Paper

Student Artwork Guide

Landscape

Name Class Date

Marco Ricci, Landscape (1720), Fondazione Querini Stampalia. Public domain.

The facts

Artist
Marco Ricci wikioo.org/en/artists/marco-ricci/
Artist’s dates
1676 – 1730
Painted
1720
Original size
96 x 132 cm
Held at
Fondazione Querini Stampalia wikioo.org/en/museums/fondazione-querini-stampalia-venice/

In context

Landscape — Marco Ricci

How big is it?

The original measures 96 × 132 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1670
  2. 1680
  3. 1690
  4. 1700
  5. 1710
  6. 1720
  7. 1730

Shaded: the lifetime of Marco Ricci (1676–1730) ▲ this work, 1720

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/marco-ricci-landscape-8XZU8H-en/

Colours

Measured from the image

    Main colour

    Celadon #bfb6ad

    Catalogued palette

    • #BFB6AD
    • #1F140F
    • #8D9194
    • #563927
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Celadon
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Landscape — Marco Ricci

    The Landscape painting by Marco Ricci is a masterpiece that showcases the artist's ability to capture the essence of nature. Created in 1720, this oil on canvas painting measures 96 x 132 cm and is currently housed at the Fondazione Querini Stampalia in Venice, Italy.

    A Harmonious Composition

    The painting depicts a serene landscape with a rustic village nestled amidst nature. A small stream meanders through the scene, adding a sense of tranquility and life to the otherwise still landscape. The artist has skillfully used different shades of green to depict various types of vegetation, from dense forests to scattered bushes. The majestic mountains in the background rise against the sky, their peaks touching the heavens, creating a sense of depth and scale. Key Elements of the painting include:

    The use of earthy tones to contrast with the surrounding greenery

    The depiction of various types of vegetation

    The majestic mountains in the background

    The artist's attention to detail is truly remarkable, from the individual leaves on the trees to the distant mountains.

    Marco Ricci's Style

    Marco Ricci was a master of capturing the essence of nature in his paintings. His style is characterized by the use of vibrant colors and intricate details. The Landscape painting is a testament to his skill and dedication as an artist. For more information on Marco Ricci and his works, visit /art/list/?Filter=8XZU8H-Marco-Ricci-Landscape.

    The Fondazione Querini Stampalia is a cultural institution located in the heart of Venice, Italy. It serves as a museum, library, and archive, preserving and promoting the rich cultural heritage of Venice. For more information on the Fondazione Querini Stampalia, visit /art/list/?Filter=A@D3BMXK-Fondazione-Querini-Stampalia-Venice-Italy.

    Artist and museum

    Artist

    Marco Ricci

    Born in Belluno, Italy

    The Venetian Pioneer of the Landscape

    Marco Ricci stands as a pivotal figure in the grand tapestry of Venetian Baroque painting, a master whose brush breathed life into the atmospheric expanses of the 18th century. Born in Belluno, Italy, in 1676, Ricci’s artistic journey was deeply rooted in a lineage of excellence. His early training began under the watchful eye of his uncle, the celebrated Sebastiano Ricci, likely within the vibrant artistic hubs of Milan during the mid-1690s. This foundational period established a profound connection to the Venetian tradition, as he moved toward Venice in 1696 to join forces with his uncle. Together, they embarked on a collaborative career that would redefine the boundaries of landscape painting, blending classical grandeur with a new, more expressive sensibility.

    The evolution of Ricci’s style was shaped by a rich confluence of influences that bridged the gap between the structured ideals of the past and the burgeoning freedom of the Rococo. He absorbed the luminous, atmospheric perspective of Claude Lorrain and Gaspard Dughet, masters who had perfected the art of the idealized nature scene. Yet, there was a more rugged, emotive current in his work, drawn from the expressive brushwork of Salvatore Rosa and the loose, energetic application seen in the works of Alessandro Magnasco. This unique synthesis allowed Ricci to move beyond mere topographical recording, instead creating landscapes that felt alive with movement, light, and a sense of dramatic narrative.

    A Legacy of Collaboration and Grandeur

    One of the most remarkable aspects of Ricci’s career was his profound willingness to engage in the collaborative spirit of his era. His work often blurred the lines between individual authorship and collective genius, particularly in large-scale decorative projects. A notable example of this grandeur can be found in his contributions to the decoration of Palazzo Fenzi's Sala d'Ercole alongside Sebastiano Ricci, where he demonstrated an ability to command vast architectural spaces with sweeping vistas and intricate detail. This talent for large-scale design extended into the theatrical realm, where his skill in opera scene design allowed him to manipulate light and space to create immersive, imaginary worlds.

    Ricci’s influence was not confined to the borders of the Serenissima Republic. Driven by the encouragement of Charles Montagu, the 4th Earl of Manchester—Venice’s ambassador to England—Ricci undertook a transformative journey to London in late 1708. This English connection expanded his horizons and introduced his Venetian sensibilities to a new international audience, further cementing his reputation as a pan-European master. His ability to adapt his style to different cultural contexts while maintaining his core identity as a landscape innovator remains a testament to his versatility.

    Masterpieces of Light and Atmosphere

    The enduring allure of Marco Ricci’s oeuvre lies in his ability to capture the ephemeral qualities of the natural world. His paintings often serve as windows into an idealized past, where classical architecture and untamed nature exist in a delicate, harmonious balance. Whether depicting a serene Villa in a Park Setting or a more dynamic Landscape with River and Figures, Ricci utilized light to guide the viewer's eye through complex compositions, creating depth and a sense of profound tranquility.

