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Student Artwork Guide

Attila And His Army Marching On Paris

Name Class Date

jules elie delauney, Attila And His Army Marching On Paris. Public domain.

The facts

Artist
jules elie delauney wikioo.org/en/artists/jules-elie-delauney/
Artist’s dates
1828 – 1891
Movement
Academic Classicism

In context

Attila And His Army Marching On Paris — jules elie delauney

When might this have been painted?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880
  8. 1890

Shaded: the lifetime of jules elie delauney (1828–1891)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/jules-elie-delauney-attila-and-his-army-marching-on-paris-9CWCQZ-en/

Colours

Measured from the image

    Main colour

    Gray #7f6e67

    Catalogued palette

    • #7F6E67
    • #B19B90
    • #534745
    • #262527
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    jules elie delauney

    Born in Nantes, France

    Gilbert Stuart: The Portraitist of American Identity

    Gilbert Stuart, born in the Rhode Island Colony in 1755, stands as a towering figure in the history of American portraiture – a master who shaped the visual representation of power, prestige, and national identity. More than simply a painter, he was an interpreter of character, meticulously crafting images that captured not just likeness but also the very essence of his subjects. His career spanned over six decades, marked by both extraordinary success and periods of intense personal struggle, ultimately leaving behind a legacy of over 1,000 portraits that continue to fascinate and inform our understanding of early America. Stuart’s influence is so profound that his image – specifically the iconic depiction from the unfinished “George Washington” portrait – has become inextricably linked with the nation itself, appearing on the one-dollar bill and countless other emblems of American heritage.

    Early Life and Artistic Foundations

    Stuart's early life was rooted in the burgeoning artistic community of Newport, Rhode Island. His father, an Italian political refugee and a scholar of Dante, instilled in him a deep appreciation for both art and literature. This intellectual environment provided a fertile ground for Stuart’s developing talent, which he honed through diligent study and apprenticeship. Crucially, he spent several formative years in London (1777-87) and Dublin (1787-93), immersing himself in the established traditions of British portraiture – particularly the grand manner championed by Benjamin West and John Singleton Copley. These experiences weren’t merely stylistic influences; they provided Stuart with a framework, a set of conventions he skillfully adapted to his own artistic sensibilities and the evolving demands of the American market. He embraced the formal techniques of English painting while simultaneously injecting a distinctly American spirit into his work – a willingness to engage directly with his sitters, capturing their personalities with remarkable acuity.

    The Washington Portrait: A National Icon

    Perhaps Stuart’s most enduring achievement is the unfinished portrait of George Washington, begun in 1796 and famously known as “The Athenaeum Portrait.” This monumental work, initially intended for the Pennsylvania Academy, became a cornerstone of American iconography. The painting's inherent ambiguity – Washington appears thoughtful, almost melancholy – resonated deeply with the nation’s nascent identity. Stuart retained the original portrait and proceeded to create numerous copies, fulfilling commissions from patrons across America and Europe. The image itself—Washington in his military attire, gazing intently into the distance—became a symbol of leadership, virtue, and the promise of a new republic. Its widespread reproduction on postage stamps during the 19th century cemented its place in the collective American consciousness. The portrait’s continued presence on the one-dollar bill speaks volumes about Stuart's lasting impact on the visual language of the United States.

    A Complex Career: Success and Struggle

    Despite his undeniable talent and considerable success, Gilbert Stuart’s career was characterized by a remarkable paradox – periods of prolific output interspersed with bouts of debilitating depression that led to extended periods of inactivity. He was known for his demanding nature, often frustrating his sitters with his slow pace and reluctance to fully commit to projects he found uninspiring. His reputation as a difficult artist is well-documented; John Adams famously described Stuart as someone who “thinks it the prerogative of genius to disdain the performance of his engagements.” Yet, this very temperament fueled his artistic drive, pushing him to strive for perfection and to capture the nuances of human character with unparalleled skill. He produced portraits of nearly all the first six Presidents of the United States, a testament to his versatility and enduring appeal. His work reflects not only technical mastery but also a keen understanding of social dynamics and the aspirations of his era.

    Legacy and Influence

    Gilbert Stuart’s influence on American art is profound and multifaceted. He established a new standard for portraiture, moving beyond mere likeness to capture psychological depth and emotional resonance. His portraits continue to be studied and admired for their technical brilliance, their insightful characterizations, and their enduring symbolic power. His work can be found in prestigious museums across the United States and Europe – including the Metropolitan Museum of Art, the Frick Collection, the National Gallery of Art, and the National Portrait Gallery in London. Beyond his artistic achievements, Stuart’s image—the face of George Washington—remains a potent symbol of American ideals and aspirations, a visual shorthand for the nation's history and identity. He is remembered not just as a painter but as a pivotal figure in shaping the visual narrative of early America.

    Where to read more

    Find this online

    QR code linking to the download page for Attila And His Army Marching On Paris

    wikioo.org/en/art/download/jules-elie-delauney-attila-and-his-army-marching-on-paris-9CWCQZ-en/

    Cite this artwork

    MLA
    delauney, jules elie. Attila And His Army Marching On Paris. n.d., https://wikioo.org/en/art/jules-elie-delauney-attila-and-his-army-marching-on-paris-9CWCQZ-en/
    APA
    delauney, jules elie (n.d.). Attila And His Army Marching On Paris [Painting]. https://wikioo.org/en/art/jules-elie-delauney-attila-and-his-army-marching-on-paris-9CWCQZ-en/
    Chicago
    jules elie delauney. Attila And His Army Marching On Paris. n.d. https://wikioo.org/en/art/jules-elie-delauney-attila-and-his-army-marching-on-paris-9CWCQZ-en/
    Harvard
    delauney, jules elie (n.d.) Attila And His Army Marching On Paris. Available at: https://wikioo.org/en/art/jules-elie-delauney-attila-and-his-army-marching-on-paris-9CWCQZ-en/

    Look closely

    Attila And His Army Marching On Paris — jules elie delauney

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 7 — do you agree?)
    4. Our catalogue files this work under: medieval battle, historical conflict, attila the hun. Do you agree? What would you add, or take away?
    5. Look back at Portrait de Mme Gante, earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.