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Student Artwork Guide

Ten Commandements

Name Class Date

Marc Chagall, Ten Commandements (1966). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Marc Chagall wikioo.org/en/artists/marc-chagall/
Artist’s dates
1887 – 1985
Painted
1966
Medium
Lithography Drawn in grease on stone and printed on the principle that grease and water refuse to mix.
Original size
31 x 26 cm
Period
Modern
Artistic style
Naïve
Influences
Hasidic Judaism
Notable elements
White objects
Subject or theme
Ten Commandments

In context

Ten Commandements — Marc Chagall

How big is it?

The original measures 31 × 26 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970
  11. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 98 at death.

Painted when the artist was 79. The artist lived to 98. 662 of the 878 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Marc Chagall (1887–1985) ▲ this work, 1966 every dated painting, decade by decade

First works: up to 1930 Main working years: 1930–1965 Late works: from 1965

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/marc-chagall-ten-commandements-8XYGSE-en/

Colours

Measured from the image

    Main colour

    Walnut #693f2f

    Catalogued palette

    • #693F2F
    • #2A221C
    • #E0D8C6
    • #9B8F72

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Marc Chagall over the last twelve months — 64 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 38.4%
    2. 2 Germany 5.1%
    3. 3 United States of America 5.1%
    4. 4 France 4.5%
    5. 5 Netherlands 3.3%
    6. 6 Spain 3.0%
    7. 7 Poland 2.8%
    8. 8 Australia 2.3%
    9. 9 South Korea 2.2%
    10. 10 Italy 2.1%
    11. · 54 other countries 31.2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Marc Chagall

    1. 1 I and the Village, 1911 9.3%
    2. 2 The Birthday, 1915 9.0%
    3. 3 Over the town, 1918 4.6%
    4. 4 The Green Violinist, 1924 3.4%
    5. 5 The Concert, 1957 1.5%
    6. 6 Adam and Eve expelled from Paradise, 1961 1.4%
    7. 7 The Fall of Icarus, 1975 1.1%
    8. 8 Midsummer Night's Dream, 1939 1.1%
    9. 9 Liberation, 1952 1.0%
    10. 10 Dans mon pays 0.9%
    11. 11 The Lovers, 1929 0.8%
    12. 12 The Praying Jew (Rabbi of Vitebsk), 1914 0.8%
    13. 13 The return of the prodigal son, 1975 0.8%
    14. 14 Abraham and three Angels, 1966 0.8%
    15. 15 Red Roofs, 1954 0.7%
    16. 16 The Betrothed and Eiffel Tower, 1913 0.6%
    17. 17 Easter, 1968 0.6%
    18. 18 The Falling Angel, 1947 0.6%
    19. 19 Compositional Study for ‘To Russia, to the Asses and Others’, 1912 0.6%
    20. — Ten Commandements, 1966 this painting 0.0%

    Together these works take 39.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 906 works by this artist, of which 550 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Ten Commandements — Marc Chagall

    Marc Chagall's 'Ten Commandements': A Lithographic Echo of Faith and Memory

    Marc Chagall’s 1966 lithograph, “Ten Commandements,” is more than just a depiction of biblical narrative; it’s a profound meditation on faith, memory, and the enduring power of childhood dreams. Executed in a style that leans heavily into naive or primitivist aesthetics – a hallmark of Chagall's later work – this piece invites viewers to step into a world where reality blends seamlessly with fantastical imagery. The image itself presents a solitary figure, a man draped in a vibrant red robe, holding two luminous white objects within his hands. His gaze is fixed upon them with an intensity that suggests both reverence and childlike wonder. This isn't a formal, academic rendering of the Ten Commandments; rather, it’s a deeply personal interpretation filtered through Chagall’s unique artistic lens.

