Student Artwork Guide
Copyright This work is in the public domain. Koloman Moser died in 1918; copyright lasts 70 years after the artist’s death, so it ended in 1988.
In context
Backhausen Interior Texiles — Koloman Moser
The original measures 57 × 57 cm (height × width), drawn here beside an adult of average height.
Shaded: the lifetime of Koloman Moser (1868–1918) ▲ this work, 1899
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Measured from the image
Main colour
Rosy Brown #ab9385
Catalogued palette
Artist and museum
Born in Vienna, Croatia
Koloman Moser, born on March 30, 1868, in Vienna, Austria-Hungary (now part of Croatia), was a pivotal figure in the Austrian art scene, particularly renowned for his contributions to graphic art and as a founding member of the Vienna Secession movement. His artistic journey began with formal studies at the Wiener Akademie and the Kunstgewerbeschule, where he later became an instructor from 1899 onwards. This academic foundation proved crucial in shaping his versatile career across various mediums. Moser’s family background influenced his early exposure to art and design, fostering a keen eye for detail and aesthetics that would define his artistic style.
Graphic Art: Moser's impact on graphic art is undeniable. He designed postage stamps, magazine vignettes, and other printed materials with distinctive geometric patterns and stylized imagery. His designs were characterized by their clarity, elegance, and innovative use of typography.
Fashion and Applied Arts: Beyond graphic design, Moser’s talent extended to fashion, stained glass windows, porcelains, ceramics, blown glass, tableware, silver, and jewelry. This demonstrates his commitment to integrating art into everyday life.
Architecture: His architectural designs, most notably the apse mosaic and glass windows for the Kirche am Steinhof in Vienna (1904), showcase his ability to blend artistic vision with functional design. These works are considered masterpieces of Art Nouveau architecture.
In 1903, Moser co-founded the Wiener Werkstätte (Vienna Workshop) alongside Josef Hoffmann. This collaborative workshop aimed to create aesthetically pleasing household goods by uniting artists and craftsmen. The Wiener Werkstätte championed a philosophy of “Gesamtkunstwerk” – total work of art – where every aspect of an object, from its design to its production, was carefully considered. Moser’s involvement in the Wiener Werkstätte solidified his commitment to functional beauty and elevated the status of applied arts.
Moser's artistic development was influenced by several key movements, including Art Nouveau, Symbolism, and the Vienna Secession. He drew inspiration from Japanese woodblock prints, which informed his use of flat planes of color and simplified forms. His style evolved over time, becoming increasingly abstract and geometric while retaining a sense of elegance and refinement. Moser’s legacy is cemented by his designs being immortalized on the Austrian 100 Euro Steinhof Church commemorative coin (2005), recognizing his enduring influence on art and design. He died in Vienna in 1918, leaving behind a significant body of work that continues to inspire artists and designers today. His contributions helped shape the course of modern art and design, emphasizing the importance of integrating beauty into everyday objects and spaces.
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Look closely
Backhausen Interior Texiles — Koloman Moser
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