Paper

Student Artwork Guide

John Maddison

Name Class Date

johann zoffany, John Maddison (1783). Public domain.

The facts

Artist
johann zoffany wikioo.org/en/artists/johann-zoffany/
Artist’s dates
1733 – 1810
Painted
1783
Original size
125 x 100 cm

In context

John Maddison — johann zoffany

How big is it?

The original measures 125 × 100 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1730
  2. 1740
  3. 1750
  4. 1760
  5. 1770
  6. 1780
  7. 1790
  8. 1800
  9. 1810

Shaded: the lifetime of johann zoffany (1733–1810) ▲ this work, 1783

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/johann-zoffany-john-maddison-AQSHB6-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #171519

    Catalogued palette

    • #171519
    • #7C6F67
    • #B9A693
    • #4A3A2B
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    johann zoffany

    Born in Frankfurt, Germany

    Johann Zoffany: Life and Legacy

    Early Life and Training

    Johann Zoffany, born Johannes Josephus Zaufallij in 1733 in Freiburg, Germany, was a painter who achieved renown primarily in England and Italy. Details of his early childhood remain scarce, but it is known he received artistic training from a young age. He initially apprenticed with a sculptor, possibly Melchior Paulus in Ellwangen, before studying with Martin Speer in Regensburg. This foundational period laid the groundwork for his future career.

    Journey to Italy and England

    In 1750, Zoffany traveled to Rome, entering the studio of Agostino Masucci where he honed his skills within the Italian artistic tradition. He later moved to England in 1760, initially supporting himself by creating decorative designs for clocks made by Stephen Rimbault. This period marked a turning point as he began to establish connections and gain recognition within London’s art scene.

    Royal Patronage and Artistic Development

    Zoffany quickly attracted the attention of King George III and Queen Charlotte, becoming a favored portraitist of the royal family. His ability to capture informal moments – such as Queen Charlotte and Her Two Eldest Children (1765) – distinguished him from more formal court painters. He was also popular with Austrian imperial family and created a baron of the Holy Roman Empire in 1776 by Empress Maria Theresa.

    The Master of ‘Conversation Pieces’

    Zoffany became celebrated for his “conversation pieces,” or conversazione – informal group portraits depicting social gatherings. He excelled at capturing the personalities and interactions within these scenes, often featuring prominent figures from society, theatre, and literature. His works like The Cope Family (1775) exemplify this style, offering glimpses into the lives of his patrons.

    Major Achievements and Notable Works

    Tribuna of the Uffizi (1772-1778): Perhaps his most famous work, a meticulously detailed depiction of the Uffizi Gallery in Florence.

    Dr William Hunter Teaching Anatomy at the Royal Academy (1779): A fascinating portrayal of medical education and scientific inquiry.

    George III (1771): A regal portrait showcasing the King’s power and elegance.

    Colonel Mordaunt's Cock Match (1784-1786): A vibrant depiction of colonial life in India, capturing a unique cultural event.

    Years in India and Later Life

    From 1783 to 1789, Zoffany resided in India, where he painted portraits of prominent figures like Warren Hastings and Asaf-ud-Daula. His experiences there influenced his artistic style and subject matter. A remarkable story from this period involves a shipwreck off the Andaman Islands, where survivors resorted to extreme measures for survival.

    Influences and Legacy

    Zoffany’s work reflects influences from both German precision and Italian artistry. He was influenced by artists like Agostino Masucci and drew inspiration from the Baroque tradition. His style, in turn, influenced contemporaries and later artists interested in portraiture and social commentary. He bridged artistic traditions and left a lasting impact on 18th-century art.

    Historical Significance

    Johann Zoffany’s paintings provide valuable insights into the social customs, intellectual life, and cultural values of his time. His “conversation pieces” offer intimate portraits of prominent individuals and their world, while his depictions of India contribute to our understanding of colonial history. He remains a significant figure in the history of art, celebrated for his technical skill, insightful observations, and unique artistic vision.

    Where to read more

    Find this online

    QR code linking to the download page for John Maddison

    wikioo.org/en/art/download/johann-zoffany-john-maddison-AQSHB6-en/

    Cite this artwork

    MLA
    zoffany, johann. John Maddison. 1783, https://wikioo.org/en/art/johann-zoffany-john-maddison-AQSHB6-en/
    APA
    zoffany, johann (1783). John Maddison [Painting]. https://wikioo.org/en/art/johann-zoffany-john-maddison-AQSHB6-en/
    Chicago
    johann zoffany. John Maddison. 1783. https://wikioo.org/en/art/johann-zoffany-john-maddison-AQSHB6-en/
    Harvard
    zoffany, johann (1783) John Maddison. Available at: https://wikioo.org/en/art/johann-zoffany-john-maddison-AQSHB6-en/

    Look closely

    John Maddison — johann zoffany

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Portrait of Ann Brown in the Role of Miranda (1770), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. johann zoffany was about 50 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.