    His technical mastery is evident in several key areas of his work:

    Atmospheric Perspective: The use of soft, hazy tones to create an illusion of vast distance and airiness.

    Dynamic Brushwork: A spirited application of paint that conveys the movement of water, wind, and foliage.

    Narrative Integration: The seamless placement of figures within landscapes to suggest stories of classical mythology or pastoral life.

    Architectural Harmony: The integration of ruins and villas to evoke a sense of history and the passage of time.

    Ultimately, Marco Ricci was more than just a painter of scenery; he was an architect of emotion. Through his innovative approach to the landscape genre, he paved the way for the later triumphs of Canaletto and Guardi, ensuring that the Venetian tradition of landscape painting would remain a cornerstone of European art history.

    Museum

    Fondazione Querini Stampalia

    On show in Venice, Italy

    A Venetian Palazzo Where Time Bends

    Stepping into the Fondazione Querini Stampalia is akin to entering a dream—a meticulously preserved echo of Venice’s layered past interwoven with strikingly modern interventions. The palazzo, standing proudly in the Castello district, isn't merely a repository for art; it’s a living narrative of a family, a city, and the evolving spirit of Italian design. Founded in 1869 by Count Giovanni Querini Stampalia, the last scion of his lineage, the foundation was conceived as a public benefit—a gift to Venice intended to enrich its cultural life for generations to come. What began as a bequest of family heirlooms has blossomed into an institution celebrated for its exquisite collection of Venetian art, its breathtaking architecture, and its commitment to fostering contemporary creativity. The very air within these walls seems to hum with the weight of history, yet it is a history constantly reinterpreted through the lens of modern sensibility.

    The true magic of the Fondazione Querini Stampalia lies in its architectural duality. While the palazzo itself speaks volumes about Venetian aristocratic life across centuries—its ornate facades and richly decorated interiors hinting at lavish banquets and whispered intrigues—it was the visionary architect Carlo Scarpa who truly unlocked its potential. Commissioned to renovate the building in the 1960s, Scarpa didn’t simply restore; he engaged in a poetic dialogue with the existing structure. He understood that true preservation wasn't about freezing time but about allowing history to breathe and resonate within a contemporary context. His most celebrated intervention is undoubtedly the courtyard garden—a serene oasis where water plays a central role. A shallow, abstracted rill fountain meanders through the space, its gentle flow mirroring the canals that define Venice itself. Scarpa’s genius lies in his ability to integrate natural elements with geometric forms, creating a harmonious balance between the man-made and the organic.

    A Tapestry of Venetian Masters

    The Pinacoteca Querini Stampalia houses a remarkable collection that charts the evolution of Venetian painting from the Renaissance through the Rococo period. Here, visitors can encounter masterpieces by some of the city’s most revered artists.

    Presentation at the Temple

    by Giovanni Bellini is a cornerstone of the collection—a tender depiction of religious devotion rendered with exquisite detail and luminous color. The series dedicated to the Seven Sacraments by Pietro Longhi offers a fascinating glimpse into 18th-century Venetian life, capturing both the solemnity of religious rituals and the everyday realities of the time. Beyond these highlights, works by Giandomenico Tiepolo, Giulio Carpioni, and Marco Ricci contribute to a rich tapestry of artistic expression, showcasing the opulence, elegance, and distinctive light that characterize Venetian art. The foundation also embraces more modern voices, with pieces from Eugenio Da Venezia adding a contemporary dimension to its holdings.

    A Vibrant Cultural Hub

    The Fondazione Querini Stampalia is far more than just an art museum; it’s a vibrant cultural hub deeply embedded in the fabric of Venetian life. The Biblioteca della Fondazione Querini Stampalia, one of Venice’s most beautiful public libraries, stands as a testament to the foundation’s commitment to intellectual pursuits. Remarkably, it remains open on Sundays—a rare offering in a city where many institutions close their doors during the weekend—making it an invaluable resource for scholars and book lovers alike. The library houses a vast collection of books and papers, including significant donations from figures like the Venetian poet Mario Stefani.

    Beyond its permanent collections and library services, the foundation actively sponsors contemporary exhibitions, academic research, dance performances, and public lectures, ensuring that it remains a dynamic force in Venice’s cultural landscape. This dedication to both preservation and innovation is what truly sets the Fondazione Querini Stampalia apart—a place where the past informs the present, and the future is shaped by a deep respect for artistic heritage. Today, the institution continues its mission of fostering creativity through exhibitions that explore diverse perspectives on art history and contemporary culture, ensuring that Venice remains a beacon of artistic inspiration.

    Where to read more

    Find this online

    QR code linking to the download page for Landscape

    wikioo.org/en/art/download/marco-ricci-landscape-8XZU8H-en/

    Cite this artwork

    MLA
    Ricci, Marco. Landscape. 1720, Fondazione Querini Stampalia. https://wikioo.org/en/art/marco-ricci-landscape-8XZU8H-en/
    APA
    Ricci, Marco (1720). Landscape [Painting]. Fondazione Querini Stampalia. https://wikioo.org/en/art/marco-ricci-landscape-8XZU8H-en/
    Chicago
    Marco Ricci. Landscape. 1720. Fondazione Querini Stampalia. https://wikioo.org/en/art/marco-ricci-landscape-8XZU8H-en/
    Harvard
    Ricci, Marco (1720) Landscape. Fondazione Querini Stampalia. Available at: https://wikioo.org/en/art/marco-ricci-landscape-8XZU8H-en/

    Look closely

    Landscape — Marco Ricci

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: landscape. Do you agree? What would you add, or take away?
    4. Look back at Stormy Region (1705), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Marco Ricci was about 44 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.