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Student Artwork Guide

Birthday, Moma NY

Name Class Date

Marc Chagall, Birthday, Moma NY (1915). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Marc Chagall wikioo.org/en/artists/marc-chagall/
Artist’s dates
1887 – 1985
Painted
1915
Medium
Oil On Canvas
Movement
Naive Art / Primitivism Work by artists without formal training, flat and direct, valued for exactly that freshness.
Period
Modern
Artistic style
Symbolist
Influences
Eastern European Jewish culture
Notable elements or techniques
Dreamlike imagery, Folk culture references
Subject or theme
Love and Desire

In context

Birthday, Moma NY — Marc Chagall

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970
  11. 1980

Shaded: the lifetime of Marc Chagall (1887–1985) ▲ this work, 1915

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/marc-chagall-birthday-moma-ny-9H5PQV-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #222422

    Catalogued palette

    • #222422
    • #8C3018
    • #BDBBB5
    • #827368
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Birthday, Moma NY — Marc Chagall

    Birthday, Moma NY

    Marc Chagall's Birthday, Moma NY, painted in 1915, is a quintessential representation of his unique style, which blends elements of expressionism, cubism, and surrealism. This captivating piece falls under the category of Naive Art or Primitivism, characterized by self-taught artists who lack formal artistic education.

    Background and Analysis

    Chagall's Birthday, Moma NY is a colorful depiction of a woman holding flowers in her hand while standing next to another person who appears to be flying through the air. The woman is wearing a dress and has a green umbrella over her shoulder. In the scene, there are several other people present, including one on the left side of the painting, two near the center, and three more towards the right side. There are also multiple chairs scattered throughout the image, with one in the foreground, another in the middle, and a third chair further back. Additionally, there is a dining table located at the bottom left corner of the painting, and a vase can be seen on top of it. A clock is also visible in the upper right part of the image. This composition reflects Chagall's distinct style, which combined aspects of both modern art and traditional Eastern European Jewish culture into unique works full of imagination and emotion.

    Chagall’s Birthday, Moma NY is based on his idea of Eastern European Jewish folk culture. He composed his images based on emotional and poetic associations rather than pictorial logic rules. The painting is best described as a love letter to Bella Rosenfeld, whom he married shortly after creating "The Birthday." This work of art is an expression of love and desire for freedom depicted through imagery rather than precise representation.

    Artistic Style

    Chagall's work often falls under the category of Naive Art or Primitivism, characterized by self-taught artists who lack formal artistic education. This aesthetic is often emulated by trained artists, resulting in what is called primitivism, pseudo-naïve art, or faux naïve art. The artist’s style is marked by a dreamlike quality and an exuberant use of color—a hallmark of Chagall's oeuvre. He deliberately eschewed academic conventions, prioritizing intuition and feeling over rational representation. This approach aligns with the broader artistic currents of his time, reflecting a rejection of realism in favor of subjective experience.

    Relevance and Impact

    Birthday, Moma NY reflects Chagall's unique style which was based on his idea of Eastern European Jewish folk culture. He composed his images based on emotional and poetic associations rather than pictorial logic rules. The painting is best described as a love letter to Bella Rosenfeld, whom he married shortly after creating "The Birthday." This work of art is an expression of love and desire for freedom depicted through imagery rather than precise representation. Chagall’s vision captures the spirit of his time—a yearning for transcendence amidst the anxieties of modernity.

    Painting by 'Marc Chagall' | Marc Chagall:Birthday, Moma NY (Naive Art / Primitivism) Painting by 'Marc Chagall' | Marc Chagall:The Birthday, oil on canvas, Moma NY (Naive Art / Primitivism) Painting by 'Marc Chagall' | Marc Chagall:The Birthday (80 x 99 cm,Naive Art / Primitivism,Oil On Canvas) Wikipedia References:

    Marc Chagall - Wikipedia

    L'Anniversaire (Chagall) — Wikipédia

    Artist and museum

    Artist

    Marc Chagall

    Born in Liovana, Belarus

    A Life Painted in Dreams: The World of Marc Chagall

    Marc Chagall, born Moishe Shagal in 1887 in the small Belarussian town of Liozna near Vitebsk, wasn’t merely a painter; he was a poet of color, a weaver of dreams, and a chronicler of memory. His life, spanning nearly a century, mirrored the tumultuous currents of the 20th century, yet his art remained steadfastly rooted in a deeply personal vision—one infused with the folklore of his Hasidic Jewish upbringing and an unwavering belief in the power of imagination. Vitebsk itself was more than just a birthplace; it became the emotional core of his artistic universe, a recurring motif populated by flying figures, whimsical animals, and the vibrant hues of remembered landscapes. The town’s unique blend of cultures—Russian Orthodox churches alongside bustling Jewish marketplaces—forged an aesthetic sensibility that would defy easy categorization throughout his long career. Though he sought formal training first with a local sign painter and later in St. Petersburg under Léon Bakst, and then in Paris at the Académie de la Grande Chaumière, Chagall never fully embraced any single artistic movement. He absorbed elements of Cubism, Symbolism, and Fauvism, but always filtered them through his own intensely personal lens, creating a style that was uniquely, unmistakably Chagall.

