanders—a timeless masterpiece that continues to inspire awe and admiration centuries later.

    Artist and museum

    Artist

    Jacob Jordaens

    Born in Antwerp, Belgium

    A Flemish Master of Life’s Abundance: Jacob Jordaens

    Born into a prosperous Antwerp family in 1593, Jacob Jordaens emerged as one of the most significant and vibrant voices within the Flemish Baroque. Unlike many of his contemporaries who sought training in Italy, Jordaens remained rooted in his native Flanders, developing a uniquely robust and earthy style that celebrated the pleasures and realities of everyday life. His father, a successful linen merchant, provided him with a comfortable upbringing, allowing for an education befitting his social standing before he began his artistic journey under Adam van Noort – also the master of Peter Paul Rubens. This formative training instilled in Jordaens a foundation in meticulous technique and a keen understanding of composition, yet he quickly diverged to forge his own distinct path. In 1616, solidifying his connection to the established Antwerp art world, he married Van Noort’s daughter, Katharina.

    The Painter of Peasant Revelry and Baroque Grandeur

    Jordaens' artistic output was remarkably diverse, encompassing religious narratives, mythological scenes, allegorical compositions, genre paintings brimming with life, and even portraits. However, he is perhaps best remembered for his boisterous depictions of peasant festivals and tavern scenes – works that radiate a palpable energy and an uninhibited joy in earthly pleasures. Paintings like *The King Drinks* (also known as the Feast of the Bean King) exemplify this characteristic style: crowded compositions filled with robust figures engaged in lively revelry, rendered in warm, glowing colors and dramatic chiaroscuro. These scenes weren’t merely celebrations of merriment; they were often imbued with subtle moralizing undertones, reflecting the complex relationship between indulgence and restraint prevalent in 17th-century society. Yet, Jordaens was equally adept at handling grander, more formal commissions. His involvement in decorating the Huis ten Bosch palace near The Hague – alongside collaborations with Rubens – showcased his ability to create monumental allegorical works that seamlessly integrated painting and architecture.

    Influences and a Distinct Artistic Voice

    While Jordaens never traveled to Italy, he was deeply influenced by Italian masters like Jacopo Bassano, Paolo Veronese, and Caravaggio—artists whose work reached Flanders through engravings and paintings brought back by other artists. The influence of Caravaggio is particularly evident in his dramatic use of light and shadow, a technique known as tenebrism, which heightens the emotional intensity of his scenes. However, Jordaens didn’t simply imitate these influences; he synthesized them with his own Flemish sensibilities, creating a style that was uniquely his own. He differed from Rubens and Van Dyck in his preference for realism over idealism, embracing a more direct and unrefined approach to depicting the human form. His figures are often substantial, even corpulent, their faces flushed with health and vitality. This commitment to naturalism, combined with his masterful command of color and composition, set him apart from his contemporaries and established him as a leading figure in Flemish Baroque painting.

    Legacy and Enduring Impact

    Throughout his long and prolific career, Jordaens trained numerous pupils – fifteen were officially recorded by the Guild of St. Luke between 1621 and 1667— ensuring the continuation of his artistic legacy. His influence can be seen in the work of later artists like Jan Steen, who shared his penchant for depicting lively genre scenes. Beyond his direct impact on other painters, Jordaens’ classically inspired peasant themes had a lasting effect on the art world, challenging traditional hierarchies and celebrating the dignity of everyday life. Even today, his paintings continue to captivate audiences with their energy, vitality, and honest portrayal of human experience. His ability to blend realism with allegory, sensuality with morality, and grandeur with intimacy makes him one of the most compelling and enduring figures of the Baroque period. Discover more of Jordaens’ masterpieces and explore the rich artistic landscape of the Baroque era through resources available online, including detailed databases of his works and insightful analyses of his life and art.

    Museum

    Hermitage Museum

    On show in Saint Petersburg, Russia

    A Frozen Palace: Unveiling the Treasures of the Hermitage

    The State Hermitage Museum in Saint Petersburg isn’t merely a repository of art; it's an immersive journey through time, a testament to Russia’s imperial ambitions and its enduring artistic legacy. Nestled within the opulent Winter Palace – once the very heart of Tsarist power – the museum unfolds like a meticulously crafted narrative, revealing layers of history, culture, and breathtaking beauty. Founded by Catherine the Great in 1764 with a single painting as its nucleus, it has blossomed into one of the world’s largest and most comprehensive museums, housing over three million objects spanning millennia and continents. More than just a collection, the Hermitage is an architectural marvel, a series of interconnected historic buildings – including the Winter Palace itself, the Small Hermitage, the Old Hermitage, the New Hermitage, and the General Staff Building – each contributing uniquely to its grand story.

    From Tsarist Dreams to Artistic Legacy

    Catherine’s initial acquisition, a modest collection of Western European paintings, laid the foundation for what would become an unparalleled artistic treasure. This early focus on European art reflected her enlightened ideals and desire to expose Russia to the best of continental culture. The Winter Palace's origins trace back to Peter the Great’s vision for a grand, western-style capital city. Initially conceived as a residence, its transformation into the museum’s central hall speaks volumes about Russia’s evolving relationship with Europe and its embrace of artistic innovation. The Hermitage's story is inextricably linked to Russian history, adapting and reflecting the changing tastes and ambitions of successive rulers – a layered narrative palpable as you wander through its galleries. From Napoleon’s invasion to the Soviet era, the museum has endured, safeguarding Russia’s artistic heritage for generations.