    A Return to Vitebsk: The Roots of Imagination

    Born Moishe Shagal in 1887 in Liozna, Belarus – a town that would forever remain etched within his artistic consciousness – Chagall's early life profoundly shaped his oeuvre. Liozna, with its distinctive blend of Russian Orthodox and Jewish cultural influences, provided the fertile ground for his imaginative world. This lithograph powerfully evokes this formative environment; the red robe, a frequent motif in his work, alludes to the traditional attire of Hasidic Jews, while the luminous objects could represent the sacred texts or perhaps simply the pure light of faith itself. The scene feels intensely intimate, as if we are witnessing a private moment of contemplation – a return to the foundational beliefs of his youth.

    Lithography and the Language of Dreams

    Created in 1966 using lithography, “Ten Commandements” demonstrates Chagall’s masterful command of this printmaking technique. Lithography relies on a chemical process that allows for subtle gradations of tone and texture, creating an effect remarkably similar to painting. The resulting image is characterized by its soft edges, dreamlike atmosphere, and vibrant color palette – a deliberate choice reflecting Chagall's desire to capture the emotional essence of his subjects rather than striving for photographic realism. The technique lends itself perfectly to conveying the ethereal quality of memory and the fantastical elements that populate his art.

    Symbolism and Emotional Resonance

    The two white objects held by the figure are open to interpretation, adding another layer of complexity to this already rich artwork. They could represent the tablets containing the Ten Commandments, or perhaps they symbolize innocence, purity, and the unwavering belief that guided Chagall’s life. The man's solitary presence amplifies the sense of introspection and spiritual yearning inherent in the work. Chagall frequently employed symbolism to convey deeper meanings, inviting viewers to engage with the artwork on a personal level. This piece is not simply about religious law; it’s about the human search for meaning and truth.

    Dimensions & Details

    Title: Ten Commandements

    Artist: Marc Chagall

    Year: 1966

    Medium: Lithography

    Size: 31 x 26 cm

    Artist and museum

    Artist

    Marc Chagall

    Born in Liovana, Belarus

    A Life Painted in Dreams: The World of Marc Chagall

    Marc Chagall, born Moishe Shagal in 1887 in the small Belarussian town of Liozna near Vitebsk, wasn’t merely a painter; he was a poet of color, a weaver of dreams, and a chronicler of memory. His life, spanning nearly a century, mirrored the tumultuous currents of the 20th century, yet his art remained steadfastly rooted in a deeply personal vision—one infused with the folklore of his Hasidic Jewish upbringing and an unwavering belief in the power of imagination. Vitebsk itself was more than just a birthplace; it became the emotional core of his artistic universe, a recurring motif populated by flying figures, whimsical animals, and the vibrant hues of remembered landscapes. The town’s unique blend of cultures—Russian Orthodox churches alongside bustling Jewish marketplaces—forged an aesthetic sensibility that would defy easy categorization throughout his long career. Though he sought formal training first with a local sign painter and later in St. Petersburg under Léon Bakst, and then in Paris at the Académie de la Grande Chaumière, Chagall never fully embraced any single artistic movement. He absorbed elements of Cubism, Symbolism, and Fauvism, but always filtered them through his own intensely personal lens, creating a style that was uniquely, unmistakably Chagall.

    Forging a Unique Visual Language

    Chagall’s early works already hinted at the distinctive language he would develop. Paintings like I and the Village (1911) are not simply depictions of place; they are explorations of identity, memory, and the relationship between the individual and community. The village isn't rendered realistically but as a fragmented collection of recollections, imbued with symbolic meaning. This ability to transmute personal experience into universal themes became a hallmark of his art. His palette was bold and expressive, often employing vibrant, non-naturalistic colors to convey emotion rather than literal representation. Figures float and dance across the canvas, defying gravity and logic, creating a dreamlike atmosphere that invites viewers into his inner world. This stylistic approach wasn’t accidental; it stemmed from a desire to move beyond mere imitation of reality and capture the essence of feeling, the weight of memory, and the power of folklore. The Russian Revolution brought Chagall back to Vitebsk, where he became involved in cultural initiatives, establishing an art school that briefly flourished before succumbing to the restrictions imposed by the new regime. This period was marked by both creative energy and political disillusionment, a tension that would continue to shape his artistic trajectory.

