Paper

Student Artwork Guide

Young Mother

Name Class Date

Mary Stevenson Cassatt, Young Mother. Public domain.

The facts

Artist
Mary Stevenson Cassatt wikioo.org/en/artists/mary-stevenson-cassatt/
Artist’s dates
1843 – 1926
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

In context

Young Mother — Mary Stevenson Cassatt

When might this have been painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920

Shaded: the lifetime of Mary Stevenson Cassatt (1843–1926)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/mary-stevenson-cassatt-young-mother-8BWUS9-en/

Colours

Measured from the image

    Main colour

    Espresso #4f3325

    Catalogued palette

    • #4F3325
    • #BA9C75
    • #19305F
    • #6F665E
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Mary Stevenson Cassatt

    Born in Allegheny City, United States of America

    A Life Dedicated to Impressionism and Domesticity

    Mary Stevenson Cassatt, a name forever linked with intimate portrayals of women and children within the radiant world of late 19th-century Impressionism, forged an exceptional path as an American artist who discovered her artistic sanctuary in France. Born on May 22, 1844, in Allegheny City, Pennsylvania – now part of Pittsburgh – Cassatt’s upbringing was steeped in privilege and a cultivated awareness of culture. Her family, with roots tracing back to French Huguenots, placed high value on education and travel, instilling within young Mary a cosmopolitan perspective that would profoundly shape her artistic vision. While societal norms often confined women to domestic spheres, Cassatt's mother, Katherine Kelso Johnston, actively encouraged her daughter’s burgeoning interest in art, recognizing and nurturing a talent that defied convention. This early support proved invaluable as Cassatt navigated the challenges of pursuing a professional career within a male-dominated field.

    From Philadelphia to Parisian Immersion

    Cassatt's formal artistic training commenced at the Pennsylvania Academy of the Fine Arts in Philadelphia at the age of fifteen, a bold step for a young woman during the Civil War era. Despite encountering skepticism and subtle discouragement from some instructors and fellow students, she persevered through years of diligent study. However, feeling constrained by the academy’s deliberate pace and traditional methods, Cassatt sought broader horizons. A pivotal moment arrived in 1866 when she relocated to Paris, accompanied by her mother and family friends as chaperones. This move marked a turning point in her artistic development. She studied privately with established artists affiliated with the École des Beaux-Arts, including Jean-Léon Gérôme, absorbing technical skills while simultaneously immersing herself in the burgeoning Parisian art scene. It was during this period that Cassatt began to gravitate towards the innovative ideas of the Impressionists, a group challenging academic conventions and striving to capture the fleeting moments of modern life. A particularly significant relationship blossomed with Edgar Degas, who recognized her exceptional talent and invited her to exhibit alongside the Impressionist circle. Their connection extended beyond exhibition; Degas became a mentor, encouraging Cassatt’s exploration of printmaking techniques, especially color aquatint, which would become an integral part of her artistic repertoire. He profoundly influenced her compositional choices, particularly in his emphasis on asymmetrical arrangements and cropped figures – elements that would come to define her unique style.

    Capturing Modern Womanhood: Style and Themes

    Cassatt’s artistic style evolved to embrace the hallmarks of Impressionism – visible brushstrokes, a focus on light and color, and a commitment to depicting contemporary life. Yet, she infused her work with a distinct clarity and precision that set it apart from some of her contemporaries. Unlike many male Impressionists who favored landscapes or Parisian nightlife, Cassatt centered her art around the social and private worlds of women, particularly mothers and children. She portrayed scenes of domesticity – bathing rituals, tea parties, quiet moments of connection – with remarkable intimacy and psychological depth. Her paintings are not merely depictions of everyday life; they are sensitive explorations of maternal bonds, female relationships, and the complexities of modern womanhood. Key works like The Boating Party (1894), The Child’s Bath (in various versions), and Little Girl in a Blue Armchair exemplify her ability to capture fleeting moments with both technical skill and emotional resonance. Furthermore, Cassatt was deeply influenced by Japanese ukiyo-e woodblock prints, evident in her compositions' flattened perspective, bold color choices, and elegant simplicity. This Japonisme influence added another layer of sophistication to her already distinctive style, influencing her use of pattern and the arrangement of forms within a space. She admired the way these prints captured everyday life with such directness and grace, qualities she sought to emulate in her own work.

    Legacy and Historical Significance

    Mary Cassatt’s contributions to the art world extend far beyond her captivating paintings and masterful prints. Often recognized as one of the “three great ladies” of Impressionism, alongside Berthe Morisot and Marie Bracquemond, she shattered barriers for women artists and paved the way for future generations. She played a vital role in bridging American and European art, introducing Impressionist ideas to an American audience and significantly contributing to the development of American Impressionism. Her work offered a nuanced and sympathetic portrayal of women’s lives during a period when they were often marginalized or stereotyped in art. Her depictions of motherhood are particularly celebrated for their honesty and emotional depth, challenging conventional representations and celebrating the strength and tenderness of maternal love. Today, her works are held in prestigious museums worldwide, including the Art Institute of Chicago (The Child’s Bath), the National Portrait Gallery in London (a portrait by Degas), and countless other institutions, ensuring that her legacy continues to inspire and resonate with audiences around the globe. She remains a powerful symbol of artistic independence and a testament to the enduring power of art to illuminate the human experience.

    Further Exploration

    Online Resources: Explore Mary Cassatt’s life and work further through resources like Wikipedia (https://en.wikipedia.org/wiki/Mary_Cassatt) and AllPaintingsStore.

    Museum Collections: Discover her masterpieces in renowned museums worldwide, including the Art Institute of Chicago and the National Portrait Gallery in London.

    Related Artists: Delve into the works of Edgar Degas, Berthe Morisot, and Marie Bracquemond to understand the broader context of Impressionism and the contributions of women artists during this period.

    Where to read more

    Find this online

    QR code linking to the download page for Young Mother

    wikioo.org/en/art/download/mary-stevenson-cassatt-young-mother-8BWUS9-en/

    Cite this artwork

    MLA
    Cassatt, Mary Stevenson. Young Mother. n.d., https://wikioo.org/en/art/mary-stevenson-cassatt-young-mother-8BWUS9-en/
    APA
    Cassatt, Mary Stevenson (n.d.). Young Mother [Painting]. https://wikioo.org/en/art/mary-stevenson-cassatt-young-mother-8BWUS9-en/
    Chicago
    Mary Stevenson Cassatt. Young Mother. n.d. https://wikioo.org/en/art/mary-stevenson-cassatt-young-mother-8BWUS9-en/
    Harvard
    Cassatt, Mary Stevenson (n.d.) Young Mother. Available at: https://wikioo.org/en/art/mary-stevenson-cassatt-young-mother-8BWUS9-en/

    Look closely

    Young Mother — Mary Stevenson Cassatt

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: motherhood, portrait, impressionism. Do you agree? What would you add, or take away?
    4. Look back at The Child's Bath (1893), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.