    Renaissance Reveries and Dutch Delights: Cornerstones of Artistic Brilliance

    Stepping into the Renaissance galleries is akin to entering a world reborn – a period defined by a renewed interest in classical antiquity and an embrace of human potential. Immediately captivating is Nicolas Poussin’s

    The Holy Family with St. Elizabeth and John the Baptist

    , a serene depiction of familial piety and spiritual contemplation. Notice how Poussin masterfully blends technical precision with humanist ideals; observe the subtle ripple of drapery folds mirroring Saint George's grace as he confronts the dragon—a potent symbol of triumph over evil. The painting’s balance and clarity reflect the Renaissance’s fascination with proportion and order, while its subject matter speaks to the era’s burgeoning interest in virtue and heroism. Scholars have analyzed Poussin’s use of perspective and chiaroscuro – dramatic lighting – demonstrating a profound understanding of artistic principles that would influence generations of artists to come. Alongside Poussin, explore works by Raphael, Titian, and Veronese, each offering a unique window into the Renaissance spirit. These artists skillfully employed techniques like sfumato—a hazy blending of colors—to create atmospheric depth and evoke emotion.

    Transitioning into the Dutch Golden Age collection is an exercise in sensory delight. The masterful use of light and shadow –

    chiaroscuro

    – dominates this section, transforming ordinary scenes into moments of profound emotional resonance. Rembrandt’s

    The Return of the Prodigal Son

    stands as a cornerstone of this artistic achievement, its dramatic composition conveying tenderness and forgiveness through the father’s expressive face. Beyond Rembrandt’s monumental works, canvases by Vermeer, Frans Hals, and Jan Steen reveal the remarkable skill with which these artists captured scenes from daily existence. Vermeer's

    Girl with a Pearl Earring

    is particularly arresting – a quiet moment of contemplation rendered with exquisite detail; the subject’s gaze directed outwards, conveying both vulnerability and intelligence. The meticulous layering of paint – a technique known as glazing – contributes to the luminous quality of Vermeer’s paintings, highlighting his unparalleled ability to capture fleeting expressions and subtle nuances of emotion. Consider also the vibrant portraits by Hals, brimming with life and character. These artists prioritized capturing psychological realism, striving to portray their subjects with remarkable accuracy and sensitivity.

    A Global Tapestry: Beyond Europe's Shores

    The Hermitage’s story extends far beyond the Renaissance and Dutch Golden Age, revealing a truly global collection. Ancient artifacts—shimmering gold artifacts and intricately crafted jade sculptures recovered from Scythian burial mounds—offer a tangible connection to the vibrant trade networks of the Silk Road, demonstrating that artistic expression transcends temporal boundaries and reveals the sophistication of nomadic cultures. Medieval Christian art radiates spiritual power, including Byzantine icons brimming with symbolism – their vibrant colors and stylized figures conveying profound theological narratives. The museum’s curators have painstakingly reconstructed these artifacts, allowing for an immersive journey through human history, from the grandeur of imperial Rome to the solemn beauty of Orthodox faith. Recent expeditions to Siberia have unearthed remarkable discoveries – including mammoth ivory carvings and exquisitely decorated shamanic masks – enriching the Hermitage's understanding of Eurasian artistic traditions. Explore collections showcasing ancient Egyptian treasures, Greek sculptures, and Asian ceramics, each telling a unique story of human ingenuity and cultural exchange.

    A Living Legacy: Exhibitions and Future Horizons

    The Hermitage isn’t a static monument; it’s a living institution constantly evolving with new discoveries and exhibitions. While its permanent collection remains breathtaking in scope – encompassing over three million objects—temporary displays offer fresh perspectives on familiar works and introduce visitors to lesser-known artists and cultures. Don’t miss opportunities to engage with interactive exhibits designed for all ages, offering deeper insights into the artworks and their historical context. Visiting the Hermitage is not simply about observing masterpieces; it's about engaging with a legacy—a testament to human creativity, intellectual inquiry, and the enduring power of art to inspire and transform. The museum’s commitment to preservation and research ensures that this extraordinary collection will continue to captivate and educate generations to come. The Hermitage also maintains a strong focus on digital engagement, offering virtual tours and online resources for visitors worldwide.

    Where to read more

    Find this online

    QR code linking to the download page for Cleopatra's Feast

    wikioo.org/en/art/download/jacob-jordaens-cleopatra-s-feast-8XZJ3M-en/

    Cite this artwork

    MLA
    Jordaens, Jacob. Cleopatra's Feast. 1653, Hermitage Museum. https://wikioo.org/en/art/jacob-jordaens-cleopatra-s-feast-8XZJ3M-en/
    APA
    Jordaens, Jacob (1653). Cleopatra's Feast [Painting]. Hermitage Museum. https://wikioo.org/en/art/jacob-jordaens-cleopatra-s-feast-8XZJ3M-en/
    Chicago
    Jacob Jordaens. Cleopatra's Feast. 1653. Hermitage Museum. https://wikioo.org/en/art/jacob-jordaens-cleopatra-s-feast-8XZJ3M-en/
    Harvard
    Jordaens, Jacob (1653) Cleopatra's Feast. Hermitage Museum. Available at: https://wikioo.org/en/art/jacob-jordaens-cleopatra-s-feast-8XZJ3M-en/

    Look closely

    Cleopatra's Feast — Jacob Jordaens

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 6 — do you agree?)
    4. Our catalogue files this work under: royal feast, baroque opulence, noblewoman portrait. Do you agree? What would you add, or take away?
    5. Look back at The Four Evangelists (1620), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.