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Student Artwork Guide

Gable 1778 Cape

Name Class Date

jacobus hendrik pierneef, Gable 1778 Cape (1910), University of Pretoria Museums. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
jacobus hendrik pierneef wikioo.org/en/artists/jacobus-hendrik-pierneef/
Artist’s dates
1886 – 1957
Painted
1910
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Held at
University of Pretoria Museums wikioo.org/en/museums/university-of-pretoria-museums-tshwane/

In context

Gable 1778 Cape — jacobus hendrik pierneef

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Shaded: the lifetime of jacobus hendrik pierneef (1886–1957) ▲ this work, 1910

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/jacobus-hendrik-pierneef-gable-1778-cape-D7373L-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #ad9e7a

    Catalogued palette

    • #AD9E7A
    • #9C8E6B
    • #766A50
    • #C5B590
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Gable 1778 Cape — jacobus hendrik pierneef

    Gable 1778 Cape by the South African artist JH Pierneef (1886-1957) was drawn in 1910. During the late 1910s, early 1920s Pierneef went on a tour of South Africa to paint. He lived on the wine farm Meerlust during his stay in the Western Cape. He drew various wine estates and this is the gable of the Spier estate. Short Biography: Jacob Hendrik (Henk) Pierneef was born in 1886 in Pretoria, South Africa. As a child, he studied art at school, along with other students who would later become well-known artists, such as Fanie Eloff for sculpture and Gordon Leith for architecture. In 1900, Pierneef went with his parents to The Netherlands as a means to avoid the hostilities of the South African War (1899-1902) where he studied at the Rotterdam Art Academy. Pierneef returned to South Africa in 1904 and studied under the prominent artists Anton van Wouw, Frans Oerder and Hugo Naude. In 1913, Pierneef had his first solo exhibition and rapidly became one of the most recognised names in South African art. In 1929 he was commissioned to create panels for the new Johannesburg Railway station, a project which today would be seen as one of his greatest achievements. Pierneef received an honorary doctorate from the University of Pretoria in 1957 in recognition of his work, shortly after in the same year he passed away in Pretoria.

    Artist and museum

    Artist

    jacobus hendrik pierneef

    Born in Pretoria, South Africa

    Early Life and Education

    Born: August 13, 1886, Pretoria, South Africa

    Died: October 4, 1957, Pretoria, South Africa

    Family Background: Born into a Dutch-Boer family.

    Early Education: Attended Staatsmodelschool in Pretoria; education was interrupted by the Second Boer War (1899-1902).

    Move to the Netherlands: Family relocated to the Netherlands during the war (1901).

    Artistic Training: Studied at the Rotterdamse Kunstakademie. Exposure to Old Masters significantly influenced his artistic development.

    Artistic Style and Influences

    Return to South Africa: Returned to Pretoria in 1902, where he was encouraged by established artists like Anton van Wouw and Hugo Naude.

    Distinctive Style: Known for reducing landscapes to geometric structures – flat planes, lines, and color. Aimed to capture harmony and order in nature.

    Influences: Rock art of the San people; exposure to Old Masters during his time in the Netherlands.

    Subject Matter: Primarily focused on South African landscapes, particularly the Highveld. Often depicted uninhabited scenes with dramatic light and color.

    Formalization & Monumentality: His works often presented formalized, ordered, and monumental views of the landscape.

    Major Works and Career Highlights

    Early Exhibitions: First public exhibition in 1902 alongside van Wouw and Naude; solo exhibitions in 1913 and 1915 received critical acclaim.

    Teaching Career: Art lecturer at the Heidelberg College of Education (1918) and drawing instructor at the Pretoria College of Education.

    Commissioned Works: Notable commissions included murals for the Johannesburg Railway Station (1929-1932), now housed at the Rupert Museum in Stellenbosch, and seven murals for the South African embassy in London (1933).

    European Travels & Recognition: Visited Europe from 1925 to 1926, promoting his art and studying modern movements. Solo exhibition in the Netherlands garnered attention for his Bushmen drawings.

    Legacy and Historical Significance

    Recognition as a Master: Considered one of the best of the old South African masters with a widely recognized distinctive style.

    Contribution to South African Art: Helped establish a unique South African artistic identity, moving away from purely European influences.

    Widespread Collections: His works are found in numerous private, corporate, and public collections worldwide, including the Africana Museum, Durban Art Gallery, Johannesburg Art Gallery, Nelson Mandela Metropolitan Art Museum, Pierneef Museum, and Pretoria Art Gallery.

