Paper

Student Artwork Guide

Jumping Hare

Name Class Date

Lucy Willis, Jumping Hare. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Lucy Willis wikioo.org/en/artists/lucy-willis/
Artist’s dates
1954 – ?

In context

Jumping Hare — Lucy Willis

When might this have been painted?

  1. 1950

Shaded: the lifetime of Lucy Willis (1954–?)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/lucy-willis-jumping-hare-9CWDZ5-en/

Colours

Measured from the image

    Main colour

    Gray #987c70

    Catalogued palette

    • #987C70
    • #FAFAFA
    • #4F3D45
    • #D6C49C
    Palette
    Pastels The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Lucy Willis over the last twelve months — 4 countries in all.

    The ten leading countries

    1. 1 China 80.0%
    2. 2 Australia 6.7%
    3. 3 Germany 6.7%
    4. 4 Netherlands 6.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 14 most looked-at works by Lucy Willis

    1. 1 Spring Flowers In A Vase 13.3%
    2. 2 Black Cat And Dappling 6.7%
    3. 3 Inside Looking Out 6.7%
    4. 4 Cows In The Orchard 6.7%
    5. 5 Forgotten Palace, Udaipur 6.7%
    6. 6 The Blue Fountain 6.7%
    7. 7 Dhow Yard, Sur 6.7%
    8. 8 The marquee 6.7%
    9. 9 House On The Hill, Bombay 6.7%
    10. 10 Palace Gate, Gujarat 6.7%
    11. 11 Grey Heron 6.7%
    12. 12 Cat On A Chair 6.7%
    13. 13 Cretan Shadows 6.7%
    14. 14 Jumping Hare this painting 6.7%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 64 works by this artist, of which 14 were looked at at least once. This painting ranks 14 of them, with 6.7% of that attention.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Lucy Willis

    Born in Greece

    The Ethereal Vision of Lucy Willis

    Born in the luminous landscapes of Greece in 1954, Lucy Willis possesses an artistic soul shaped by the profound light and ancient traditions of the Aegean region. Her early years, immersed in a Mediterranean environment where history and nature intertwine, provided a foundational palette of color and atmosphere that would later define her celebrated career. Although she eventually established herself as a prominent figure within the British art scene, the evocative, sun-drenched essence of her Greek origins remains an indelible thread woven through her most poignant works. This unique dual heritage allows her to bridge the gap between the classical warmth of the Mediterranean and the misty, melancholic beauty of the English countryside.

    Willis’s formal journey into the mastery of fine art began at the prestigious Ruskin School of Drawing and Fine Art in Oxford. Between 1972 and 1975, she underwent a rigorous period of academic refinement, honing her skills in draughtsmanship and exploring the delicate complexities of medium and light. Her time in Oxford was not merely an education in technique but a deep dive into the structural integrity of art. Following her studies, her wanderlust led her back to Greece, where she demonstrated her commitment to the artistic community by founding an etching workshop affiliated with the Aegean School of Fine Art. This period of collaborative exploration and teaching would later inform her ability to balance technical precision with spontaneous, expressive movement.

    A Mastery of Tone and Emotion

    The evolution of Willis’s style is a fascinating study in the transition from classical structure to atmospheric depth. While her early explorations were touched by neoclassical influences, she eventually found her true voice within the realm of Tonalism. This movement, characterized by subtle gradations of tone and a focus on the emotional resonance of light, became the cornerstone of her approach. Through this lens, she learned to capture not just the physical likeness of a subject, but its very spirit. Whether working in the fluid, translucent layers of watercolor or the rich, textured depths of oil, her work consistently seeks to evoke a sense of nostalgia and quiet contemplation.

    Her technical repertoire is remarkably diverse, allowing her to navigate between different modes of realism:

    Watercolor Landscapes: In these works, she captures the serene, often melancholic beauty of rural settings, using light to create depth and movement.

    Evocative Portraiture: Her portraits are renowned for their psychological depth, often imbuing the subject with a sense of quiet dignity or introspective mystery.

    Architectural Studies: Through pieces like The Maheshwar Temple, she demonstrates an ability to blend architectural realism with impressionistic details, turning stone and shadow into a narrative of time.

    Legacy and Recognition

    The significance of Lucy Willis in contemporary art is marked by both critical acclaim and her enduring influence as an educator. A defining moment in her career arrived in 1992, when she secured the prestigious first prize for “Her Majesty’s Pleasure” in the BP Portrait Award at the National Portrait Gallery. This achievement cemented her reputation as a leading figure in portraiture, recognized by the highest echelons of the art world for her ability to marry meticulous observation with poetic sensitivity.

    Beyond her individual accolades, Willis has left a lasting mark on the landscape of British art through her dedication to nurturing new talent. By establishing the Moorland House Workshop in Somerset in 1976, she created a sanctuary for artistic growth and experimentation. Her legacy is found not only in the galleries of Europe that house her captivating landscapes and portraits but also in the continued vitality of the workshops and students she inspired. Through her work, the boundaries between light, shadow, and emotion dissolve, leaving behind an art that remains as timeless as the Aegean shores of her youth.

    Where to read more

    Find this online

    QR code linking to the download page for Jumping Hare

    wikioo.org/en/art/download/lucy-willis-jumping-hare-9CWDZ5-en/

    Cite this artwork

    MLA
    Willis, Lucy. Jumping Hare. n.d., https://wikioo.org/en/art/lucy-willis-jumping-hare-9CWDZ5-en/
    APA
    Willis, Lucy (n.d.). Jumping Hare [Painting]. https://wikioo.org/en/art/lucy-willis-jumping-hare-9CWDZ5-en/
    Chicago
    Lucy Willis. Jumping Hare. n.d. https://wikioo.org/en/art/lucy-willis-jumping-hare-9CWDZ5-en/
    Harvard
    Willis, Lucy (n.d.) Jumping Hare. Available at: https://wikioo.org/en/art/lucy-willis-jumping-hare-9CWDZ5-en/

    Look closely

    Jumping Hare — Lucy Willis

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at The Rubbish Collector, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where can I buy a print of "Jumping Hare" by Lucy Willis?

    "Jumping Hare" is available as a fine art print on cotton canvas or archival canvas paper. Orders are placed on this page, in the size of your choice.

    Where can I buy a hand-painted reproduction of "Jumping Hare" by Lucy Willis?

    "Jumping Hare" is available as a hand-painted oil reproduction on linen canvas. The order can be placed on this page, with a choice of sizes.

    How is the palette of "Jumping Hare" by Lucy Willis described?

    "Jumping Hare" by Lucy Willis uses a pastels color palette. The palette summarizes the work's overall color character.

    Does "Jumping Hare" show strong light-dark contrasts?

    The contrast level of "Jumping Hare" by Lucy Willis is bold.

    Where can I see a preview of "Jumping Hare"?

    To preview a reproduction of "Jumping Hare" by Lucy Willis, open the artwork's Preview page.

    How do contrast and harmony combine in "Jumping Hare"?

    The color composition of "Jumping Hare" by Lucy Willis combines a bold contrast with a softly mixed palette harmony.

    Which artist is "Jumping Hare" attributed to?

    "Jumping Hare" was created by Lucy Willis. The information on this page describes Lucy Willis's original work.