    A Life Between Worlds: Paris, New York, and Beyond

    Eventually, Chagall left Russia for good, settling in France in 1923. This marked the beginning of a period of international recognition and prolific creativity. Works like Over Vitebsk (1920-1922) demonstrate his continued engagement with his childhood memories, while paintings inspired by biblical stories—such as Jacob’s Dream—reveal a growing interest in religious themes. The outbreak of World War II forced him to flee occupied France for the United States, where he spent seven years in New York City. This period was marked by profound emotional upheaval and artistic experimentation. He found solace in his art, creating powerful works that reflected the anxieties and uncertainties of the time. White Crucifixion (1938), a haunting depiction of suffering and persecution, stands as a testament to this era. After the war, Chagall returned to France, where he continued to paint and create until his death in 1985 at the age of 97.

    Legacy and Enduring Influence

    In his later years, Marc Chagall received numerous prestigious commissions, including the ceiling of the Paris Opera (1964), a breathtaking explosion of color and form that celebrated musical masterpieces, and stunning stained glass windows for the Hadassah Hebrew University Medical Center synagogue in Jerusalem. These large-scale projects allowed him to translate his artistic vision into architectural spaces, creating immersive environments that continue to inspire awe and wonder. Chagall’s influence on subsequent generations of artists is undeniable. His lyrical quality, emotional depth, and imaginative power resonated with Surrealists and other movements that embraced fantasy and symbolism. He bridged the gap between European modernism and Jewish cultural identity, becoming known as “the quintessential Jewish artist of the twentieth century.” His ability to synthesize personal experience, folklore, and universal themes continues to resonate with audiences worldwide. His work reminds us of the power of art to transcend boundaries, to connect us to our shared humanity, and to illuminate the beauty and mystery of life.

    A Lasting Impression

    Marc Chagall’s legacy extends beyond his paintings and stained glass; it resides in the enduring power of his vision—a vision that celebrates love, memory, and the boundless possibilities of the human imagination. He left behind a body of work that is both deeply personal and universally accessible, inviting viewers to lose themselves in a world painted with dreams and illuminated by hope. The Musée Marc Chagall in Nice stands as a testament to his enduring influence, housing an extensive collection of his works and offering visitors a glimpse into the heart and soul of this extraordinary artist. His art continues to inspire, challenge, and move us, ensuring that his vibrant and imaginative spirit will live on for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Ten Commandements

    wikioo.org/en/art/download/marc-chagall-ten-commandements-8XYGSE-en/

    Cite this artwork

    MLA
    Chagall, Marc. Ten Commandements. 1966, https://wikioo.org/en/art/marc-chagall-ten-commandements-8XYGSE-en/
    APA
    Chagall, Marc (1966). Ten Commandements [Painting]. https://wikioo.org/en/art/marc-chagall-ten-commandements-8XYGSE-en/
    Chicago
    Marc Chagall. Ten Commandements. 1966. https://wikioo.org/en/art/marc-chagall-ten-commandements-8XYGSE-en/
    Harvard
    Chagall, Marc (1966) Ten Commandements. Available at: https://wikioo.org/en/art/marc-chagall-ten-commandements-8XYGSE-en/

    Look closely

    Ten Commandements — Marc Chagall

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: chagall commandments, biblical scene, red robe figure. Do you agree? What would you add, or take away?
    4. Look back at I and the Village (1911), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Marc Chagall was about 79 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How does "Ten Commandements" fit into Marc Chagall's themes and style?

    "Ten Commandements" shares with Marc Chagall's other works its Naive Primitivism style and the recorded themes: jewish folklore, vitebsk memories, biblical symbolism, religious themes, chagall’s recurring motifs, dreams, lithography experimentation, style shifts.

    Can I examine "Ten Commandements" in more detail?

    The X-Ray view of "Ten Commandements" by Marc Chagall is on the artwork's X-Ray page: an interactive examination of the image through eleven optical layers.

    What is the emotional tone of "Ten Commandements" by Marc Chagall?

    The emotional tone recorded for "Ten Commandements" by Marc Chagall is nostalgic. It summarizes the feeling the work expresses.