    Enduring Influence: Continues to inspire artists and art lovers with his unique vision of the South African landscape.

    Museum

    University of Pretoria Museums

    On show in Tshwane, South Africa

    A Tapestry of Pretoria’s Heritage: The University of Pretoria Museums

    Nestled within the vibrant, purple-hued embrace of the Jacaranda City, the University of Pretoria Museums stand as a profound testament to South Africa's intellectual and artistic soul. More than mere repositories for silent artifacts, these institutions function as living chronicles, weaving together a complex narrative of a nation’s journey through time. To step into these halls is to embark on an immersive voyage where academic rigor meets the evocative power of storytelling, illuminating a multifaceted past that ranges from ancient indigenous traditions to the transformative echoes of the liberation struggle. The museum serves as a vital bridge between the preservation of heritage and the pulse of contemporary artistic appreciation, offering a sanctuary for those who seek to understand the deep-seated cultural currents that shape South African identity.

    The architectural landscape of the campus itself provides a majestic stage for this collection, dominated by the venerable Old Arts Building and the Merensky Building. The Old Arts Building is a true architectural marvel, a landmark that breathes with the elegance of various eras, from the sweeping grandeur of Victorian design to the streamlined sophistication of Art Deco. Within its soaring ceilings and ornate structural details, one finds a curated dialogue between European influences and African aesthetics. This sense of structural innovation extends into the museum's unique holdings, most notably through the remarkable assemblage featuring works by Jean Prouvé. The visionary French architect’s influence brings a touch of modern functionalism to the collection, where his philosophy of prioritizing aesthetic beauty alongside structural engineering resonates powerfully against the backdrop of historical South African narratives.

    The true heart of the museum lies in its ability to curate moments of profound historical significance through diverse visual media. Collectors and art enthusiasts will find themselves captivated by the meticulous archives that offer unparalleled access to the figures and pivotal movements that have defined the country. A singular highlight that commands reverence is the Golden Rhinoceros of Mapungubwe, a medieval masterpiece of wood overlaid with thin sheets of gold. This delicate yet powerful artifact, discovered by archaeologists from the university, serves as a shimmering symbol of the ancient Kingdom of Mapungubwe and the sophisticated artistry of pre-colonial South Africa. Such treasures are complemented by recent exhibitions that have brought groundbreaking international perspectives to the local context, fostering a global dialogue through collaborations with world-class curators.

    What distinguishes the University of Pretoria Museums is their holistic commitment to the lifecycle of art and history. It is not merely a place for observation, but a center for active scholarly research where advanced analytical techniques are employed to reconstruct lost artistic traditions. For the interior designer or the passionate art lover, the museum offers an endless wellspring of inspiration, blending the textures of historical struggle with the elegance of architectural innovation. By integrating educational programs and postgraduate studies into its very framework, the institution ensures that the stories held within its walls continue to evolve, inspiring new generations of creators to find beauty in the enduring power of heritage.

    Where to read more

    Find this online

    QR code linking to the download page for Gable 1778 Cape

    wikioo.org/en/art/download/jacobus-hendrik-pierneef-gable-1778-cape-D7373L-en/

    Cite this artwork

    MLA
    pierneef, jacobus hendrik. Gable 1778 Cape. 1910, University of Pretoria Museums. https://wikioo.org/en/art/jacobus-hendrik-pierneef-gable-1778-cape-D7373L-en/
    APA
    pierneef, jacobus hendrik (1910). Gable 1778 Cape [Painting]. University of Pretoria Museums. https://wikioo.org/en/art/jacobus-hendrik-pierneef-gable-1778-cape-D7373L-en/
    Chicago
    jacobus hendrik pierneef. Gable 1778 Cape. 1910. University of Pretoria Museums. https://wikioo.org/en/art/jacobus-hendrik-pierneef-gable-1778-cape-D7373L-en/
    Harvard
    pierneef, jacobus hendrik (1910) Gable 1778 Cape. University of Pretoria Museums. Available at: https://wikioo.org/en/art/jacobus-hendrik-pierneef-gable-1778-cape-D7373L-en/

    Look closely

    Gable 1778 Cape — jacobus hendrik pierneef

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: cape dutch architecture, south african landscape, historical building desig. Do you agree? What would you add, or take away?
    4. Look back at Union Buildings (1912), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.