    Forging a Unique Visual Language

    Chagall’s early works already hinted at the distinctive language he would develop. Paintings like I and the Village (1911) are not simply depictions of place; they are explorations of identity, memory, and the relationship between the individual and community. The village isn't rendered realistically but as a fragmented collection of recollections, imbued with symbolic meaning. This ability to transmute personal experience into universal themes became a hallmark of his art. His palette was bold and expressive, often employing vibrant, non-naturalistic colors to convey emotion rather than literal representation. Figures float and dance across the canvas, defying gravity and logic, creating a dreamlike atmosphere that invites viewers into his inner world. This stylistic approach wasn’t accidental; it stemmed from a desire to move beyond mere imitation of reality and capture the essence of feeling, the weight of memory, and the power of folklore. The Russian Revolution brought Chagall back to Vitebsk, where he became involved in cultural initiatives, establishing an art school that briefly flourished before succumbing to the restrictions imposed by the new regime. This period was marked by both creative energy and political disillusionment, a tension that would continue to shape his artistic trajectory.

    A Life Between Worlds: Paris, New York, and Beyond

    Eventually, Chagall left Russia for good, settling in France in 1923. This marked the beginning of a period of international recognition and prolific creativity. Works like Over Vitebsk (1920-1922) demonstrate his continued engagement with his childhood memories, while paintings inspired by biblical stories—such as Jacob’s Dream—reveal a growing interest in religious themes. The outbreak of World War II forced him to flee occupied France for the United States, where he spent seven years in New York City. This period was marked by profound emotional upheaval and artistic experimentation. He found solace in his art, creating powerful works that reflected the anxieties and uncertainties of the time. White Crucifixion (1938), a haunting depiction of suffering and persecution, stands as a testament to this era. After the war, Chagall returned to France, where he continued to paint and create until his death in 1985 at the age of 97.

    Legacy and Enduring Influence

    In his later years, Marc Chagall received numerous prestigious commissions, including the ceiling of the Paris Opera (1964), a breathtaking explosion of color and form that celebrated musical masterpieces, and stunning stained glass windows for the Hadassah Hebrew University Medical Center synagogue in Jerusalem. These large-scale projects allowed him to translate his artistic vision into architectural spaces, creating immersive environments that continue to inspire awe and wonder. Chagall’s influence on subsequent generations of artists is undeniable. His lyrical quality, emotional depth, and imaginative power resonated with Surrealists and other movements that embraced fantasy and symbolism. He bridged the gap between European modernism and Jewish cultural identity, becoming known as “the quintessential Jewish artist of the twentieth century.” His ability to synthesize personal experience, folklore, and universal themes continues to resonate with audiences worldwide. His work reminds us of the power of art to transcend boundaries, to connect us to our shared humanity, and to illuminate the beauty and mystery of life.

    A Lasting Impression

    Marc Chagall’s legacy extends beyond his paintings and stained glass; it resides in the enduring power of his vision—a vision that celebrates love, memory, and the boundless possibilities of the human imagination. He left behind a body of work that is both deeply personal and universally accessible, inviting viewers to lose themselves in a world painted with dreams and illuminated by hope. The Musée Marc Chagall in Nice stands as a testament to his enduring influence, housing an extensive collection of his works and offering visitors a glimpse into the heart and soul of this extraordinary artist. His art continues to inspire, challenge, and move us, ensuring that his vibrant and imaginative spirit will live on for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Birthday, Moma NY

    wikioo.org/en/art/download/marc-chagall-birthday-moma-ny-9H5PQV-en/

    Cite this artwork

    MLA
    Chagall, Marc. Birthday, Moma NY. 1915, https://wikioo.org/en/art/marc-chagall-birthday-moma-ny-9H5PQV-en/
    APA
    Chagall, Marc (1915). Birthday, Moma NY [Painting]. https://wikioo.org/en/art/marc-chagall-birthday-moma-ny-9H5PQV-en/
    Chicago
    Marc Chagall. Birthday, Moma NY. 1915. https://wikioo.org/en/art/marc-chagall-birthday-moma-ny-9H5PQV-en/
    Harvard
    Chagall, Marc (1915) Birthday, Moma NY. Available at: https://wikioo.org/en/art/marc-chagall-birthday-moma-ny-9H5PQV-en/

    Look closely

    Birthday, Moma NY — Marc Chagall

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: jewish folklore, eastern european culture, love & desire. Do you agree? What would you add, or take away?
    4. Look back at I and the Village (1911), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Naive Art / Primitivism: Work by artists without formal training, flat and direct, valued for exactly that freshness. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.